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Author: Paul Veyne
Publisher: University of Chicago Press
ISBN: 022642782X
Category : Architecture
Languages : en
Pages : 111
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Book Description
Originally published as: Palmyre: l'irremplaðcable trâesor.
Author: Paul Veyne
Publisher: University of Chicago Press
ISBN: 022642782X
Category : Architecture
Languages : en
Pages : 111
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Book Description
Originally published as: Palmyre: l'irremplaðcable trâesor.
Author: Joan Aruz
Publisher: Metropolitan Museum of Art
ISBN: 1588396312
Category : Art
Languages : en
Pages : 163
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Book Description
In response to the catastrophic destruction of Syria’s ancient city of Palmyra, a UNESCO world heritage site, a group of major international scholars gathered to focus on the art, archaeology, and history of the beleaguered site and present their latest findings. Their papers, given at a symposium at The Metropolitan Museum of Art in May 2016, have been collected in this fascinating and important publication. They are accompanied by a moving tribute by Waleed Khaled al-Asa‘ad to his father, Khaled al-Asa‘ad, the Syrian archaeologist and head of antiquities for the ancient city of Palmyra who was brutally murdered in 2015 while defending the site. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} Palmyra: Mirage in the Desert, published simultaneously in English and Arabic, is the latest volume in the Metropolitan Museum symposium series. It is a major contribution to the knowledge and understanding of this multicultural desert—located at the crossroads of the ancient world—that will help preserve the memory of this extraordinary place for generations to come.
Author: Robert Wood
Publisher:
ISBN: 9781350159808
Category : Architecture
Languages : en
Pages : 0
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Book Description
"Wood's Palmyra and Balbec were first printed in 1753 and 1757, respectively, in simultaneous English and French editions. (For the circumstances of publication, see the Introduction below.) Both were republished in a single volume in 1827 (London: William Pickering); and reprinted in separate volumes in 1971 (Westmead: Gregg International). No manuscript of the texts is known to survive, but Borra's drawings for the plates are preserved in the collection of the Royal Institute of British Architects (see, e.g., Figure 7 in the Introduction below). The present text is based on the original English editions of 1753 and 1757. Orthography and capitalization have been modernised, punctuation has not. Toponyms and names of historical figures have been modified to reflect current English usage. Wood's references to other authors, ancient and modern, are highly abbreviated, and are here reprinted as found. However, passages directly quoted from ancient authors have been updated by reference to more recent editions: the Loebs for Diodorus Siculus, the Historia Augusta, Pliny, and Strabo; Dindorf (1832) for the Chronicon Paschale; Mommsen (1868) for the Digest; Rougé (1966) for the Expositio totius mundi et gentium; Lightfoot (2003) for Lucian's On the Syrian Goddess; Willis (1994) for Macrobius; and Thurn (2000) for Malalas. Citations, by book and chapter when appropriate, have been supplied {in braces}. Internal cross-references have been updated to reflect the pagination of the present volumes. References in the Introduction give the pagination, first of the original editions, then of the present volumes."--
Author: Masanori Nagaoka
Publisher: Springer Nature
ISBN: 3030513165
Category : Social Science
Languages : en
Pages : 368
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Book Description
This Open Access book explores heritage conservation ethics of post conflict and provides an important historical record of the possible reconstruction of the Bamiyan Buddha statues, which was inscribed in the UNESCO World Heritage List in Danger in 2003 as “Cultural Landscape and Archaeological Remains of the Bamiyan Valley”. With the condition that most surface of the original fragments of the Buddha statues were lost due to acts of deliberate destruction, this publication explores a reference point for conservation practitioners and policy makers around the world as they consider how to respond to on-going acts of destruction of cultural heritage. Whilst there has been an emerging debate to the ethics and nature of heritage reconstruction, this volume provides a plethora of ideas and approaches concerning the future treatment of the Bamiyan Buddha statues. It also addresses a number of fundamental questions on potential heritage reconstruction: how it will be done; who will decide; and what it should be done for. Moreover when it comes to the inscribed World Heritage properties, how can reconstructed heritage using non-original materials be considered to retain authenticity? With a view to serving as a precedent for potential decisions taken elsewhere in the world for cultural properties impacted by acts of violence and destruction, this volume introduces academic researches, experiences and observations of heritage conservation theory and practice of heritage reconstruction. It also addresses the issue not merely from the point of a material conservation philosophy but within the context of holistic strategies for the protection of human rights and promotion of peace building.
