Tennessee Williams’ “A Streetcar Named Desire” - Contrasting the Play With the Movie from 1951 Directed by Elia Kazan PDF Download
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Author: Valerie Hurst
Publisher: GRIN Verlag
ISBN: 364053817X
Category : Literary Criticism
Languages : en
Pages : 21
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Book Description
Seminar paper from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 1,8, University of Tubingen (Englisches Seminar), course: Introduction to Literary Studies, language: English, abstract: “’The marvelous performances in [this] great movie [...] [are] only slightly marred by [a] Hollywood ending.’ Tennessee Williams” (cf. Yacowar). Tennessee Williams’ play “A Streetcar Named Desire” from 1947 was often staged and interpreted. It was also the base of Elia Kazan’s famous and remarkable movie from 1951. Since a book allows for interpretation, the movie features a different realization. This paper will contrast the written form with the film version. To illustrate the different realizations there will be a closer look at the two special and important scenes, ten and eleven, which are exemplarily for the differences in the general conversion. The decision for exactly these scenes is founded in the striking differences in conversion and adaptation and by reason of plenty of content rapidly beat down in these scenes. Due to many influences, the film departs in places completely from Williams’ original. These influences and differences will be described in the following first part. Particular attention will then be paid to the music and noises, and the moods and emotions caused by these. And, due to being close linked to the adaptation of the whole movie, the effects of censorship will be explained. The impact is to work out in which ways the movie is adapted to the play and where it distinguishes from it.
Author: Valerie Hurst
Publisher: GRIN Verlag
ISBN: 364053817X
Category : Literary Criticism
Languages : en
Pages : 21
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Book Description
Seminar paper from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 1,8, University of Tubingen (Englisches Seminar), course: Introduction to Literary Studies, language: English, abstract: “’The marvelous performances in [this] great movie [...] [are] only slightly marred by [a] Hollywood ending.’ Tennessee Williams” (cf. Yacowar). Tennessee Williams’ play “A Streetcar Named Desire” from 1947 was often staged and interpreted. It was also the base of Elia Kazan’s famous and remarkable movie from 1951. Since a book allows for interpretation, the movie features a different realization. This paper will contrast the written form with the film version. To illustrate the different realizations there will be a closer look at the two special and important scenes, ten and eleven, which are exemplarily for the differences in the general conversion. The decision for exactly these scenes is founded in the striking differences in conversion and adaptation and by reason of plenty of content rapidly beat down in these scenes. Due to many influences, the film departs in places completely from Williams’ original. These influences and differences will be described in the following first part. Particular attention will then be paid to the music and noises, and the moods and emotions caused by these. And, due to being close linked to the adaptation of the whole movie, the effects of censorship will be explained. The impact is to work out in which ways the movie is adapted to the play and where it distinguishes from it.
Author: Michael Grawe
Publisher: diplom.de
ISBN: 3832432191
Category : Literary Collections
Languages : en
Pages : 34
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Book Description
Inhaltsangabe:Abstract: This paper will compare and contrast the written form of Tennessee Williams' play A Streetcar Named Desire with the 1951 movie version. It will explain and discuss the major differences between the two, focusing on the issue of censorship as it was an important factor in the development of the play from its Broadway form into a film. As this paper will show this was due to the fact that during the 1940s and 50s the world of theater in America was much more permissive than that of film. This paper will also examine Williams' concept of a 'plastic theater', an innovative approach by him which utilized music, sound effects, movement and lighting to express abstract themes. His idea of a 'plastic theater', was closer to the world of film than to the traditional form of the stage and is evident in A Streetcar Named Desire. It influenced the adaptation of the play to the big screen. The play A Streetcar Named Desire opened at the Ethel Barrymore Theater, New York City, on December 3, 1947. Following The Glass Menagerie it was only the second of Williams' plays to be performed on Broadway. Despite his relatively short history on the New York stage Streetcar was a great success, running for 855 performances. It also became the first play to win all three major awards: the Pulitzer Prize, the New York Drama Critics' Circle Award, and the Donaldson Award. Film makers were for two years uninterested in turning the play into a motion picture despite its overwhelming popularity. This was because A Streetcar Named Desire did not fit the standard Hollywood model for movies in the 1940s which was one of clean, wholesome family entertainment. Only William Wyler, one of Hollywood's most commercially successful directors at that time, was interested. He thought that it had the potential for box-office success, given both its popularity and its critical recognition. However, later he abandoned the project because of the censorship requirements. In 1951, the film A Streetcar Named Desire was released, directed by Elia Kazan. It had grown directly out of the New York stage production, which he had also directed. Tennessee Williams wrote the screenplay for the film together with Kazan, remaining close to the original text. Virtually the entire cast was retained for the movie, including leads Marlon Brando (as Stanley Kowalski), Kim Hunter (Stella Kowalski), and Karl Malden (Harold Mitchell or Mitch). However, as Blanche DuBois, Jessica Tandy [...]
