Guitar Specimen Sight-Reading Tests (from 2009) PDF Download
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Author: ABRSM
Publisher:
ISBN: 9781860967443
Category : Guitar music
Languages : en
Pages : 16
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Book Description
This volume contains valuable practice material for candidates preparing for the ABRSM Guitar exams, Grades 18. The book is written in attractive and approachable styles and representative of the technical level expected in the exams.
Author: ABRSM
Publisher:
ISBN: 9781860967443
Category : Guitar music
Languages : en
Pages : 16
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Book Description
This volume contains valuable practice material for candidates preparing for the ABRSM Guitar exams, Grades 18. The book is written in attractive and approachable styles and representative of the technical level expected in the exams.
Author: ABRSM
Publisher: ABRSM Sight-reading
ISBN: 9781848493469
Category : Sight-reading (Music)
Languages : en
Pages : 0
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Book Description
This volume contains valuable practice material for candidates preparing for ABRSM Violin exams, Grades 15. Includes many specimen tests for the revised sight-reading requirements from 2012, written in attractive and approachable styles and representative of the technical level expected in the exam.
Author: Associated Board of the Royal Schools of Music (Great Britain)
Publisher:
ISBN: 9781854723871
Category : Guitar
Languages : en
Pages : 15
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Book Description
Setting the standards of sight-reading ability tested in the Board's examinations, this work has practice material for all guitar candidates.
Author: ABRSM
Publisher:
ISBN: 9781860969584
Category : Music
Languages : en
Pages : 24
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Book Description
This volume contains valuable practice material for candidates preparing for the Grades 15 ABRSM Singing exams. Contains specimen tests for the new sight-singing requirements from 2009, representative of the technical level expected in the exam.
Author: Alan Bullard
Publisher: Joining the dots (ABRSM)
ISBN: 9781860969768
Category : Piano
Languages : en
Pages : 0
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Book Description
Joining the Dots offers pianists lots of material to help build confidence and skill in sight-reading. The series helps students improve their sense of keyboard geography, helping them to read new music more quickly and easily. The five books cover the requirements for ABRSM's sight-reading tests at each of Grades 1 to 5.
Author:
Publisher: ABRSM Sight-reading
ISBN: 9781848493544
Category : Sight-reading (Music)
Languages : en
Pages : 0
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Book Description
This volume contains valuable practice material for candidates preparing for ABRSM Viola exams, Grades 15. Includes many specimen tests for the revised sight-reading requirements from 2012, written in attractive and approachable styles and representative of the technical level expected in the exam.
Author: Robert Kay
Publisher:
ISBN:
Category :
Languages : en
Pages : 69
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Book Description
Grades 1-8. Sight Reading is a skill in which many people concentrate just on the pitch and forget about the rhythm. Most students focus primarily on getting the notes the correct pitch at the expense of keeping the beat going. However, if you look at the ABRSM marking criteria for a sight reading test, the FIRST thing that is mentioned for a distinction is, "Fluent, rhythmically accurate" (followed by "accurate notes/pitch/key"). "Sight Reading Trainer" Grades 1-8, will change the way you sight read. It is not just a series of specimen sight reading tests like you can buy in the ABRSM Specimen Sight Reading Grade Books. The examples in this book are designed to be played with an accompanying audio track which can be downloaded for free at: www.music-online.org.uk/p/sight-readingtrainer.html This will improve your rhythm and fluency when sight reading. Another hindrance to effective sight reading is poor "Piano Geography". This is the ability to feel your way around the piano without looking at your hands. Be honest - when you sight read, are you continually looking at your hands? It's something I call, "watching vertical tennis", where your eyes travel up and down between hand and book for virtually every note or chord. No wonder your sight reading is hesitant and lacking fluency.With this in mind, throughout the course there are some "Piano Geography" tests which MUST BE PLAYED WITHOUT LOOKING AT YOUR HANDS. The third factor that will contribute to better sight reading is visualizing the music in your head (especially rhythm) before you even play a note and this includes how to use your preparation time effectively. In an ABRSM exam for example, you are given 30 seconds to prepare. How you use this 30 seconds, is key to effective sight reading. DON'T just start playing from the beginning. Rather, the first thing you should do is get a sense of the key you are in and if you are taking an early Grade (1-2), simply find the hand position for each hand before playing a note. Throughout this course you will also find some "Instant Hand Position or Key Signature Recognition" tests. Then, concentrating on the rhythm, try and visualize in your head how the music should sound, again before you even play a note. This will also include other stylistic markings such as dynamics and articulation. Getting the right pitch is only a small part of what the examiner is looking for. Below each test in this course, there will be hints of details to look out for, before you even play a note. The last thing mentioned in the marking criteria for a distinction is "Confident presentation". A sight reading test is an assessment on how well you can convey the music as a whole performance, NOT if you can recognise the pitches A, B, C etc - that is a theory exam!! Finally - a word on mistakes. If you do miss a note, DON'T go back and correct it, you'll only upset the flow and rhythm of the music and this effectively then counts as a 2nd mistake. You can't erase the first mistake, and the examiner is not interested if you can improve on your wrong note, he wants to hear a performance of the music as a whole, which conveys as best you can, the character of the piece.
Author: British Library. Department of Printed Books
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 432
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Book Description
Author: R. Winston Morris
Publisher: Indiana University Press
ISBN: 0253112257
Category : Music
Languages : en
Pages : 688
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Book Description
Guide to the Tuba Repertoire is the most comprehensive investigation ever undertaken into the literature and discography of any single musical instrument. Under the direction of R. Winston Morris and Daniel Perantoni, this publication represents more than 40 years of research by dozens of leading professionals throughout the world. The guide defines the current status of the tuba and documents its growth since its inception in 1835. Contributors are Ron Davis, Jeffrey Funderburk, David Graves, Skip Gray, Charles A. McAdams, R. Winston Morris, Mark A. Nelson, Timothy J. Northcut, Daniel Perantoni, Philip Sinder, Joseph Skillen, Kenyon Wilson, and Jerry A. Young.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 176
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Book Description
