Sonata no. 4, opus 30, for the piano

Sonata no. 4, opus 30, for the piano PDF Author: Aleksandr Nikolayevich Scriabin
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 24

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Sonata, no. 4, op. 30, for the piano

Sonata, no. 4, op. 30, for the piano PDF Author: Aleksandr Nikolayevich Scriabin
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 16

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Sonata No. 4

Sonata No. 4 PDF Author: Aleksandr N. Skrjabin
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Sonata No.4, Opus 30, for the Piano

Sonata No.4, Opus 30, for the Piano PDF Author: Aleksandr Nikolayevich Scriabin
Publisher:
ISBN:
Category : Sonatas (Piano)
Languages : en
Pages : 24

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Sonata, No. 4, for the Piano

Sonata, No. 4, for the Piano PDF Author: Aleksandr Nikolayevich Scriabin
Publisher:
ISBN:
Category : Sonatas (Piano)
Languages : en
Pages : 13

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Sonata

Sonata PDF Author: Aleksandr Nikolayevich Scriabin
Publisher:
ISBN:
Category : Sonatas (Piano)
Languages : en
Pages : 28

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The Alexander Scriabin Companion

The Alexander Scriabin Companion PDF Author: Lincoln Ballard
Publisher: Rowman & Littlefield
ISBN: 1442232625
Category : Music
Languages : en
Pages : 441

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Book Description
This unique collaboration between a musicologist and two pianists – all experts in Russian music – takes a fresh look at the supercharged music and polarizing reception of the Russian composer Alexander Scriabin. From his Chopin-inspired miniatures to his genre-bending symphonies and avant-garde late works, Scriabin left a unique mark on music history. Scriabin’s death centennial in 2015 brought wider exposure and renewed attention to this pioneering composer. Music lovers who are curious about Scriabin have been torn between specialized academic studies and popular sources that glamorize his interests and activities, often at the expense of historical accuracy. This book bridges the divide between these two branches of literature, and brings a modern perspective to his music and legacy. Drawing on archival materials, primary sources in Russian, and recently published books and articles, Part One details the reception and performance history of Scriabin’s solo piano and orchestral music. High quality recordings are recommended for each piece. Part Two explores four topics in Scriabin’s reception: the myths generated by Scriabin’s biographers, his claims to synaesthesia or “color-hearing,” his revival in 1960s America as a proto-Flower Child, and the charges of anti-Russianness leveled against his music. Part Three investigates stylistic context and performance practice in the piano music, and considers the domains of sound, rhythm, and harmony. It offers interpretive strategies for deciphering Scriabin’s challenging scores at the keyboard. Students, scholars, and music enthusiasts will benefit from the historical insights offered in this interdisciplinary book. Armed with this knowledge, readers will be able to better appreciate the stylistic innovations and colorful imagination of this extraordinary composer.

The First Four Notes

The First Four Notes PDF Author: Matthew Guerrieri
Publisher: Vintage
ISBN: 0804170193
Category : Music
Languages : en
Pages : 386

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Book Description
A TIME Magazine Top 10 Nonfiction Book of 2012 A New Yorker Best Book of the Year Los Angeles Magazine's #1 Music Book of the Year This revelatory book of music history examines what is perhaps the best known and most-popular symphony ever written—and its famous four-note opening. Reaching back before Beethoven’s time, Matthew Guerrieri uncovers premonitions of the opening notes in the rhythms of ancient Greek poetry and the music of the French Revolution. He discusses the Fifth’s impact when it premiered, tracing the artistic, philosophical, and political reverberations across Europe to China, Russia, and the United States, from Romanticism to ring tones, from propaganda to pop. This fascinating piece of musical detective work is a treat for music lovers of every stripe.

