Author: Andrea Immel
Publisher: Routledge
ISBN: 1135473323
Category : Literary Criticism
Languages : en
Pages : 350
Book Description
This volume of 14 original essays by historians and literary scholars explores childhood and children's books in Early Modern Europe, 1550-1800. The collection aims to reposition childhood as a compelling presence in early modern imagination--a ready emblem of innocence, mischief, and playfulness. The essays offer a wide-ranging basis for reconceptualizing the development of a separate literature for children as central to evolving early modern concepts of human development and socialization. Among the topics covered are constructs of literacy as revealed by the figure of Goody Two Shoes, notions of pedagogy and academic standards, a reception study of children's reading based on book purchases made by Rugby school boys in the late eighteenth-century, an analysis of the first international best-seller for children, the abbe Pluche's Spectacle de la nature, and the commodification of child performers in Jacobean comedies.
Blood & Beauty
Author: Sarah Dunant
Publisher: Hachette UK
ISBN: 0748128727
Category : Fiction
Languages : en
Pages : 565
Book Description
By the end of the fifteenth century, the beauty and creativity of Italy is matched only by its brutality and corruption. When Cardinal Rodrigo Borgia buys his way into the papacy, he is defined not just by his wealth, charisma and power, but by his blood: a Spanish Pope in a city run by Italians. If he is to succeed, he must use his Machiavellian son and innocent daughter. Stripping away the myths around the Borgias, Blood & Beauty breathes life into the astonishing family of Alexander VI and celebrates the raw power of history itself: compelling, complex, and relentless.
Publisher: Hachette UK
ISBN: 0748128727
Category : Fiction
Languages : en
Pages : 565
Book Description
By the end of the fifteenth century, the beauty and creativity of Italy is matched only by its brutality and corruption. When Cardinal Rodrigo Borgia buys his way into the papacy, he is defined not just by his wealth, charisma and power, but by his blood: a Spanish Pope in a city run by Italians. If he is to succeed, he must use his Machiavellian son and innocent daughter. Stripping away the myths around the Borgias, Blood & Beauty breathes life into the astonishing family of Alexander VI and celebrates the raw power of history itself: compelling, complex, and relentless.
Blood and Home in Early Modern Drama
Author: Ariane M. Balizet
Publisher: Routledge
ISBN: 1317961951
Category : Literary Criticism
Languages : en
Pages : 210
Book Description
In this volume, the author argues that blood was, crucially, a means by which dramatists negotiated shifting contours of domesticity in 16th and 17th century England. Early modern English drama vividly addressed contemporary debates over an expanding idea of "the domestic," which encompassed the domus as well as sex, parenthood, household order, the relationship between home and state, and the connections between family honor and national identity. The author contends that the domestic ideology expressed by theatrical depictions of marriage and household order is one built on the simultaneous familiarity and violence inherent to blood. The theatrical relation between blood and home is far more intricate than the idealized language of the familial bloodline; the home was itself a bloody place, with domestic bloodstains signifying a range of experiences including religious worship, sex, murder, birth, healing, and holy justice. Focusing on four bleeding figures—the Bleeding Bride, Bleeding Husband, Bleeding Child, and Bleeding Patient—the author argues that the household blood of the early modern stage not only expressed the violence and conflict occasioned by domestic ideology, but also established the home as a site that alternately reified and challenged patriarchal authority.
Publisher: Routledge
ISBN: 1317961951
Category : Literary Criticism
Languages : en
Pages : 210
Book Description
In this volume, the author argues that blood was, crucially, a means by which dramatists negotiated shifting contours of domesticity in 16th and 17th century England. Early modern English drama vividly addressed contemporary debates over an expanding idea of "the domestic," which encompassed the domus as well as sex, parenthood, household order, the relationship between home and state, and the connections between family honor and national identity. The author contends that the domestic ideology expressed by theatrical depictions of marriage and household order is one built on the simultaneous familiarity and violence inherent to blood. The theatrical relation between blood and home is far more intricate than the idealized language of the familial bloodline; the home was itself a bloody place, with domestic bloodstains signifying a range of experiences including religious worship, sex, murder, birth, healing, and holy justice. Focusing on four bleeding figures—the Bleeding Bride, Bleeding Husband, Bleeding Child, and Bleeding Patient—the author argues that the household blood of the early modern stage not only expressed the violence and conflict occasioned by domestic ideology, but also established the home as a site that alternately reified and challenged patriarchal authority.