Author: Valerie Hurst
Publisher: GRIN Verlag
ISBN: 3640537939
Category : Language Arts & Disciplines
Languages : en
Pages : 25
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Book Description
Seminar paper from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 1,8, University of Tubingen (Englisches Seminar), course: Introduction to Literary Studies, language: English, abstract: "'The marvelous performances in [this] great movie [...] [are] only slightly marred by [a] Hollywood ending.' Tennessee Williams" (cf. Yacowar). Tennessee Williams' play "A Streetcar Named Desire" from 1947 was often staged and interpreted. It was also the base of Elia Kazan's famous and remarkable movie from 1951. Since a book allows for interpretation, the movie features a different realization. This paper will contrast the written form with the film version. To illustrate the different realizations there will be a closer look at the two special and important scenes, ten and eleven, which are exemplarily for the differences in the general conversion. The decision for exactly these scenes is founded in the striking differences in conversion and adaptation and by reason of plenty of content rapidly beat down in these scenes. Due to many influences, the film departs in places completely from Williams' original. These influences and differences will be described in the following first part. Particular attention will then be paid to the music and noises, and the moods and emotions caused by these. And, due to being close linked to the adaptation of the whole movie, the effects of censorship will be explained. The impact is to work out in which ways the movie is adapted to the play and where it distinguishes from it.
Author: Michael Grawe
Publisher: GRIN Verlag
ISBN: 3640119568
Category :
Languages : en
Pages : 62
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Book Description
Seminar paper from the year 1999 in the subject American Studies - Literature, grade: very good, University of Paderborn (American Studies), course: Proseminar: New Orleans in Literature, 11 entries in the bibliography, language: English, abstract: This paper will compare and contrast the written form of Tennessee Williams' play $6WUHHWFDU1DPHG'HVLUH1 with the 1951 movie version.2 It will explain and discuss the major differences between the two, focusing on the issue of censorship as it was an important factor in the development of the play from its Broadway form into a film. As this paper will show this was due to the fact that during the 1940s and 50s the world of theater in America was much more permissive than that of film. This paper will also examine Williams' concept of a 'plastic theater', an innovative approach by him which utilized music, sound effects, movement and lighting to express abstract themes. His idea of a 'plastic theater', was closer to the world of film than to the traditional form of the stage and is evident in $6WUHHWFDU1DPHG'HVLUH. It influenced the adaptation of the play to the big screen. [...]
Author: Brenda Murphy
Publisher: A&C Black
ISBN: 1408145332
Category : Literary Criticism
Languages : en
Pages : 321
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Book Description
This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. Perfect for students of English Literature, Theatre Studies and American Studies at college and university, The Theatre of Tennessee Williams provides a lucid and stimulating analysis of Willams' dramatic work by one of America's leading scholars. With the centennial of his birth celebrated amid a flurry of conferences devoted to his work in 2011, and his plays a central part of any literature and drama curriculum and uibiquitous in theatre repertoires, he remains a giant of twentieth century literature and drama. In Brenda Murphy's major study of his work she examines his life and career and provides an analysis of more than a score of his key plays, including in-depth studies of major works such as A Streetcar Named Desire, The Glass Menagerie, Cat on a Hot Tin Roof and others. She traces the artist figure who features in many of Williams' plays to broaden the discussion beyond the normal reference points. As with other volumes in Methuen Drama's Critical Companions series, this book features too essays by Bruce McConachie, John S. Bak, Felicia Hardison Londré and Annette Saddik, offering perspectives on different aspects of Williams' work that will assist students in their own critical thinking.
