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Author: A. M. Jones
Publisher:
ISBN:
Category : Dance music
Languages : en
Pages : 0
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Book Description
Author: A. M. Jones
Publisher:
ISBN:
Category : Dance music
Languages : en
Pages : 0
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Book Description
Author: Mhoze Chikowero
Publisher: Indiana University Press
ISBN: 0253018099
Category : Music
Languages : en
Pages : 364
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Book Description
In this new history of music in Zimbabwe, Mhoze Chikowero deftly uses African sources to interrogate the copious colonial archive, reading it as a confessional voice along and against the grain to write a complex history of music, colonialism, and African self-liberation. Chikowero's book begins in the 1890s with missionary crusades against African performative cultures and African students being inducted into mission bands, which contextualize the music of segregated urban and mining company dance halls in the 1930s, and he builds genealogies of the Chimurenga music later popularized by guerrilla artists like Dorothy Masuku, Zexie Manatsa, Thomas Mapfumo, and others in the 1970s. Chikowero shows how Africans deployed their music and indigenous knowledge systems to fight for their freedom from British colonial domination and to assert their cultural sovereignty.
Author: Alexander Akorlie Agordoh
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 178
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Book Description
Author: Gerhard Kubik
Publisher: University of Chicago Press
ISBN: 0226456919
Category : History
Languages : en
Pages : 465
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Book Description
Vol. 1 previously published in 1994 by F. Noetzel.
Author: Arthur Morris Jones
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Eric Charry
Publisher: Indiana University Press
ISBN: 0253005825
Category : Music
Languages : en
Pages : 405
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Book Description
Hip Hop Africa explores a new generation of Africans who are not only consumers of global musical currents, but also active and creative participants. Eric Charry and an international group of contributors look carefully at youth culture and the explosion of hip hop in Africa, the embrace of other contemporary genres, including reggae, ragga, and gospel music, and the continued vitality of drumming. Covering Senegal, Mali, Côte d'Ivoire, Ghana, Nigeria, Kenya, Tanzania, Malawi, and South Africa, this volume offers unique perspectives on the presence and development of hip hop and other music in Africa and their place in global music culture.
Author: A. M. Jones
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 362
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Book Description
Author: A. M. Jones
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 362
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Book Description
Author: Kofi Agawu
Publisher: Routledge
ISBN: 1317794060
Category : Music
Languages : en
Pages : 289
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Book Description
The aim of this book is to stimulate debate by offering a critique of discourse about African music. Who writes about African music, how, and why? What assumptions and prejudices influence the presentation of ethnographic data? Even the term "African music" suggests there is an agreed-upon meaning, but African music signifies differently to different people. This book also poses the question then, "What is African music?" Agawu offers a new and provocative look at the history of African music scholarship that will resonate with students of ethnomusicology and post-colonial studies. He offers an alternative "Afro-centric" means of understanding African music, and in doing so, illuminates a different mode of creativity beyond the usual provenance of Western criticism. This book will undoubtedly inspire heated debate--and new thinking--among musicologists, cultural theorists, and post-colonial thinkers. Also includes 15 musical examples.
Author: Paul Ugor
Publisher: Boydell & Brewer
ISBN: 1648250246
Category : History
Languages : en
Pages : 419
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Book Description
"The edited collection focuses on the links between young people and African popular culture. It explores popular culture produced and consumed by young people in contemporary Africa. And by "culture," we mean all kinds of texts or representations-visual, oral, written, performative, fictional, social, and virtual-created by African youth, mostly about their lives and their immediate societies, and for themselves, but also consumed by the larger public, and shared locally and globally. We proceed from the premise that cultural texts not only function as "social facts" as Karin Barber argues, but that they double as "commentaries upon, and interpretations of, social facts. They are part of social reality, but they also take up an attitude to social reality" (2007, 04). So, the work focuses specifically on what African youth produce as popular culture, under what conditions or contexts they produce such work, how they produce those texts, why they produce them, the aesthetic dimensions of these texts as cultural artifacts, and why these textual practices matter as social facts, as interpretive acts, and as cultural symbols of the general cultural activism of young people in a rapidly changing world, a world where the global cultural economy is the prime terrain for the relentless struggles over the meanings that come to shape political-economic and social systems"--
