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Author: Stephan Dillemuth
Publisher:
ISBN: 9783956793394
Category :
Languages : en
Pages : 0
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Book Description
This catalogue illustrates Stephan Dillemuth's elaborate solo show at the Künstlerhaus, Halle für Kunst & Medien, Graz, through installation photographs as well as texts by art historian Kerstin Stakemeier and theorist Helmut Draxler. The exhibition presented newly conceived works alongside works from the 1980s exhibited for the first time. Dillemuth's paintings, sculptures, video projections, and assemblages are brought together as a theatrical social group. Plaster-cast limbs appear unexpectedly from the ceiling, enmeshed within clock cogs or combined with boars' heads, cattle ears, and deer feet. Dillemuth's Bayernbilder (1979) were inspired by sentimental and trivial postcard motifs from Bavarian spa towns. In Schönheitsgalerie (1985), featuring over fifty works, Dillemuth explores questions of representation. His gallery turns against the idea of external beauty and how it is represented in art. The paintings, like the faces, develop a life of their own through the process of painting, which makes it possible to see a new kind of "beauty." Works that Dillemuth produced in the late 1980s in Chicago, exhibited for the first time, resemble disco decorations, and glitter in the light of a video projection. Is disco a "theater of cruelty"--an ecstatic place where all images, whether ugly or beautiful, mean or seductive, are transcendent? Addressing the question of the role of the artist in society, Dillemuth challenges the contemporary imperative that artists, as exemplars of individuality, are required to have a distinct authorial identity. Despite a history of working collaboratively and prioritizing artistic research, at the Künstlerhaus Dillemuth exposes himself as a solo artist, reconstructing the history of his work from the margins of group life that has taken shape in the midst of it. Here he reveals the consistency of the farce of his ego, the heroic yet bad-mannered delinquent artist subject. Dillemuth presents his aging body for all to see, playing with the boundaries between inside and outside, institution and alternative, and life and form. Copublished with Künstlerhaus, Halle für Kunst & Medien, Graz Contributors Kerstin Stakemeier, Helmut Draxler
Author: Stephan Dillemuth
Publisher:
ISBN: 9783956793394
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
This catalogue illustrates Stephan Dillemuth's elaborate solo show at the Künstlerhaus, Halle für Kunst & Medien, Graz, through installation photographs as well as texts by art historian Kerstin Stakemeier and theorist Helmut Draxler. The exhibition presented newly conceived works alongside works from the 1980s exhibited for the first time. Dillemuth's paintings, sculptures, video projections, and assemblages are brought together as a theatrical social group. Plaster-cast limbs appear unexpectedly from the ceiling, enmeshed within clock cogs or combined with boars' heads, cattle ears, and deer feet. Dillemuth's Bayernbilder (1979) were inspired by sentimental and trivial postcard motifs from Bavarian spa towns. In Schönheitsgalerie (1985), featuring over fifty works, Dillemuth explores questions of representation. His gallery turns against the idea of external beauty and how it is represented in art. The paintings, like the faces, develop a life of their own through the process of painting, which makes it possible to see a new kind of "beauty." Works that Dillemuth produced in the late 1980s in Chicago, exhibited for the first time, resemble disco decorations, and glitter in the light of a video projection. Is disco a "theater of cruelty"--an ecstatic place where all images, whether ugly or beautiful, mean or seductive, are transcendent? Addressing the question of the role of the artist in society, Dillemuth challenges the contemporary imperative that artists, as exemplars of individuality, are required to have a distinct authorial identity. Despite a history of working collaboratively and prioritizing artistic research, at the Künstlerhaus Dillemuth exposes himself as a solo artist, reconstructing the history of his work from the margins of group life that has taken shape in the midst of it. Here he reveals the consistency of the farce of his ego, the heroic yet bad-mannered delinquent artist subject. Dillemuth presents his aging body for all to see, playing with the boundaries between inside and outside, institution and alternative, and life and form. Copublished with Künstlerhaus, Halle für Kunst & Medien, Graz Contributors Kerstin Stakemeier, Helmut Draxler
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 200
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Book Description
Author: Michel Houellebecq
Publisher: Random House
ISBN: 1473523613
Category : Fiction
Languages : en
Pages : 258
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Book Description
As the 2022 French Presidential election looms, two candidates emerge as favourites: Marine Le Pen of the Front National, and the charismatic Muhammed Ben Abbes of the growing Muslim Fraternity. Forming a controversial alliance with the political left to block the Front National’s alarming ascendency, Ben Abbes sweeps to power, and overnight the country is transformed. This proves to be the death knell of French secularism, as Islamic law comes into force: women are veiled, polygamy is encouraged and, for our narrator François – misanthropic, middle-aged and alienated – life is set on a new course. Submission is a devastating satire, comic and melancholy by turns, and a profound meditation on faith and meaning in Western society.