Blood, Milk, Ink, Gold
Author: Rebecca Zorach
Publisher: University of Chicago Press
ISBN: 9780226989372
Category : Art
Languages : en
Pages : 360
Book Description
Most people would be hard pressed to name a famous artist from Renaissance France. Yet sixteenth-century French kings believed they were the heirs of imperial Rome and commissioned a magnificent array of visual arts to secure their hopes of political ascendancy with images of overflowing abundance. With a wide-ranging yet richly detailed interdisciplinary approach, Rebecca Zorach examines the visual culture of the French Renaissance, where depictions of sacrifice, luxury, fertility, violence, metamorphosis, and sexual excess are central. Zorach looks at the cultural, political, and individual roles that played out in these artistic themes and how, eventually, these aesthetics of exuberant abundance disintegrated amidst perceptions of decadent excess. Throughout the book, abundance and excess flow in liquids-blood, milk, ink, and gold-that highlight the materiality of objects and the human body, and explore the value (and values) accorded to them. The arts of the lavish royal court at Fontainebleau and in urban centers are here explored in a vibrant tableau that illuminates our own contemporary relationship to excess and desire. From marvelous works by Francois Clouet to oversexed ornamental prints to Benvenuto Cellini's golden saltcellar fashioned for Francis I, Blood, Milk, Ink, Gold covers an astounding range of subjects with precision and panache, producing the most lucid, well-rounded portrait of the cultural politics of the French Renaissance to date.
Publisher: University of Chicago Press
ISBN: 9780226989372
Category : Art
Languages : en
Pages : 360
Book Description
Most people would be hard pressed to name a famous artist from Renaissance France. Yet sixteenth-century French kings believed they were the heirs of imperial Rome and commissioned a magnificent array of visual arts to secure their hopes of political ascendancy with images of overflowing abundance. With a wide-ranging yet richly detailed interdisciplinary approach, Rebecca Zorach examines the visual culture of the French Renaissance, where depictions of sacrifice, luxury, fertility, violence, metamorphosis, and sexual excess are central. Zorach looks at the cultural, political, and individual roles that played out in these artistic themes and how, eventually, these aesthetics of exuberant abundance disintegrated amidst perceptions of decadent excess. Throughout the book, abundance and excess flow in liquids-blood, milk, ink, and gold-that highlight the materiality of objects and the human body, and explore the value (and values) accorded to them. The arts of the lavish royal court at Fontainebleau and in urban centers are here explored in a vibrant tableau that illuminates our own contemporary relationship to excess and desire. From marvelous works by Francois Clouet to oversexed ornamental prints to Benvenuto Cellini's golden saltcellar fashioned for Francis I, Blood, Milk, Ink, Gold covers an astounding range of subjects with precision and panache, producing the most lucid, well-rounded portrait of the cultural politics of the French Renaissance to date.
