Spike Lee's Bamboozled and Blackface in American Culture PDF Download
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Author: Elizabeth L. Sanderson
Publisher: McFarland
ISBN: 1476678634
Category : Performing Arts
Languages : en
Pages : 225
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Book Description
Spike Lee's challenging film Bamboozled (2000) is often read as a surface level satire of blackface minstrelsy. Careful analysis, however, gives way to a complex and nuanced study of the history of black performance. This book analyzes the work of five men, minstrel performer Bert Williams, director Oscar Micheaux, writer Ralph Ellison, painter Michael Ray Charles, and director Spike Lee, all through the lens of this misunderstood film. Equal parts biography and cultural analysis, this book examines the intersections of these five artists and Bamboozled, and investigates their shared legacy of resistance against misrepresentation.
Author: Elizabeth L. Sanderson
Publisher: McFarland
ISBN: 1476636958
Category : Performing Arts
Languages : en
Pages : 225
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Book Description
Spike Lee's challenging film Bamboozled (2000) is often read as a surface level satire of blackface minstrelsy. Careful analysis, however, gives way to a complex and nuanced study of the history of black performance. This book analyzes the work of five men, minstrel performer Bert Williams, director Oscar Micheaux, writer Ralph Ellison, painter Michael Ray Charles, and director Spike Lee, all through the lens of this misunderstood film. Equal parts biography and cultural analysis, this book examines the intersections of these five artists and Bamboozled, and investigates their shared legacy of resistance against misrepresentation.
Author: Ulrich Ackermann
Publisher: GRIN Verlag
ISBN: 3640557093
Category : Literary Criticism
Languages : en
Pages : 25
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Book Description
Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Freiburg, course: Hauptseminar The Rise of the Entertainment Industry, language: English, abstract: Throughout their history in the United States, African–Americans had never been in charge of their own image. When in Kentucky in 1928, Thomas "Daddy" Rice, a white man who performed in black-face "Jim Crow", a song that he had heard before in the South from a black performer, a new genre was born: the minstrel show, a white imitation of black culture. In his movie Bamboozled (2000), Spike Lee confronts us with the question, if these racist nineteenth century depictions of African Americans still exist today in contemporary popular media. In this case we have to ask the question of responsibility for these representations: In the 1990s 340 billion dollars had been spent on media and entertainment in the United States. The entertainment industry today has become the fastest increasing factor of economy. Since the 1970s television is the largest and most influential entertainment medium in North America and occupies a crucial space in practices of everyday life, "where important social encounters and cultural transformations are possible." The concept of ‘seeing is believing’ obviously is a major factor here." A majority of Americans only came to know and understand the American racial order through media representations of the black ethnic other. This research paper will try to give some proof of the historical continuity of the stereotypical racist representations of African Americans from the days of minstrelsy and vaudeville until today.
Author: Ulrich Ackermann
Publisher: GRIN Verlag
ISBN: 3640557506
Category : Language Arts & Disciplines
Languages : en
Pages : 53
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Book Description
Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Freiburg, course: Hauptseminar The Rise of the Entertainment Industry, language: English, abstract: Throughout their history in the United States, African-Americans had never been in charge of their own image. When in Kentucky in 1928, Thomas "Daddy" Rice, a white man who performed in black-face "Jim Crow", a song that he had heard before in the South from a black performer, a new genre was born: the minstrel show, a white imitation of black culture. In his movie Bamboozled (2000), Spike Lee confronts us with the question, if these racist nineteenth century depictions of African Americans still exist today in contemporary popular media. In this case we have to ask the question of responsibility for these representations: In the 1990s 340 billion dollars had been spent on media and entertainment in the United States. The entertainment industry today has become the fastest increasing factor of economy. Since the 1970s television is the largest and most influential entertainment medium in North America and occupies a crucial space in practices of everyday life, "where important social encounters and cultural transformations are possible." The concept of 'seeing is believing' obviously is a major factor here." A majority of Americans only came to know and understand the American racial order through media representations of the black ethnic other. This research paper will try to give some proof of the historical continuity of the stereotypical racist representations of African Americans from the days of minstrelsy and vaudeville until today.
Author: Elizabeth L. Sanderson
Publisher: McFarland
ISBN: 1476678634
Category : Performing Arts
Languages : en
Pages : 225
Get Book Here
Book Description
Spike Lee's challenging film Bamboozled (2000) is often read as a surface level satire of blackface minstrelsy. Careful analysis, however, gives way to a complex and nuanced study of the history of black performance. This book analyzes the work of five men, minstrel performer Bert Williams, director Oscar Micheaux, writer Ralph Ellison, painter Michael Ray Charles, and director Spike Lee, all through the lens of this misunderstood film. Equal parts biography and cultural analysis, this book examines the intersections of these five artists and Bamboozled, and investigates their shared legacy of resistance against misrepresentation.
Author: Ashley Clark
Publisher:
ISBN: 9781941629215
Category : African Americans in the performing arts
Languages : en
Pages : 0
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Book Description
An incisive study of Bamboozled, Spike Lee's most controversial film.
