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Author: Axel Heil
Publisher: Petzel Gallery
ISBN: 9781733215589
Category : Art
Languages : en
Pages : 128
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Book Description
A comprehensive catalogue of the exhibition Strategic Vandalism: The Legacy of Asger Jorn’s Modifications Paintings on view at Petzel Gallery in New York from March 5th to April 13th, 2019. With texts written and edited by the curators as well as reprinted articles on the subjects of détournement, vandalism, and the relationship between modifications and appropriation art in the late 1970s. If you have old paintings, do not despair. Retain your memories but detourn them so that they correspond with your era. Why reject the old, if one can modernize it? —Asger Jorn Published on the occasion of the exhibition Strategic Vandalism: The Legacy of Asger Jorn’s Modifications Paintings at Petzel Gallery in New York (March 5 – April 13, 2019) – this historical group show of over 30 prominent international artists investigates multifarious appropriation methods situated in the context of the first thrift store paintings altered by Danish artist Asger Jorn. Spanning from the mid-1960s to the flourishing techniques of the 1980s, up to the present day. In Paris, 1959, Asger Jorn exhibits a group of paintings at the prominent Galerie Rive Gauche. Not only has he re-worked these found paintings with his own brush, modifying their respective surfaces, but he also writes a text describing his technique as a recovery of certain iconographic archetypes. Instead of making a mockery of these kitsch paintings, he articulates some of their inherent folk-art values. The exhibition is not well received. However, it has since become legendary. Jorn’s modifications have long been a neglected chapter in the Danish artist’s biography. Yet from today’s perspective these high/low hermaphrodites are recognized by keen-eyed viewers as mirrors reflecting the historicity of modern painting. Such “Modifications” are a painterly version of “détournement,” a Situationist technique, described in 1956 by Guy Debord and Gil Wolman as the systematic revaluation of “prefabricated aesthetic products.” For Jorn, who co-founded and financially supported the Situationist International, the 1959 Galerie Rive Gauche exhibition, showcased his implementation of a fundamental aesthetic critique in which he appropriates a relatively discredited artistic source as “his” own material, then applies his iconography, and his language to that particular prefabricated model. Strategic Vandalism: The Legacy of Asger Jorn’s Modification Paintings features works by Enrico Baj, Marcel Duchamp, Max Ernst, Hans-Peter Feldmann, Vidya Gastaldon, Wade Guyton/Stephen Prina, Rachel Harrison, Ray Johnson, Jacqueline de Jong, Asger Jorn, Mike Kelley, Martin Kippenberger, Per Kirkeby, Lee Krasner, Albert Oehlen, Francis Picabia, Stephen Prina, R.H. Quaytman, Arnulf Rainer, Julian Schnabel, Jim Shaw, Gedi Sibony, Alexis Smith, Daniel Spoerri, John Stezaker, Betty Tompkins, and David Wojnarowicz.
Author: Axel Heil
Publisher: Petzel Gallery
ISBN: 9781733215589
Category : Art
Languages : en
Pages : 128
Get Book Here
Book Description
A comprehensive catalogue of the exhibition Strategic Vandalism: The Legacy of Asger Jorn’s Modifications Paintings on view at Petzel Gallery in New York from March 5th to April 13th, 2019. With texts written and edited by the curators as well as reprinted articles on the subjects of détournement, vandalism, and the relationship between modifications and appropriation art in the late 1970s. If you have old paintings, do not despair. Retain your memories but detourn them so that they correspond with your era. Why reject the old, if one can modernize it? —Asger Jorn Published on the occasion of the exhibition Strategic Vandalism: The Legacy of Asger Jorn’s Modifications Paintings at Petzel Gallery in New York (March 5 – April 13, 2019) – this historical group show of over 30 prominent international artists investigates multifarious appropriation methods situated in the context of the first thrift store paintings altered by Danish artist Asger Jorn. Spanning from the mid-1960s to the flourishing techniques of the 1980s, up to the present day. In Paris, 1959, Asger Jorn exhibits a group of paintings at the prominent Galerie Rive Gauche. Not only has he re-worked these found paintings with his own brush, modifying their respective surfaces, but he also writes a text describing his technique as a recovery of certain iconographic archetypes. Instead of making a mockery of these kitsch paintings, he articulates some of their inherent