The Kindness of Strangers
Author: John Boswell
Publisher: Vintage
ISBN:
Category : History
Languages : en
Pages : 532
Book Description
Publisher: Vintage
ISBN:
Category : History
Languages : en
Pages : 532
Book Description
Childhood and Children's Books in Early Modern Europe, 1550-1800
Author: Andrea Immel
Publisher: Routledge
ISBN: 1135473323
Category : Literary Criticism
Languages : en
Pages : 350
Book Description
This volume of 14 original essays by historians and literary scholars explores childhood and children's books in Early Modern Europe, 1550-1800. The collection aims to reposition childhood as a compelling presence in early modern imagination--a ready emblem of innocence, mischief, and playfulness. The essays offer a wide-ranging basis for reconceptualizing the development of a separate literature for children as central to evolving early modern concepts of human development and socialization. Among the topics covered are constructs of literacy as revealed by the figure of Goody Two Shoes, notions of pedagogy and academic standards, a reception study of children's reading based on book purchases made by Rugby school boys in the late eighteenth-century, an analysis of the first international best-seller for children, the abbe Pluche's Spectacle de la nature, and the commodification of child performers in Jacobean comedies.
Publisher: Routledge
ISBN: 1135473323
Category : Literary Criticism
Languages : en
Pages : 350
Book Description
This volume of 14 original essays by historians and literary scholars explores childhood and children's books in Early Modern Europe, 1550-1800. The collection aims to reposition childhood as a compelling presence in early modern imagination--a ready emblem of innocence, mischief, and playfulness. The essays offer a wide-ranging basis for reconceptualizing the development of a separate literature for children as central to evolving early modern concepts of human development and socialization. Among the topics covered are constructs of literacy as revealed by the figure of Goody Two Shoes, notions of pedagogy and academic standards, a reception study of children's reading based on book purchases made by Rugby school boys in the late eighteenth-century, an analysis of the first international best-seller for children, the abbe Pluche's Spectacle de la nature, and the commodification of child performers in Jacobean comedies.
Canaan Bound
Author: Lawrence Richard Rodgers
Publisher: University of Illinois Press
ISBN: 9780252066054
Category : Language Arts & Disciplines
Languages : en
Pages : 260
Book Description
Drawing on a wide range of major literary voices, including Richard Wright, Ralph Ellison, and Toni Morrison, as well as lesser-known writers such as William Attaway (Blood on the Forge) and Dorothy West (The Living Is Easy), Rodgers conducts a kind of literary archaeology of the Great Migration. He mines the writers' biographical connections to migration and teases apart the ways in which individual novels relate to one another, to the historical situation of black America, and to African-American literature as a whole. In reading migration novels in relation to African-American literary texts such as slave narratives, folk tales, and urban fiction, Rodgers affirms the southern folk roots of African-American culture and argues for a need to stem the erosion of southern memory.
Publisher: University of Illinois Press
ISBN: 9780252066054
Category : Language Arts & Disciplines
Languages : en
Pages : 260
Book Description
Drawing on a wide range of major literary voices, including Richard Wright, Ralph Ellison, and Toni Morrison, as well as lesser-known writers such as William Attaway (Blood on the Forge) and Dorothy West (The Living Is Easy), Rodgers conducts a kind of literary archaeology of the Great Migration. He mines the writers' biographical connections to migration and teases apart the ways in which individual novels relate to one another, to the historical situation of black America, and to African-American literature as a whole. In reading migration novels in relation to African-American literary texts such as slave narratives, folk tales, and urban fiction, Rodgers affirms the southern folk roots of African-American culture and argues for a need to stem the erosion of southern memory.
The Scarith of Scornello
Author: Ingrid D. Rowland
Publisher: University of Chicago Press
ISBN: 9780226730363
Category : History
Languages : en
Pages : 252
Book Description
"As recounted here by Ingrid D. Rowland, Curzio preyed on the Italian fixation with ancestry to forge an array of ancient Latin and Etruscan documents. For authenticity's sake, he stashed the counterfeit treasure in scarith (capsules made of hair and mud) near Scornello. To the seventeenth-century Tuscans who were so eager to establish proof of their heritage and history, the scarith symbolized a link to the prestigious culture of their past. But because none of these proud Italians could actually read the ancient Etruscan language, they couldn't know for certain that the documents were frauds. The Scarith of Scornello traces the career of this young scam artist whose "discoveries" reached the Vatican shortly after Galileo was condemned by the Inquisition, inspiring participants on both sides of the affair to clash again - this time over Etruscan history."--BOOK JACKET.
