Author: Brian Boyd
Publisher: Harvard University Press
ISBN: 0674069196
Category : Literary Criticism
Languages : en
Pages : 186
Book Description
In Why Lyrics Last, the internationally acclaimed critic Brian Boyd turns an evolutionary lens on the subject of lyric verse. He finds that lyric making, though it presents no advantages for the species in terms of survival and reproduction, is “universal across cultures because it fits constraints of the human mind.” An evolutionary perspective— especially when coupled with insights from aesthetics and literary history—has much to tell us about both verse and the lyrical impulse. Boyd places the writing of lyrical verse within the human disposition “to play with pattern,” and in an extended example he uncovers the many patterns to be found within Shakespeare’s Sonnets. Shakespeare’s bid for readership is unlike that of any sonneteer before him: he deliberately avoids all narrative, choosing to maximize the openness of the lyric and demonstrating the power that verse can have when liberated of story. In eschewing narrative, Shakespeare plays freely with patterns of other kinds: words, images, sounds, structures; emotions and moods; argument and analogy; and natural rhythms, in daily, seasonal, and life cycles. In the originality of his stratagems, and in their sheer number and variety, both within and between sonnets, Shakespeare outdoes all competitors. A reading of the Sonnets informed by evolution is primed to attend to these complexities and better able to appreciate Shakespeare’s remarkable gambit for immortal fame.
Why Lyrics Last
Author: Brian Boyd
Publisher: Harvard University Press
ISBN: 0674069196
Category : Literary Criticism
Languages : en
Pages : 186
Book Description
In Why Lyrics Last, the internationally acclaimed critic Brian Boyd turns an evolutionary lens on the subject of lyric verse. He finds that lyric making, though it presents no advantages for the species in terms of survival and reproduction, is “universal across cultures because it fits constraints of the human mind.” An evolutionary perspective— especially when coupled with insights from aesthetics and literary history—has much to tell us about both verse and the lyrical impulse. Boyd places the writing of lyrical verse within the human disposition “to play with pattern,” and in an extended example he uncovers the many patterns to be found within Shakespeare’s Sonnets. Shakespeare’s bid for readership is unlike that of any sonneteer before him: he deliberately avoids all narrative, choosing to maximize the openness of the lyric and demonstrating the power that verse can have when liberated of story. In eschewing narrative, Shakespeare plays freely with patterns of other kinds: words, images, sounds, structures; emotions and moods; argument and analogy; and natural rhythms, in daily, seasonal, and life cycles. In the originality of his stratagems, and in their sheer number and variety, both within and between sonnets, Shakespeare outdoes all competitors. A reading of the Sonnets informed by evolution is primed to attend to these complexities and better able to appreciate Shakespeare’s remarkable gambit for immortal fame.
Publisher: Harvard University Press
ISBN: 0674069196
Category : Literary Criticism
Languages : en
Pages : 186
Book Description
In Why Lyrics Last, the internationally acclaimed critic Brian Boyd turns an evolutionary lens on the subject of lyric verse. He finds that lyric making, though it presents no advantages for the species in terms of survival and reproduction, is “universal across cultures because it fits constraints of the human mind.” An evolutionary perspective— especially when coupled with insights from aesthetics and literary history—has much to tell us about both verse and the lyrical impulse. Boyd places the writing of lyrical verse within the human disposition “to play with pattern,” and in an extended example he uncovers the many patterns to be found within Shakespeare’s Sonnets. Shakespeare’s bid for readership is unlike that of any sonneteer before him: he deliberately avoids all narrative, choosing to maximize the openness of the lyric and demonstrating the power that verse can have when liberated of story. In eschewing narrative, Shakespeare plays freely with patterns of other kinds: words, images, sounds, structures; emotions and moods; argument and analogy; and natural rhythms, in daily, seasonal, and life cycles. In the originality of his stratagems, and in their sheer number and variety, both within and between sonnets, Shakespeare outdoes all competitors. A reading of the Sonnets informed by evolution is primed to attend to these complexities and better able to appreciate Shakespeare’s remarkable gambit for immortal fame.
Petrarch's Lyric Poems
Author: Francesco Petrarca
Publisher: Harvard University Press
ISBN: 9780674663480
Category : Education
Languages : en
Pages : 682
Book Description
Durling's edition of Petrarch's poems has become the standard. Readers have praised the translation of the authoritative text as graceful and accurate, conveying a real understanding of what this difficult poet is saying. The literalness of the prose translation makes this book especially useful to students who lack a full command of Italian.