Author: Robert Bevan
Publisher: Reaktion Books
ISBN: 1861896387
Category : History
Languages : en
Pages : 252
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Book Description
Crumbled shells of mosques in Iraq, the bombing of British cathedrals in World War II, the fall of the World Trade Center towers on September 11: when architectural totems such as these are destroyed by conflicts and the ravages of war, more than mere buildings are at stake. The Destruction of Memory reveals the extent to which a nation weds itself to its landscape; Robert Bevan argues that such destruction not only shatters a nation’s culture and morale but is also a deliberate act of eradicating a culture’s memory and, ultimately, its existence. Bevan combs through world history to highlight a range of wars and conflicts in which the destruction of architecture was pivotal. From Cortez’s razing of Aztec cities to the carpet bombings of Dresden and Tokyo in World War II to the war in the former Yugoslavia, The Destruction of Memory exposes the cultural war that rages behind architectural annihilation, revealing that in this subliminal assault lies the complex aim of exterminating a people. He provocatively argues for “the fatally intertwined experience of genocide and cultural genocide,” ultimately proposing the elevation of cultural genocide to a crime punishable by international law. In an age in which Frank Gehry, I. M. Pei, and Frank Lloyd Wright are revered and yet museums and temples of priceless value are destroyed in wars around the world, Bevan challenges the notion of “collateral damage,” arguing that it is in fact a deliberate act of war.
Author: Abednego Seller
Publisher:
ISBN:
Category : Antiquities
Languages : en
Pages : 448
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Book Description
Author: David Joselit
Publisher: MIT Press
ISBN: 0262043696
Category : Art
Languages : en
Pages : 344
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Book Description
How global contemporary art reanimates the past as a resource for the present, combating modern art's legacy of Eurocentrism. If European modernism was premised on the new—on surpassing the past, often by assigning it to the “traditional” societies of the Global South—global contemporary art reanimates the past as a resource for the present. In this account of what globalization means for contemporary art, David Joselit argues that the creative use of tradition by artists from around the world serves as a means of combatting modern art's legacy of Eurocentrism. Modernism claimed to live in the future and relegated the rest of the world to the past. Global contemporary art shatters this myth by reactivating various forms of heritage—from literati ink painting in China to Aboriginal painting in Australia—in order to propose new and different futures. Joselit analyzes not only how heritage becomes contemporary through the practice of individual artists but also how a cultural infrastructure of museums, biennials, and art fairs worldwide has emerged as a means of generating economic value, attracting capital and tourist dollars. Joselit traces three distinct forms of modernism that developed outside the West, in opposition to Euro-American modernism: postcolonial, socialist realism, and the underground. He argues that these modern genealogies are synchronized with one another and with Western modernism to produce global contemporary art. Joselit discusses curation and what he terms “the curatorial episteme,” which, through its acts of framing or curating, can become a means of recalibrating hierarchies of knowledge—and can contribute to the dual projects of decolonization and deimperialization.
Author: Lidewijde de Jong
Publisher: Cambridge University Press
ISBN: 1107131413
Category : History
Languages : en
Pages : 383
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Book Description
This book sheds new light on funerary customs in Roman Syria, offering a novel way of understanding its provincial culture.
Author: Jason Felch
Publisher: HMH
ISBN: 0547538022
Category : Art
Languages : en
Pages : 397
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Book Description
A “thrilling, well-researched” account of years of scandal at the prestigious Getty Museum (Ulrich Boser, author of The Gardner Heist). In recent years, several of America’s leading art museums have voluntarily given up their finest pieces of classical art to the governments of Italy and Greece. Why would they be moved to such unheard-of generosity? The answer lies at the Getty, one of the world’s richest and most troubled museums, and scandalous revelations that it had been buying looted antiquities for decades. Drawing on a trove of confidential museum records and candid interviews, these two journalists give us a fly-on-the-wall account of the inner workings of a world-class museum, and tell a story of outlandish characters and bad behavior that could come straight from the pages of a thriller. “In an authoritative account, two reporters who led a Los Angeles Times investigation reveal the details of the Getty Museum’s illicit purchases, from smugglers and fences, of looted Greek and Roman antiquities. . . . The authors offer an excellent recap of the museum’s misdeeds, brimming with tasty details of the scandal that motivated several of America’s leading art museums to voluntarily return to Italy and Greece some 100 classical antiquities worth more than half a billion dollars.” —Publishers Weekly, starred review “An astonishing and penetrating look into a veiled world where beauty and art are in constant competition with greed and hypocrisy. This engaging book will cast a fresh light on many of those gleaming objects you see in art museums.” —Jonathan Harr, author of The Lost Painting
Author: Diofantos G. Hadjimitsis
Publisher: Springer
ISBN: 3030109798
Category : Technology & Engineering
Languages : en
Pages : 315
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Book Description
This book investigates the added value that satellite technologies and remote sensing could provide for a more sustainable mapping, monitoring and management of heritage sites, be it for purposes of regular maintenance or for risk mitigation in case of natural or man-caused hazards. One of the major goals of this book is to provide a clear overview on policy perspectives, regarding both space policy as well as heritage policy, and to provide possible suggestions for common ground of these two fields, in Europe and around the world. Readers will develop a good understanding of cutting-edge applications of remote sensing and geographic information science, and the challenges that affect heritage maintenance and protection. Particular attention is given to Earth observation and remote sensing techniques applied in different locations. This book brings together innovative technologies, concrete applications and policy perspectives that can lead to a more complete vision of cultural heritage as a resource for future development of our society as a whole.
