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Author: Ronald M. Bernier
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 284
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Book Description
Author: RONALD M. BERNIER.
Publisher:
ISBN: 9788121901109
Category : Art
Languages : en
Pages : 0
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Book Description
Author: Ronald M. Bernier
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 284
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Book Description
Author: Deepti Omchery Bhalla
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 152
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Book Description
Books dealing with ritualistic music, devotional dance forms and allied arts of Kerala arerare. Not much research has gone deep into these areas which cut across the periphery andsuperficial layers and touch the real core. The reasons could be many the practitionersinability to verbalise the content and substance of their art and their inhibition to violatethe rigid, protective, orthodox rules and norms intended to preserve their sanctity.The concept of Sangeetam that is Geetam, Vadyam and Nrityam or the Triad Arts, existedbefore fifteenth century, is still in vogue in the music of Kerala temples.This book deals with the Sopaana music, the traditional music of Kerala and seeks tothrow light on various ritualistic music and musical instruments and ritualistic dance Thalinanka Nrityam the precursor of Mohiniattam. Many facts and information relatedto the three areas, which were rarely known have been identified through systematicresearch of primary and secondary sources, especially the information contained in theold palm leaf manuscripts collected from ancient families and temples. It is hoped thatthe work will pave the way for those who want to go further in studying the temple arts ofKerala.
Author:
Publisher:
ISBN:
Category : Temples
Languages : en
Pages : 15
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Book Description
Author: Kapila Vatsyayan
Publisher:
ISBN:
Category : Art, Indic
Languages : en
Pages : 108
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Book Description
With reference to Hindu temples of Kerala; includes viewpoints on architecture; transcript of the first Parikshit memorial lecture, 1988.
Author: Albrecht Frenz
Publisher: Arnoldsche Verlagsanstalt GmbH
ISBN:
Category : Art
Languages : en
Pages : 216
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Book Description
"There are numerous, little known temple complexes situated in the region of North Kerala in south western India. From the 12[superscript th] century until the present day, artists have created wall paintings in brilliant colours on external temple walls. The paintings mirror the joyful celebration of life as depicted in Indian myths and legends." "For thirty years the photographer, artist and teacher Krishna Kumar Marar has located the wall paintings. Some of the temples and wall paintings documented in this volume no longer exist." "Since his university days the indologist and theologian Albrecht Frenz has studied Indian cultures and languages. He initiated the present volume as a starting point for further research on temple art of North Kerala. The fascinating depictions and illustrations allow for vivid insights into the Hindu culture of this region."--BOOK JACKET.
Author: All India Radio (AIR), New Delhi
Publisher: All India Radio (AIR),New Delhi
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 82
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Book Description
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 05 MARCH, 1967 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 82 VOLUME NUMBER: Vol. XXXII, No. 10 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 14-81 ARTICLE: 1. The Kerala Theatre 2. Chandigarh 3. Latest Advances In Medicine And Surgery: Medicine 4. Progress of Science AUTHOR: 1. Dr. K. N. Pisharoty 2. Dr. M. S. Randhawa 3. Dr. P. N. Chuttani 4. Dr. P. D. Bhavsar KEYWORDS : 1.Koothambalams,Kerala,Koothu,Folk 2.Committee,Chandigarh,India,Lahore 3.Drugs,Requirements,Oxygen,Stroke 4.Progress,Science,China,Council Document ID : APE-1967 (J-M) Vol-I-10 Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.
Author: Stella Kramrisch
Publisher: Department of Cultural Publications Government of Kerala
ISBN:
Category : Art
Languages : en
Pages : 384
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Book Description
Author: Ronald M. Bernier
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: L. S. Rajagopalan
Publisher:
ISBN:
Category : Folk music
Languages : en
Pages : 192
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Book Description
The performing arts of Kerala Kathakali, Kutiyattam, Mohiniattam, and other forms of dance and drama occupy a vital space in India s creative imagination. All these performances move to a music that is supported by Kerala s indigenous musical instruments a variety of drums and clappers, as well as a smaller number of pipes and strings. Quite a few of these instruments are also found associated with rituals and festivities in the temples of Kerala: the Itakka, Chenta, Timila, Milavu, Suddha Maddalam all membranophones; the aerophones Kurum Kulal and Kompu Vadyam; and Ilattalam, an idiophone. Notes on these instruments by a devoted student of the performing arts of Kerala are put together in this small volume the first English-language publication on the subject. Illustrations of each instrument accompany the texts. The author brings to his task the benefit of an intimate knowledge of each instrument, acquired through years of fieldwork, as well as an erudition born of his immersion in literary classics in Tamil, Malayalam and Sanskrit. The pieces here are a source too of the folklore associated with Kerala s musical instruments. The chief strength of the book, however, lies in the precise information it provides on each instrument its dimensions, materials, construction, playing techniques, methods of training, and, not least, its music. Apart from musicians and musicologists, this book would interest students of Kerala s folklore and anthropology, as well as general readers with a special interest in the arts and culture of Kerala.
