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Author: Martín Minchom
Publisher:
ISBN:
Category :
Languages : en
Pages : 297
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Book Description
Author: Martín Minchom
Publisher:
ISBN:
Category :
Languages : en
Pages : 297
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Book Description
Author: Martin Minchom
Publisher: Lse Studies in Spanish History
ISBN: 9781845197834
Category : History
Languages : en
Pages : 0
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Book Description
Spain's Martyred Cities studies international reactions to the Spanish Civil War between the Battle of Madrid in November 1936 and the bombing of Guernica in April 1937. Many of the iconic events of the war belong to this key period, when international perceptions of the conflict were decisively shaped. The subject is approached through French and British newspapers and pamphlets, and events are linked to both their immediate press coverage and subsequent literary and artistic representations. For contemporaries, the aerial bombardments of Madrid, Guernica and other cities formed part of a single unbroken narrative. It was only later that Guernica acquired its perceived symbolic primacy. The language of 'martyrdom' was sometimes evoked in pro-Republican writing as a means of challenging Francoist claims to the religious and moral high ground. But the ur-text was The Martyrdom of Madrid (1937), a compilation of the posthumous, censored reports of the French correspondent Louis Delapree on the bombing of Madrid. Delapree's earliest reporting (July-October 1936) was from both the Nationalist and Republican zones, and is used to provide an introductory overview of the early stages of the war; he was an eyewitness of the aerial bombardments of Madrid in November 1936; subsequently, the posthumous publication of his writings created a major stir in Paris. Delapree's powerful and emotive writing provides a platform from which to discuss issues of press censorship and journalistic practice. It is notable for its initial impact, when publication in no less than five languages enabled it to reach writers as different as Virginia Woolf and Andre Malraux. This book shows that Delapree's reports were also an important catalyst in Picasso's artistic involvement in the war, culminating in his Guernica. Published in association with the Canada Blanch Centre for Contemporary Spanish Studies
Author: Brian D. Bunk
Publisher: Duke University Press
ISBN: 9780822339434
Category : History
Languages : en
Pages : 260
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Book Description
DIVDeals with central problem in modern Spanish history-- why did civil war break out in 1936-- arguing that cultural representations of earlier revolution helped trigger the war through focus on social tensions around religion and gender./div
Author: Alfredo Mendizabal
Publisher:
ISBN:
Category : Spain
Languages : en
Pages : 278
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Author: Alfred Mendizabal
Publisher:
ISBN:
Category :
Languages : en
Pages : 276
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Author: Dolores Cazalla
Publisher:
ISBN:
Category : Inquisition
Languages : en
Pages : 464
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Author: Dolores CAZALLA
Publisher:
ISBN:
Category :
Languages : en
Pages : 466
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Author: Clara Elizabeth Laughlin
Publisher:
ISBN:
Category : Cities and towns
Languages : en
Pages : 534
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Author: A. Mendizabal
Publisher:
ISBN: 9780849005879
Category :
Languages : en
Pages :
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Author: Paula Hershkowitz
Publisher: Cambridge University Press
ISBN: 1108132766
Category : Literary Criticism
Languages : en
Pages : 269
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Book Description
This book provides an innovative approach to the Hispano-Roman Christian poet Prudentius and his poetry. It is a breakthrough in Prudentian scholarship which unifies the differing disciplines of history, archaeology, literature and art history in arguing that Prudentius and his envisaged Spanish audience cannot be fully understood in isolation from their environment in late fourth- and early fifth-century Spain. Paula Hershkowitz focuses on Prudentius' Peristephanon, his collection of verses celebrating the deaths of martyrs, and places these poems within the context of Prudentius' world, uniquely employing material, visual and textual remains as evidence for its religious, social and cultural affiliations. It also draws on this material evidence to contextualise Prudentius' awareness of the significance of the visual as a means of promoting beliefs against the background of this crucial formative period in religious history when many of his Spanish audience were not yet fully committed to the Christian faith.