Publisher: Harvard University Press
ISBN: 9780674663480
Category : Education
Languages : en
Pages : 682
Book Description
Durling's edition of Petrarch's poems has become the standard. Readers have praised the translation of the authoritative text as graceful and accurate, conveying a real understanding of what this difficult poet is saying. The literalness of the prose translation makes this book especially useful to students who lack a full command of Italian.
Lyric forms in the sonnet sequences of Barnabe Barnes
Author: Philip E. Blank
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111342484
Category : Language Arts & Disciplines
Languages : en
Pages : 164
Book Description
No detailed description available for "Lyric forms in the sonnet sequences of Barnabe Barnes".
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111342484
Category : Language Arts & Disciplines
Languages : en
Pages : 164
Book Description
No detailed description available for "Lyric forms in the sonnet sequences of Barnabe Barnes".
The Collected Lyric Poems of Luís de Camões
Author: Luís de Camões
Publisher: Princeton University Press
ISBN: 1400884144
Category : Poetry
Languages : en
Pages : 381
Book Description
Luís de Camões is world famous as the author of the great Renaissance epic The Lusíads, but his large and equally great body of lyric poetry is still almost completely unknown outside his native Portugal. In The Collected Lyric Poems of Luís de Camões, the award-winning translator of The Lusíads gives English readers the first comprehensive collection of Camões's sonnets, songs, elegies, hymns, odes, eclogues, and other poems--more than 280 lyrics altogether, all rendered in engaging verse. Camões (1524-1580) was the first great European artist to cross into the Southern Hemisphere, and his poetry bears the marks of nearly two decades spent in north and east Africa, the Persian Gulf, India, and Macau. From an elegy set in Morocco, to a hymn written at Cape Guardafui on the northern tip of Somalia, to the first modern European love poems for a non-European woman, these lyrics reflect Camões's encounters with radically unfamiliar peoples and places. Translator Landeg White has arranged the poems to follow the order of Camões's travels, making the book read like a journey. The work of one of the first European cosmopolitans, these poems demonstrate that Camões would deserve his place among the great poets even if he had never written his epic.
Publisher: Princeton University Press
ISBN: 1400884144
Category : Poetry
Languages : en
Pages : 381
Book Description
Luís de Camões is world famous as the author of the great Renaissance epic The Lusíads, but his large and equally great body of lyric poetry is still almost completely unknown outside his native Portugal. In The Collected Lyric Poems of Luís de Camões, the award-winning translator of The Lusíads gives English readers the first comprehensive collection of Camões's sonnets, songs, elegies, hymns, odes, eclogues, and other poems--more than 280 lyrics altogether, all rendered in engaging verse. Camões (1524-1580) was the first great European artist to cross into the Southern Hemisphere, and his poetry bears the marks of nearly two decades spent in north and east Africa, the Persian Gulf, India, and Macau. From an elegy set in Morocco, to a hymn written at Cape Guardafui on the northern tip of Somalia, to the first modern European love poems for a non-European woman, these lyrics reflect Camões's encounters with radically unfamiliar peoples and places. Translator Landeg White has arranged the poems to follow the order of Camões's travels, making the book read like a journey. The work of one of the first European cosmopolitans, these poems demonstrate that Camões would deserve his place among the great poets even if he had never written his epic.
Pop Sonnets: Shakespearean Spins on Your Favourite Songs
Author: Erik Didriksen
Publisher: HarperCollins UK
ISBN: 0008145431
Category : Humor
Languages : en
Pages : 136
Book Description
‘One of the very best collections of pop songs written in the style of William Shakespeare that I’ve read so far this year!’ ‘Weird Al’ Yankovic ‘Ever wonder what Taylor Swift and Beyoncé would sound like in iambic pentameter? We hadn’t either, but now we can’t get enough’ TIME ‘Amazing’ Buzzfeed
Publisher: HarperCollins UK
ISBN: 0008145431
Category : Humor
Languages : en
Pages : 136
Book Description
‘One of the very best collections of pop songs written in the style of William Shakespeare that I’ve read so far this year!’ ‘Weird Al’ Yankovic ‘Ever wonder what Taylor Swift and Beyoncé would sound like in iambic pentameter? We hadn’t either, but now we can’t get enough’ TIME ‘Amazing’ Buzzfeed
The Cambridge Companion to the Sonnet
Author: A. D. Cousins
Publisher: Cambridge University Press
ISBN: 0521514673
Category : Literary Criticism
Languages : en
Pages : 295
Book Description
A team of distinguished poets and scholars provides an authoritative guide to the history and development of the sonnet.