Author: Stephen Burge Johnson
Publisher: Univ of Massachusetts Press
ISBN: 1558499342
Category : Biography & Autobiography
Languages : en
Pages : 282
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Book Description
Beginning in the 1830s and continuing for more than a century, blackface minstrelsy--stage performances that claimed to represent the culture of black Americans--remained arguably the most popular entertainment in North America. A renewed scholarly interest in this contentious form of entertainment has produced studies treating a range of issues: its contradictory depictions of class, race, and gender; its role in the development of racial stereotyping; and its legacy in humor, dance, and music, and in live performance, film, and television. The style and substance of minstrelsy persist in popular music, tap and hip-hop dance, the language of the standup comic, and everyday rituals of contemporary culture. The blackface makeup all but disappeared for a time, though its influence never diminished--and recently, even the makeup has been making a comeback. This collection of original essays brings together a group of prominent scholars of blackface performance to reflect on this complex and troublesome tradition. Essays consider the early relationship of the blackface performer with American politics and the antislavery movement; the relationship of minstrels to the commonplace compromises of the touring "show" business and to the mechanization of the industrial revolution; the exploration and exploitation of blackface in the mass media, by D. W. Griffith and Spike Lee, in early sound animation, and in reality television; and the recent reappropriation of the form at home and abroad. In addition to the editor, contributors include Dale Cockrell, Catherine Cole, Louis Chude-Sokei, W. T. Lhamon, Alice Maurice, Nicholas Sammond, and Linda Williams.
Author: Gregory Laski
Publisher: Oxford University Press
ISBN: 0190642793
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Machine generated contents note: -- Table of Contents: -- Acknowledgements -- Introduction: Democracy's Progress -- Chapter One: On the Possibility of Democracy in the Present-Past: Reading Thomas Jefferson and W.E.B. Du Bois in the Times of Slavery and Freedom -- Chapter Two: Narrating the Present-Past in Frederick Douglass's Life and Times -- Chapter Three: Making Reparation; or, How to Count the Wrongs of Slavery -- Chapter Four: Failed Futures: Of Prophecy and Pessimism at the Nadir -- Chapter Five: Pauline E. Hopkins's Untimely Democracy (Stasis, Agitation, Agency) -- Epilogue: Democracy's Plunges
Author: Yuval Taylor
Publisher: W. W. Norton & Company
ISBN: 0393070980
Category : Biography & Autobiography
Languages : en
Pages : 353
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Book Description
Investigates the origin and heyday of black minstrelsy, which in modern times is considered an embarrassment, and discusses whether or not the art form is actually still alive in the work of contemporary performers--from Dave Chappelle and Flavor Flav to Spike Lee.
Author: Gerald A. Powell (Jr.)
Publisher: University Press of America
ISBN: 9780761828679
Category : Performing Arts
Languages : en
Pages : 118
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Book Description
This study explores African-American identity through film, drawing from Spike Lee's cinematic production of X (1992) and Bamboozled (2000). The study brings attention to how African-American identity is negotiated in communicative interactions. In doing so, the study proposes an alternative rhetorical and cultural approach to the nuances of African-American identity. Using contemporary theories from Ronald Jackson, Mark McPhail, Cornel West, W.E.B. Du Bois, and Eric Watts, the researcher explores the dynamics of human interaction: the manifestations of power, perception, essentialist thinking, and how these in turn penetrate through language in our understanding of others. This study makes critical arguments concerning the strategic positioning of language for purposes of understanding culture and difference. More importantly, it rearticulates black identity, making an argument for its complexities, which are other than historical and factual. It argues that black identity needs to be examined in terms of a more critical and culturally appropriate rhetoric.
Author: Andy Fry
Publisher: University of Chicago Press
ISBN: 022613895X
Category : Social Science
Languages : en
Pages : 291
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Book Description
The Jazz Age. The phrase conjures images of Louis Armstrong holding court at the Sunset Cafe in Chicago, Duke Ellington dazzling crowds at the Cotton Club in Harlem, and star singers like Bessie Smith and Ma Rainey. But the Jazz Age was every bit as much of a Paris phenomenon as it was a Chicago and New York scene. In Paris Blues, Andy Fry provides an alternative history of African American music and musicians in France, one that looks beyond familiar personalities and well-rehearsed stories. He pinpoints key issues of race and nation in France’s complicated jazz history from the 1920s through the 1950s. While he deals with many of the traditional icons—such as Josephine Baker, Django Reinhardt, and Sidney Bechet, among others—what he asks is how they came to be so iconic, and what their stories hide as well as what they preserve. Fry focuses throughout on early jazz and swing but includes its re-creation—reinvention—in the 1950s. Along the way, he pays tribute to forgotten traditions such as black musical theater, white show bands, and French wartime swing. Paris Blues provides a nuanced account of the French reception of African Americans and their music and contributes greatly to a growing literature on jazz, race, and nation in France.
