Sweelinck's Keyboard Music PDF Download
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Author: Curtis
Publisher: BRILL
ISBN: 9004610936
Category : History
Languages : en
Pages : 270
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Book Description
Author: Curtis
Publisher: BRILL
ISBN: 9004610936
Category : History
Languages : en
Pages : 270
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Book Description
Author: Jan Pieterszoon Sweelinck
Publisher: Courier Corporation
ISBN: 0486249352
Category : Music
Languages : en
Pages : 273
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Book Description
Remarkable treasury includes nearly all of early Dutch composer's difficult-to-find organ and keyboard works, reproduced from a clearly-printed, reliable 1943 edition. Includes chorale variations; toccatas and fantasias; variations on secular, dance tunes. Also 3 incomplete and/or modified works, and an authentic fantasia by John Bull, based on a now-lost Sweelinck fugue. New Publisher's Note. Contents with incipits.
Author: Pieter Dirksen
Publisher:
ISBN:
Category : Keyboard instrument music
Languages : en
Pages : 724
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Book Description
Author: Alan Curtis
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 278
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Book Description
Author: Pieter Dirksen
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754654414
Category : Music
Languages : en
Pages : 294
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Book Description
One of the most remarkable tales of recent resurrections in the field of early keyboard music concerns the music of Heinrich Scheidemann (c. 1595-1663). Pieter Dirksen considers the transmission of Scheidemann's music as a whole and the repertoire itself
Author: Pieter Dirksen
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 276
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Book Description
Author: David J. Smith
Publisher: Routledge
ISBN: 1317088816
Category : Music
Languages : en
Pages : 327
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Book Description
Peter Philips (c.1560-1628) was an English organist, composer, priest and spy. He was embroiled in multifarious intersecting musical, social, religious and political networks linking him with some of the key international players in these spheres. Despite the undeniable quality of his music, Philips does not fit easily into an overarching, progressive view of music history in which developments taking place in centres judged by historians to be of importance are given precedence over developments elsewhere, which are dismissed as peripheral. These principal loci of musical development are given prominence over secondary ones because of their perceived significance in terms of later music. However, a consideration of the networks in which Philips was involved suggests that he was anything but at the periphery of the musical, cultural, religious and political life of his day. In this book, Philips’s life and music serve as a touchstone for a discussion of various kinds of network in the late sixteenth and early seventeenth centuries. The study of networks enriches our appreciation and understanding of musicians and the context in which they worked. The wider implication of this approach is a constructive challenge to orthodox historiographies of Western art music in the Early Modern Period.
Author: James Haar
Publisher: Boydell & Brewer Ltd
ISBN: 184383894X
Category : Literary Criticism
Languages : en
Pages : 600
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Book Description
Chronological surveys of national musical cultures (in Italy, France, the Netherlands, Germany, England, and Spain), genre studies (Mass, motet, madrigal, chanson, instrumental music, opera), as well as essays on intellectual and cultural developments and concepts relevant to music (music theory, printing, the Protestant Reformation and the corresponding Catholic movement, humanism, the concepts of "Renaissance" and "Baroque").
Author: Corliss Richard Arnold
Publisher: Scarecrow Press
ISBN: 0810846977
Category : Music
Languages : en
Pages : 399
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Book Description
Now in paperback! Cloth edition 0-8108-2964-9 originally published in 1995.
Author: George J. Buelow
Publisher: Indiana University Press
ISBN: 9780253343659
Category : Music
Languages : en
Pages : 732
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Book Description
"A History of Baroque Music is a detailed treatment of the music of the Baroque era, with particular focus on the seventeenth century. The author's approach is a history of musical style with an emphasis on musical scores. The book is divided initially by time period into early and later Baroque (1600-1700 and 1700-1750 respectively), and secondarily by country and composer. An introductory chapter discusses stylistic continuity with the late Renaissance and examines the etymology of the term "Baroque." The concluding chapter on the composer Telemann addresses the stylistic shift that led to the end of the Baroque and the transition into the Classical period."--Jacket.