Sonate-Ballade, op. 27 ; Op. 30, A minor ; Sonata-reminiscenza, op. 38, no. 1 ; Canzona matinata, op. 39, no. 4 ; Sonata tragica, op. 39, no. 5 ; Sonata romantica, op. 53, no. 1 ; Sonata minacciosa, op. 53, no. 2 ; Sonate-idylle, op. 56 ; Appendix (Canzona serenata, op. 38, no. 6 ; Alla reminiscenza, op. 38, no. 8)

Sonate-Ballade, op. 27 ; Op. 30, A minor ; Sonata-reminiscenza, op. 38, no. 1 ; Canzona matinata, op. 39, no. 4 ; Sonata tragica, op. 39, no. 5 ; Sonata romantica, op. 53, no. 1 ; Sonata minacciosa, op. 53, no. 2 ; Sonate-idylle, op. 56 ; Appendix (Canzona serenata, op. 38, no. 6 ; Alla reminiscenza, op. 38, no. 8) PDF Author: Nikolay Karlovich Medtner
Publisher: Courier Corporation
ISBN: 0486299791
Category : Music
Languages : en
Pages : 258

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Book Description
Series II contains Medtner's final seven sonatas: Sonate-Ballade, Sonata in A Minor, Sonata-Reminiscenza, Sonata tragica, Sonata romantica, Sonata minacciosa, and Sonate-Idylle. Bonus selections include "Canzona matinata," "Canzona seranata," and "Alla Reminiscenza."

The Music of William Schuman, Vincent Persichetti, and Peter Mennin

The Music of William Schuman, Vincent Persichetti, and Peter Mennin PDF Author: Walter Simmons
Publisher: Rowman & Littlefield
ISBN: 1538103842
Category : Music
Languages : en
Pages : 437

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Book Description
William Schuman, Vincent Persichetti, and Peter Mennin were three of the most significant American composers of the 20th century, yet their music has largely disappeared from view since their respective deaths. Because they each spent the majority of their careers working at the Juilliard School and Lincoln Center, their music is often viewed as "interchangeable." In The Music of William Schuman, Vincent Persichetti, and Peter Mennin: Voices of Stone and Steel, Walter Simmons provides a thorough examination of the lives and work of these artists, clarifying their considerable individuality both as composers and as human beings. The book begins with a comprehensive introduction summarizing the conventional view of the history of American music, while noting the marginalization of traditionalist composers—those who preferred to work with the musical forms and developmental principles on which the body of Western classical music is based. In the chapters that follow, each composer is presented through a brief overview and a biographical essay, followed by a general description of his style. Extensively researched and including detailed discussions and insights, the sections include lists of the composer's "most representative, fully realized works" and then provide systematic overviews of most or all of their compositions, giving the reader a general understanding of the artist and his work. The overviews contain a description of each composition, information concerning first performance and first recording, excerpts from reviews as well as Simmons' own critical assessment of each, and a statement of its place within the composer's output as a whole. A selected bibliography and essential discography follows at the end of each chapter.

The Notebooks of Alexander Skryabin

The Notebooks of Alexander Skryabin PDF Author: Aleksandr Nikolayevich Scriabin
Publisher: Oxford University Press
ISBN: 0190863668
Category : Music
Languages : en
Pages : 289

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Book Description
Russian composer Alexander Skryabin's life spanned the late romantic era and the momentous early years of the twentieth century, but was cut short before the end of the first world war. In a predominantly conservative era in the Russian musical scene, he drew inspiration from poets, philosophers, and dramatists of the Silver Age, a period of radical artistic renewal in Russia. Possessed by an apocalyptic vision of transformation, aspects of which he shared with other Russian thinkers and artists of the period, Skryabin transformed his musical language from a ripe Romantic style into a far-reaching, radical instrument for the expression of his ideas. This newly translated collection of the composer's writings and letters allows readers to experience and understand Skryabin's worldview, personality, and life as never before. The Notebooks of Alexander Skryabin features commentary based on original materials and accounts by the composer's friends and associates, dispelling popular misconceptions about his life and revealing the dazzling constellation of philosophies that comprised his world of ideas, from Ancient Greek and German Idealist philosophy to the writings of Nietzsche, and Indian culture to the Theosophical writings of H. P. Blavatsky. Close textual readings and new biographical insights converge to present a vivid impression of Skryabin's thought and its impact on his musical compositions.