Publisher: University of Chicago Press
ISBN: 9780226730363
Category : History
Languages : en
Pages : 252
Book Description
"As recounted here by Ingrid D. Rowland, Curzio preyed on the Italian fixation with ancestry to forge an array of ancient Latin and Etruscan documents. For authenticity's sake, he stashed the counterfeit treasure in scarith (capsules made of hair and mud) near Scornello. To the seventeenth-century Tuscans who were so eager to establish proof of their heritage and history, the scarith symbolized a link to the prestigious culture of their past. But because none of these proud Italians could actually read the ancient Etruscan language, they couldn't know for certain that the documents were frauds. The Scarith of Scornello traces the career of this young scam artist whose "discoveries" reached the Vatican shortly after Galileo was condemned by the Inquisition, inspiring participants on both sides of the affair to clash again - this time over Etruscan history."--BOOK JACKET.
Pleading the Blood
Author: Christopher Sieving
Publisher: Indiana University Press
ISBN: 0253059186
Category : Biography & Autobiography
Languages : en
Pages : 302
Book Description
The definitive look at one of the most important Black art films and original filmmakers of the 1970s. Bill Gunn's Ganja & Hess (1973) has across the decades attained a sizable cult following among African American cinema devotees, art house aficionados, and horror fans, thanks to its formal complexity and rich allegory. Pleading the Blood is the first full-length study of this cult classic. Ganja & Hess was withdrawn almost immediately after its New York premiere by its distributor because Gunn's poetic re-fashioning of the vampire genre allegedly failed to satisfy the firm's desire for a by-the-numbers "blaxploitation" horror flick for quick sell-off in the urban market. Its current status as one of the classic works of African American cinema has recently been confirmed by the Blu-ray release of its restored version, by its continued success in screenings at repertory houses, museums, and universities, and by an official remake, Da Sweet Blood of Jesus (2014), directed by Spike Lee, one of the original picture's longtime champions. Pleading the Blood draws on Gunn's archived papers, screenplay drafts, and storyboards, as well as interviews with the living major creative participants to offer a comprehensive, absorbing account of the influential movie and its highly original filmmaker.
Publisher: Indiana University Press
ISBN: 0253059186
Category : Biography & Autobiography
Languages : en
Pages : 302
Book Description
The definitive look at one of the most important Black art films and original filmmakers of the 1970s. Bill Gunn's Ganja & Hess (1973) has across the decades attained a sizable cult following among African American cinema devotees, art house aficionados, and horror fans, thanks to its formal complexity and rich allegory. Pleading the Blood is the first full-length study of this cult classic. Ganja & Hess was withdrawn almost immediately after its New York premiere by its distributor because Gunn's poetic re-fashioning of the vampire genre allegedly failed to satisfy the firm's desire for a by-the-numbers "blaxploitation" horror flick for quick sell-off in the urban market. Its current status as one of the classic works of African American cinema has recently been confirmed by the Blu-ray release of its restored version, by its continued success in screenings at repertory houses, museums, and universities, and by an official remake, Da Sweet Blood of Jesus (2014), directed by Spike Lee, one of the original picture's longtime champions. Pleading the Blood draws on Gunn's archived papers, screenplay drafts, and storyboards, as well as interviews with the living major creative participants to offer a comprehensive, absorbing account of the influential movie and its highly original filmmaker.
The Pleasures and Horrors of Eating
Author: Marion Gymnich
Publisher: V&R Unipress
ISBN: 3862347753
Category : Literary Criticism
Languages : en
Pages : 464
Book Description
Browsing through books and TV channels we find people pre-occupied with eating, cooking and competing with chefs. Eating and food in today's media have become a form of entertainment and art. A survey of literary history and culture shows to what extent eating used to be closely related to all areas of human life, to religion, eroticism and even to death.In this volume, early modern ideas of feasting, banqueting and culinary pleasures are juxtaposed with post-18th- and 19th-century concepts in which the intake of food is increasingly subjected to moral, theological and economic reservations. In a wide range of essays, various images, rhetorics and poetics of plenty are not only contrasted with the horrors of gluttony, they are also seen in the context of modern phenomena such as the anorexic body or the gourmandizing bête humaine.It is this vexing binary approach to eating and food which this volume traces within a wide chronological framework and which is at the core not only of literature, art and film, but also of a flourishing popular culture.