Author: Elia Kazan
Publisher: Vintage
ISBN: 0307277046
Category : Performing Arts
Languages : en
Pages : 370
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Book Description
Elia Kazan was the twentieth century’s most celebrated director of both stage and screen, and this monumental, revelatory book shows us the master at work. Kazan’s list of Broadway and Hollywood successes—A Streetcar Named Desire, Death of a Salesman, On the Waterfront, to name a few—is a testament to his profound impact on the art of directing. This remarkable book, drawn from his notebooks, letters, interviews, and autobiography, reveals Kazan’s method: how he uncovered the “spine,” or core, of each script; how he analyzed each piece in terms of his own experience; and how he determined the specifics of his production. And in the final section, “The Pleasures of Directing”—written during Kazan’s final years—he becomes a wise old pro offering advice and insight for budding artists, writers, actors, and directors.
Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 143812628X
Category : New Orleans (La.)
Languages : en
Pages : 189
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Book Description
Presents a collection of ten critical essays on Williams's play "A Streetcar Named Desire" arranged in chronological order of publication.
Author: Philip C. Kolin
Publisher: Cambridge University Press
ISBN: 9780521626101
Category : Drama
Languages : en
Pages : 260
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Book Description
One of the most important plays of the twentieth century, A Streetcar Named Desire revolutionised the modern stage. This book offers the first continuous history of the play in production from 1947 to 1998 with an emphasis on the collaborative achievement of Tennessee Williams, Elia Kazan, and Jo Mielziner in the Broadway premiere. From there chapters survey major national premieres by the world's leading directors including those by Seki Sano (Mexico), Luchino Visconti (Italy), Ingmar Bergman (Sweden), Jean Cocteau (France ) and Laurence Olivier (England). Philip Kolin also evaluates key English-language revivals and assesses how the script evolved and adapted to cultural changes. Interpretations by Black and gay theatre companies also receive analyses and transformations into other media, such as ballet, film, television, and opera (premiered in 1998) form an important part of the overall study.
Author: Allan Hunter
Publisher: Larousse Kingfisher Chambers
ISBN:
Category : Performing Arts
Languages : en
Pages : 268
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Book Description
This book gives plot summaries, credits and comment on key films from nearly 90 years of movie history.
Author: Barbara Leaming
Publisher: Crown
ISBN: 0307557774
Category : Biography & Autobiography
Languages : en
Pages : 479
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Book Description
Barbara Leaming's Marilyn Monroe is a complex, sympathetic portrait that will totally change the way we view the most enduring icon of American sexuality. To those who think they have heard all there is to hear about Marilyn Monroe, think again. Leaming's book tells a brand-new tale of sexual, psychological, and political intrigue of the highest order. Told for the first time in all its complexity, this is a compelling portrait of a woman at the center of a drama with immensely high stakes, a drama in which the other players are some of the most fascinating characters from the world's of movies, theater, and politics. It is a book that shines a bright light on one of the most tumultuous, frightening, and exciting periods in American culture. Basing her research on new interviews and on thousands of primary documents, including revealing letters by Arthur Miller, Elia Kazan, John Huston, Laurence Olivier, Tennessee Williams, Darryl Zanuck, Marilyn's psychiatrist Dr. Ralph Greenson, and many others, Leaming has reconstructed the tangles of betrayal in Marilyn's life. For the first time, a master storyteller has put together all of the pieces and told Marilyn's story with the intensity and drama it so richly deserves. At the heart of this book is a sexual triangle and a riveting story of betrayal that has never been told before. You will come away filled with new respect for Marilyn's incredible courage, dignity, and loyalty, and an overwhelming sense of tragedy after witnessing Marilyn, powerless to overcome her demons, move inexorably to her own final, terrible betrayal of herself. Marilyn Monroe is a book that will make you think--and will break your heart.