Publisher: Cambridge University Press
ISBN: 0521514673
Category : Literary Criticism
Languages : en
Pages : 295
Book Description
A team of distinguished poets and scholars provides an authoritative guide to the history and development of the sonnet.
A Handbook of Literary Criticism
Author: William Henry Sheran
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 602
Book Description
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 602
Book Description
Why Lyrics Last
Author: Brian Boyd
Publisher: Harvard University Press
ISBN: 0674064844
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
Argues that lyric making is universal across cultures, and uses the example of Shakespeare's "Sonnets" to showcase the human disposition to play with lyrical patterns.
Publisher: Harvard University Press
ISBN: 0674064844
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
Argues that lyric making is universal across cultures, and uses the example of Shakespeare's "Sonnets" to showcase the human disposition to play with lyrical patterns.
The Afterlife of Shakespeare's Sonnets
Author: Jane Kingsley-Smith
Publisher: Cambridge University Press
ISBN: 1107170656
Category : Literary Criticism
Languages : en
Pages : 297
Book Description
An original account of the reception and influence of Shakespeare's Sonnets in his own time and in later literary history.
Publisher: Cambridge University Press
ISBN: 1107170656
Category : Literary Criticism
Languages : en
Pages : 297
Book Description
An original account of the reception and influence of Shakespeare's Sonnets in his own time and in later literary history.
The Poetics of American Song Lyrics
Author: Charlotte Pence
Publisher: Univ. Press of Mississippi
ISBN: 1617031577
Category : Music
Languages : en
Pages : 309
Book Description
The Poetics of American Song Lyrics is the first collection of academic essays that regards songs as literature and that identifies intersections between the literary histories of poems and songs. The essays by well-known poets and scholars including Pulitzer Prize winner Claudia Emerson, Peter Guralnick, Adam Bradley, David Kirby, Kevin Young, and many others, locate points of synthesis and separation so as to better understand both genres and their crafts. The essayists share a desire to write on lyrics in a way that moves beyond sociological, historical, and autobiographical approaches and explicates songs in relation to poetics. Unique to this volume, the essays focus not on a single genre but on folk, rap, hip hop, country, rock, indie, soul, and blues. The first section of the book provides a variety of perspectives on the poetic history and techniques within songs and poems, and the second section focuses on a few prominent American songwriters such as Bob Dylan, Bruce Springsteen, and Michael Stipe. Through conversational yet in-depth analyses of songs, the essays discuss sonnet forms, dramatic monologues, Modernism, ballads, blues poems, confessionalism, Language poetry, Keatsian odes, unreliable narrators, personas, poetic sequences, rhythm, rhyme, transcription methods, the writing process, and more. While the strategies of explication differ from essay to essay, the nexus of each piece is an unveiling of the poetic history and poetic techniques within songs.
Publisher: Univ. Press of Mississippi
ISBN: 1617031577
Category : Music
Languages : en
Pages : 309
Book Description
The Poetics of American Song Lyrics is the first collection of academic essays that regards songs as literature and that identifies intersections between the literary histories of poems and songs. The essays by well-known poets and scholars including Pulitzer Prize winner Claudia Emerson, Peter Guralnick, Adam Bradley, David Kirby, Kevin Young, and many others, locate points of synthesis and separation so as to better understand both genres and their crafts. The essayists share a desire to write on lyrics in a way that moves beyond sociological, historical, and autobiographical approaches and explicates songs in relation to poetics. Unique to this volume, the essays focus not on a single genre but on folk, rap, hip hop, country, rock, indie, soul, and blues. The first section of the book provides a variety of perspectives on the poetic history and techniques within songs and poems, and the second section focuses on a few prominent American songwriters such as Bob Dylan, Bruce Springsteen, and Michael Stipe. Through conversational yet in-depth analyses of songs, the essays discuss sonnet forms, dramatic monologues, Modernism, ballads, blues poems, confessionalism, Language poetry, Keatsian odes, unreliable narrators, personas, poetic sequences, rhythm, rhyme, transcription methods, the writing process, and more. While the strategies of explication differ from essay to essay, the nexus of each piece is an unveiling of the poetic history and poetic techniques within songs.