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Author: Robert Leach
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN: 9783906769790
Category : Acting
Languages : en
Pages : 0
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Book Description
Robert Leach traces the parallel careers of the two greatest 20th century theatre practitioners, the Russian masters Konstantin Stanislavsky and Vsevolod Meyerhold. He focuses particularly upon their two contradictory and yet complementary acting methods.
Author: Robert Leach
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN: 9783906769790
Category : Acting
Languages : en
Pages : 0
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Book Description
Robert Leach traces the parallel careers of the two greatest 20th century theatre practitioners, the Russian masters Konstantin Stanislavsky and Vsevolod Meyerhold. He focuses particularly upon their two contradictory and yet complementary acting methods.
Author: Dick Mccaw
Publisher: Routledge
ISBN: 1317486595
Category : Performing Arts
Languages : en
Pages : 264
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Book Description
What did Bakhtin think about the theatre? That it was outdated? That is ‘stopped being a serious genre’ after Shakespeare? Could a thinker to whose work ideas of theatricality, visuality, and embodied activity were so central really have nothing to say about theatrical practice? Bakhtin and Theatre is the first book to explore the relation between Bakhtin’s ideas and the theatre practice of his time. In that time, Stanislavsky co-founded the Moscow Art Theatre in 1898 and continued to develop his ideas about theatre until his death in 1938. Stanislavsky’s pupil Meyerhold embraced the Russian Revolution and created some stunningly revolutionary productions in the 1920s, breaking with the realism of his former teacher. Less than twenty years after Stanislavsky’s death and Meyerhold’s assassination, a young student called Grotowski was studying in Moscow, soon to break the mould with his Poor Theatre. All three directors challenged the prevailing notion of theatre, drawing on, disagreeing with and challenging each other’s ideas. Bakhtin’s early writings about action, character and authorship provide a revealing framework for understanding this dialogue between these three masters of Twentieth Century theatre.
Author: Jonathan Pitches
Publisher: Routledge
ISBN: 1134332327
Category : Performing Arts
Languages : en
Pages : 413
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Book Description
The Russian tradition is a major area of theatre studies Uses a range of historical and archival material, including previously unpublished material from the Michael Chekov archives International market - UK, America. Potential interest in Russia and France
Author: Robert Leach
Publisher: Cambridge University Press
ISBN: 9780521318433
Category : Biography & Autobiography
Languages : en
Pages : 244
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Book Description
This book traces the career of the Russian revolutionary theatre director, Vsevolod Meyerhold, from his early years as a founding member of the Moscow Art Theatre with Stanislavsky and Nemirovich-Danchenko, through his Symbolist period, his experiments with commedia dell'arte and other popular forms, to his demise in the Stalin era. Leach describes in detail Meyerhold's 'system' of theatre: his attitude to the audience, the place of the fore stage, 'biomechanics' and actor training, and the importance of the mise-en-scène. Finally, Leach explores Meyerhold's legacy, which can be detected in the work of Brecht, Eisenstein, Peter Brook and others.
Author:
Publisher: Psychology Press
ISBN: 9783718657131
Category : Performing Arts
Languages : en
Pages : 102
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Book Description
In the first volume of his "Mask: A Release of Acting Resources" David Griffiths examines the present state of actor-training, and surveys past experiments and styles developed by Stanislavsky, Meyerhold, Grotowski and Brecht. He recommends a way in which the standards of performance skills in theatre may parallel those already established in other performing arts such as music and dance. The author's philosophy as a theatre practitioner is the mask and here he explains the special skills required to animate it, helping the reader by extensive and cogent use of his own illustrations.
Author: Vsevolod Ėmilʹevich Meĭerkholʹd
Publisher:
ISBN: 9781474230230
Category : Theater
Languages : en
Pages : 432
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Book Description
Meyerhold was one of the foremost Russian directors of the stage and was considered by many to be the equal of Stanislavski. With a critical commentary by the editor these writings are essential reading for anyone studying Russian drama and culture.
Author: Alison Hodge
Publisher: Psychology Press
ISBN: 0415194512
Category : Art
Languages : en
Pages : 271
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Book Description
THE SECOND EDITION OF THIS TITLE, ENTITLED ACTOR TRAINING, IS NOW AVAILABLE. Actor training is arguably the central phenomenon of twentieth century theatre making. Here for the first time, the theories, training exercises and productions of fourteen directors are analysed in a single volume, each one written by a leading expert. The practitioners included are: * Stella Adler * Bertolt Brecht * Joseph Chaikin * Jacques Copeau * Joan Littlewood * Vsevelod Meyerhold * Konstantin Stanislavsky * Eugenio Barba * Peter Brook * Michael Chekhov * Jerzy Grotowski * Sanford Meisner * Wlodimierz Staniewski * Lee Strasbourg Each chapter provides a unique account of specific training exercises and an analysis of their relationship to the practitioners theoretical and aesthetic concerns. The collection examines the relationship between actor training and production and considers how directly the actor training relates to performance. With detailed accounts of the principles, exercises and their application to many of the landmark productions of the past hundred years, this book will be invaluable to students, teachers, practitioners, and academics alike.
Author: Prof Jonathan Pitches
Publisher: Routledge
ISBN: 1351174924
Category : Performing Arts
Languages : en
Pages : 137
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Book Description
Vsevolod Meyerhold considers the life and work of the extraordinary twentieth-century director and theatre-maker. This compact, well-illustrated volume includes: a biographical introduction to Meyerhold’s life a clear explanation of his theoretical writings an analysis of his masterpiece production Revisor, or The Government Inspector a comprehensive and usable description of the ‘biomechanical’ exercises he developed for training the actor. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today's student.
Author: David Allen
Publisher: Red Wheel/Weiser
ISBN: 1939994365
Category : Performing Arts
Languages : en
Pages : 185
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Book Description
Stanislavski was the first person to develop a cogent and practical system of acting. Throughout his life he sought the answers to such fundamental questions as: "What is great acting?" and "How can you find inspiration in every performance?" Stanislavski remains the most important influence on actor training today, and yet many of his ideas are little known, or even misunderstood. Stanislavski For Beginners charts the development of the Stanislavski system. It includes a clear exposition of the key elements of the system and explores his Method of Physical Actions, which he worked on in the years before his death, and which he called “the result of my whole life’s work.”
Author: James Roose-Evans
Publisher: Routledge
ISBN: 1136092447
Category : Performing Arts
Languages : en
Pages : 258
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Book Description
`It is a pleasure to read. Well-written, free of cant, impressively wide-ranging. The book is really an introduction to the avant-garde.' - John Lahr