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 768
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Book Description
Author: Jay Robert Nash
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 1680
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Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 1004
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Book Description
Author: Alissa Bennett
Publisher: Sternberg Press
ISBN: 9783956793004
Category : Violence in art
Languages : en
Pages : 0
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Book Description
For her first solo museum exhibition, New Yorkbased emerging artist Darja Bajagic (b. 1990) turns to the murky terrain where real and staged violence bleed into each other with an ease that is both unsettling and alluring. Published on the occasion of her 2016 show, this slender softcover catalog, Unlimited Hate, presents a practice that spans painting, photography, collage, video and installation in full-color illustrations with texts by curators Alissa Bennett, Franklin Melendez and Natalia Sielewicz. Following the lure of the fringes, the artist culls her imagery from fan-gore magazines, true-crime TV shows, fetish websites, obscure online forums and hidden chat rooms tucked away in the darker reaches of the Web. She handles these disparate source materials with a dose of humor, working them into densely layered compositions that are at once confrontational and poetically fragile. Bajagic explores loaded questions of embodiment, viewership and power relations, all the while interrogating our need to hold images accountable.
Author: D. Randall Blythe
Publisher: Da Capo Press
ISBN: 0306823152
Category : Biography & Autobiography
Languages : en
Pages : 497
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Book Description
Lamb of god vocalist D. Randall Blythe finally tells the whole incredible story of his arrest, incarceration, trial, and acquittal for manslaughter in the Czech Republic over the tragic and accidental death of a concertgoer in this riveting, gripping, biting, bold, and brave memoir. On June 27, 2012, the long-running, hard-touring, and world-renowned metal band lamb of god landed in Prague for their first concert there in two years. Vocalist D. Randall "Randy" Blythe was looking forward to a few hours off--a rare break from the touring grind--in which to explore the elegant, old city. However, a surreal scenario worthy of Kafka began to play out at the airport as Blythe was detained, arrested for manslaughter, and taken to PankráPrison--a notorious 123-year-old institution where the Nazis' torture units had set up camp during the German occupation of then-Czechoslovakia, and where today hundreds of prisoners are housed, awaiting trial and serving sentences in claustrophobic, sweltering, nightmare-inducing conditions. Two years prior, a 19-year-old fan died of injuries suffered at a lamb of god show in Prague, allegedly after being pushed off stage by Blythe, who had no vivid recollection of the incident. Stage-crashing and -diving being not uncommon occurrences, as any veteran of hard rock, metal, and punk shows knows, the concert that could have left him imprisoned for years was but a vague blur in Blythe's memory, just one of the hundreds of shows his band had performed over their decades-long career. At the time of his arrest Blythe had been sober for nearly two years, having finally gained the upper hand over the alcoholism that nearly killed him. But here he faced a new kind of challenge: jailed in a foreign land and facing a prison sentence of up to ten years. Worst of all, a young man was dead, and Blythe was devastated for him and his family, even as the reality of his own situation began to close in behind PankráPrison's glowering walls of crumbling concrete and razor wire. What transpired during Blythe's incarceration, trial, and eventual acquittal is a rock 'n' roll road story unlike any other, one that runs the gamut from tragedy to despair to hope and finally to redemption. While never losing sight of the sad gravity of his situation, Blythe relates the tale of his ordeal with one eye fixed firmly on the absurd (and at times bizarrely hilarious) circumstances he encountered along the way. Blythe is a natural storyteller and his voice drips with cutting humor, endearing empathy, and soulful insight. Much more than a tour diary or a prison memoir, Dark Days is D. Randall Blythe's own story about what went down--before, during, and after--told only as he can.
Author: Vanessa Joan Müller
Publisher:
ISBN: 9783956794711
Category : Sound in art
Languages : en
Pages : 0
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Book Description
Documenting Florian Hecker's multichannel psychoacoustic installation with essays, images, and data. This book documents an exhibition at Kunsthalle Wien that took place from November 2017 to January 2018. In Hecker's multichannel installation Resynthese FAVN, the auditory stimuli produced from the objects within the exhibition space and the synthetic sounds he composed were designed to subliminally override the mechanical processes of human sense. The result was an intervention into the psychoacoustics of the audience, dramatizing their subjective experience through auditory hallucinations. The catalogue collects essays by curators, researchers, theorists, and art historians on Hecker's work and its relation to topics ranging from musique concrète, Mallarmé's poem "The Afternoon of a Faun," and computer music. The psychoacoustic phenomenon of Resynthese FAVN is illustrated with a series of tensor acoustic measurements resembling the colorized impressions of thermal imaging, which is followed by 270 pages of densely sprawling data tables abstracting sound and its textures into text. Contributors Matthew Fuller, Vincent Lostanlen, Vanessa Joan Müller, Michael Newman, Axel Röbel, Magnus Schaefer
Author: Bertrand Lavédrine
Publisher: Getty Publications
ISBN: 9780892367016
Category : Art
Languages : en
Pages : 304
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Book Description
A resource for the photographic conservator, conservation scientist, curator, as well as professional collector, this volume synthesizes both the masses of research that has been completed to date and the international standards that have been established on the subject.