folk-art values. The exhibition is not well received. However, it has since become legendary. Jorn’s modifications have long been a neglected chapter in the Danish artist’s biography. Yet from today’s perspective these high/low hermaphrodites are recognized by keen-eyed viewers as mirrors reflecting the historicity of modern painting. Such “Modifications” are a painterly version of “détournement,” a Situationist technique, described in 1956 by Guy Debord and Gil Wolman as the systematic revaluation of “prefabricated aesthetic products.” For Jorn, who co-founded and financially supported the Situationist International, the 1959 Galerie Rive Gauche exhibition, showcased his implementation of a fundamental aesthetic critique in which he appropriates a relatively discredited artistic source as “his” own material, then applies his iconography, and his language to that particular prefabricated model. Strategic Vandalism: The Legacy of Asger Jorn’s Modification Paintings features works by Enrico Baj, Marcel Duchamp, Max Ernst, Hans-Peter Feldmann, Vidya Gastaldon, Wade Guyton/Stephen Prina, Rachel Harrison, Ray Johnson, Jacqueline de Jong, Asger Jorn, Mike Kelley, Martin Kippenberger, Per Kirkeby, Lee Krasner, Albert Oehlen, Francis Picabia, Stephen Prina, R.H. Quaytman, Arnulf Rainer, Julian Schnabel, Jim Shaw, Gedi Sibony, Alexis Smith, Daniel Spoerri, John Stezaker, Betty Tompkins, and David Wojnarowicz.
Author: Naomi Klein
Publisher: Macmillan
ISBN: 9780312203436
Category : Business & Economics
Languages : en
Pages : 520
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Book Description
"What corporations fear most are consumers who ask questions. Naomi Klein offers us the arguments with which to take on the superbrands." Billy Bragg from the bookjacket.
Author: McKenzie Wark
Publisher: Verso Books
ISBN: 1781688389
Category : Philosophy
Languages : en
Pages : 207
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Book Description
Over fifty years after the Situationist International appeared, its legacy continues to inspire activists, artists and theorists around the world. Such a legend has accrued to this movement that the story of the SI now demands to be told in a contemporary voice capable of putting it into the context of twenty-first-century struggles. McKenzie Wark delves into the Situationists’ unacknowledged diversity, revealing a world as rich in practice as it is in theory. Tracing the group’s development from the bohemian Paris of the ’50s to the explosive days of May ’68, Wark’s take on the Situationists is biographically and historically rich, presenting the group as an ensemble creation, rather than the brainchild and dominion of its most famous member, Guy Debord. Roaming through Europe and the lives of those who made up the movement – including Constant, Asger Jorn, Michèle Bernstein, Alex Trocchi and Jacqueline De Jong – Wark uncovers an international movement riven with conflicting passions. Accessible to those who have only just discovered the Situationists and filled with new insights, The Beach Beneath the Street rereads the group’s history in the light of our contemporary experience of communications, architecture, and everyday life. The Situationists tried to escape the world of twentieth-century spectacle and failed in the attempt. Wark argues that they may still help us to escape the twenty-first century, while we still can.
Author: Christopher Gray
Publisher: Bread and Circuses Publishing
ISBN: 1625174861
Category : Political Science
Languages : en
Pages : 266
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Book Description
The first Situationist text to be published in the UK in 1974, ‘Leaving the 20th Century’ was Chris Gray and the English situationists’ attempt to capture and distil the vibrant anti-art, anti-capitalist energy of the original International Situationist texts (1957-74). With its loose translations and irreverent commentary, Gray and co. attempted to capture the “terrorism, wit and general megalomania” of the original publications, whilst faithfully reprinting the “photographs of girls, soldiers, bombings, comic-strip frames, maps of cities and diagrams of labyrinths, cathedrals and gardens.” From the art/anti-art beginnings, to the role of the Situationists in the worker-student insurrection of May 68’, ‘Leaving the 20th Century’ remains the definitive English pro-situ text.
Author: Martha Buskirk
Publisher: A&C Black
ISBN: 1441188207
Category : Art
Languages : en
Pages : 389
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Book Description
Intertwines a dual emphasis on evolving institutional priorities and major shifts in artistic production.