Publisher: V&R Unipress
ISBN: 3862347753
Category : Literary Criticism
Languages : en
Pages : 464
Book Description
Browsing through books and TV channels we find people pre-occupied with eating, cooking and competing with chefs. Eating and food in today's media have become a form of entertainment and art. A survey of literary history and culture shows to what extent eating used to be closely related to all areas of human life, to religion, eroticism and even to death.In this volume, early modern ideas of feasting, banqueting and culinary pleasures are juxtaposed with post-18th- and 19th-century concepts in which the intake of food is increasingly subjected to moral, theological and economic reservations. In a wide range of essays, various images, rhetorics and poetics of plenty are not only contrasted with the horrors of gluttony, they are also seen in the context of modern phenomena such as the anorexic body or the gourmandizing bête humaine.It is this vexing binary approach to eating and food which this volume traces within a wide chronological framework and which is at the core not only of literature, art and film, but also of a flourishing popular culture.
Blood Ties and Fictive Ties
Author: Kristin Elizabeth Gager
Publisher: Princeton University Press
ISBN: 140086433X
Category : History
Languages : en
Pages : 210
Book Description
In Paris during the sixteenth and seventeenth centuries, the practice of adopting children was strongly discouraged by cultural, religious, and legal authorities on the grounds that it disrupted family blood lines. In fact, historians have assumed that adoption had generally not been practiced in France or in the rest of Europe since late antiquity. Challenging this view, Kristin Gager brings to light evidence showing how married couples and single men and women from the artisan neighborhoods in early modern Paris did manage to adopt children as their legal heirs. In so doing, she offers a new, richly detailed portrait of family life, civil law, and public assistance in Paris, and reveals how citizens forged a wide variety of family forms in defiance of social, cultural, and legal norms. Gager bases her work on documents ranging from previously unexplored notarized contracts of adoption to court cases, theological treatises, and literary texts. She examines two main patterns of adoption: those privately arranged between households and those of destitute children from the Parisian foundling hospice and the Hôtel-Dieu. Gager argues that although customary law rejected adoption and promoted an exclusively biological model of the family, there existed an alternative domestic culture based on a variety of "fictive" ties. Gager connects her arguments to current debates about adoption and the nature of the family in Europe and the United States. Originally published in 1996. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 140086433X
Category : History
Languages : en
Pages : 210
Book Description
In Paris during the sixteenth and seventeenth centuries, the practice of adopting children was strongly discouraged by cultural, religious, and legal authorities on the grounds that it disrupted family blood lines. In fact, historians have assumed that adoption had generally not been practiced in France or in the rest of Europe since late antiquity. Challenging this view, Kristin Gager brings to light evidence showing how married couples and single men and women from the artisan neighborhoods in early modern Paris did manage to adopt children as their legal heirs. In so doing, she offers a new, richly detailed portrait of family life, civil law, and public assistance in Paris, and reveals how citizens forged a wide variety of family forms in defiance of social, cultural, and legal norms. Gager bases her work on documents ranging from previously unexplored notarized contracts of adoption to court cases, theological treatises, and literary texts. She examines two main patterns of adoption: those privately arranged between households and those of destitute children from the Parisian foundling hospice and the Hôtel-Dieu. Gager argues that although customary law rejected adoption and promoted an exclusively biological model of the family, there existed an alternative domestic culture based on a variety of "fictive" ties. Gager connects her arguments to current debates about adoption and the nature of the family in Europe and the United States. Originally published in 1996. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.