Author: Simon Sadler
Publisher: MIT Press
ISBN: 9780262692250
Category : Architecture
Languages : en
Pages : 260
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Book Description
Simon Sadler searches for the Situationist City among the detritus of tracts, manifestos, and works of art that the Situationist International left behind. From 1957 to 1972 the artistic and political movement known as the Situationist International (SI) worked aggressively to subvert the conservative ideology of the Western world. The movement's broadside attack on "establishment" institutions and values left its mark upon the libertarian left, the counterculture, the revolutionary events of 1968, and more recent phenomena from punk to postmodernism. But over time it tended to obscure Situationism's own founding principles. In this book, Simon Sadler investigates the artistic, architectural, and cultural theories that were once the foundations of Situationist thought, particularly as they applied to the form of the modern city. According to the Situationists, the benign professionalism of architecture and design had led to a sterilization of the world that threatened to wipe out any sense of spontaneity or playfulness. The Situationists hankered after the "pioneer spirit" of the modernist period, when new ideas, such as those of Marx, Freud, and Nietzsche, still felt fresh and vital. By the late fifties, movements such as British and American Pop Art and French Nouveau Ralisme had become intensely interested in everyday life, space, and mass culture. The SI aimed to convert this interest into a revolution—at the level of the city itself. Their principle for the reorganization of cities was simple and seductive: let the citizens themselves decide what spaces and architecture they want to live in and how they wish to live in them. This would instantly undermine the powers of state, bureaucracy, capital, and imperialism, thereby revolutionizing people's everyday lives. Simon Sadler searches for the Situationist City among the detritus of tracts, manifestos, and works of art that the SI left behind. The book is divided into three parts. The first, "The Naked City," outlines the Situationist critique of the urban environment as it then existed. The second, "Formulary for a New Urbanism," examines Situationist principles for the city and for city living. The third, "A New Babylon," describes actual designs proposed for a Situationist City.
Author: Natalya Lusty
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754653363
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
Combining historical and cultural methods of analysis with sophisticated theoretical discussions, Natalya Lusty explores how women artists and intellectuals responded to the appropriation of 'the feminine' in Surrealism and psychoanalysis. Reading work by
Author: Ian Frisch
Publisher: HarperCollins
ISBN: 0062839306
Category : Biography & Autobiography
Languages : en
Pages : 398
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Book Description
A journalist recounts his life-changing journey through the secret world of underground magic in this “funny, illuminating, and personal” memoir (Brooklyn Rail) When struggling journalist Ian Frisch came across magician Chris Ramsey on Instagram, he knew he had the makings of a good story. But what began as a simple profile piece led Ian to the52—a secret society of magicians determined to revolutionize their ancient artform under the mantra Magic Is Dead. As Ian gains entry to the52, he forms close bonds with its founding members—Laura London, Daniel Madison, and Chris Ramsay. He attends private gatherings of the most extraordinary magicians working today, follows them to magic conventions in Las Vegas and England, and discovers some of the best tricks of the trade. He also goes behind the scenes of a Netflix magic show and encounters David Blaine, Penn Jillette, and Dynamo, the U.K.’s most famous magician. As Ian tells the story of the52, and his role as its most unlikely member, he reveals his own connection with trickery and deceit, sharing how he first learned the elements of magic from his poker-playing mother. Rich with the history of magic and populated with a cast of fascinating characters, Magic Is Dead is a page-turning work of immersive journalism coupled with a young man searching for himself.
Author:
Publisher: BRILL
ISBN: 900438829X
Category : Art
Languages : en
Pages : 992
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Book Description
A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950 is the first publication to deal with the avant-garde in the Nordic countries in this period. The essays cover a wide range of avant-garde manifestations: literature, visual arts, theatre, architecture and design, film, radio, body culture and magazines. It is the first major historical work to consider the Nordic avant-garde in a transnational perspective that includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field but in a broader cultural and political context: the pre-war and wartime responses to international developments, the new cultural institutions, sexual politics, the impact of refugees and the new start after the war.
Author: Asger Jorn
Publisher: Nai010 Publishers
ISBN: 9789064507601
Category : Aesthetics, Modern
Languages : en
Pages : 0
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Book Description
"The Danish artist Asger Jorn is primarily known as a painter who was active in the Hst, Cobra and the Situationist International groups. The numerous leaflets, exhibition catalogues, interviews, articles and books he wrote throughout his entire career attest to his vast literary output and his urge to provoke debate at all social levels."--Back cover.
