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Author: Jeanne K. Cadogan
Publisher: Yale University Press
ISBN: 0300087209
Category : Art
Languages : en
Pages : 452
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Book Description
Domenico Ghirlandaio was one of the most popular artists in fifteenth-century Florence. He worked in a variety of media, including panel paintings, wall murals, mosaic, and manuscript illumination, and his workshop - to which Michelangelo was apprenticed - was highly influential. This beautiful book offers a radically new interpretation of Ghirlandaio’s life and work, viewing him primarily as an artisan active within the craft traditions, guild structure, and workshop organizations of his day. Jean K. Cadogan argues that Ghirlandaio was a pivotal figure in the transformation of the artist from medieval artisan to Renaissance genius. She traces his gradual social elevation, which reflected the increasing respect with which he was treated by his patrons. And she notes that the changes in the way he and other artists were viewed created a milieu that encouraged innovation in technique, style, and content, qualities that were vividly displayed in Ghirlandaio’s work. Cadogan explains how his working method, his pragmatic, artisan approach to technique, the organization and functioning of his workshop, and his relations with his patrons affected the works of art Ghirlandaio produced. Her text is complemented by a catalogue raisonné of Ghirlandaio’s works in all media as well as an appendix of documents useful for scholars.
Author: Jeanne K. Cadogan
Publisher: Yale University Press
ISBN: 0300087209
Category : Art
Languages : en
Pages : 452
Get Book Here
Book Description
Domenico Ghirlandaio was one of the most popular artists in fifteenth-century Florence. He worked in a variety of media, including panel paintings, wall murals, mosaic, and manuscript illumination, and his workshop - to which Michelangelo was apprenticed - was highly influential. This beautiful book offers a radically new interpretation of Ghirlandaio’s life and work, viewing him primarily as an artisan active within the craft traditions, guild structure, and workshop organizations of his day. Jean K. Cadogan argues that Ghirlandaio was a pivotal figure in the transformation of the artist from medieval artisan to Renaissance genius. She traces his gradual social elevation, which reflected the increasing respect with which he was treated by his patrons. And she notes that the changes in the way he and other artists were viewed created a milieu that encouraged innovation in technique, style, and content, qualities that were vividly displayed in Ghirlandaio’s work. Cadogan explains how his working method, his pragmatic, artisan approach to technique, the organization and functioning of his workshop, and his relations with his patrons affected the works of art Ghirlandaio produced. Her text is complemented by a catalogue raisonné of Ghirlandaio’s works in all media as well as an appendix of documents useful for scholars.
Author: Maria DePrano
Publisher:
ISBN: 1108416055
Category : Art
Languages : en
Pages : 453
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Book Description
This book examines a Renaissance Florentine family's art patronage, even for women, inspired by literature, music, love, loss, and religion.
Author: Francesco Buranelli
Publisher: Univ. Press of Mississippi
ISBN: 9781887422154
Category : Architecture
Languages : en
Pages : 196
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Book Description
How Italian artists have represented one of the most revered religious images--the angel
Author: Edelgard E. DuBruck
Publisher: Camden House
ISBN: 9781571132284
Category : History
Languages : en
Pages : 320
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Book Description
Founded in 1977 as the publication organ for the Fifteenth-Century Symposium, Fifteenth-Century Studies has appeared annually since then. It publishes essays on all aspects of life in the fifteenth century, including literature, drama, history, philosophy, art, music, religion, science, and ritual and custom. The editors strive to do justice to the most contested medieval century, a period that is the stepchild of research. The period defies consensus on fundamental issues: some dispute, in fact, whether the fifteenth century belonged at all to the middle ages, arguing that it was a period of transition, a passage to modern times. At issue, therefore, is the very tenor of an age that stood under the tripartite influence of Gutenberg, the Turks, and Columbus. Volume 26 contains the customary survey of research on late-medieval drama. There are six articles on French literature, four on German topics, two on Italian art, one on Spanish medieval predication, and three on English literary matters. Six of the articles focus on women and misogyny. Further topics include: popular approaches to problems of daily living; the crusades and mysticism; an early warning against excess in travel and exploration; the conduct of princes as described in chronicles; the so-called Pope Joan; theater, including farces, passion pageants, and triumphant entries of princes; critique of the estates; the function of authors, and their rights, duties, and privileges. There are 17 book reviews and two obituary dedications. The volume has been assembled with special care for style, excellence of research, and variety of approaches. Edelgard DuBruck is professor emerita of Modern Languages at Marygrove College, Detroit, Michigan. Barbara Gusick is professor emerita of English at Troy University-Dothan, Dothan, Alabama.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870994794
Category : Art
Languages : en
Pages : 350
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Book Description
Author: Patricia Lee Rubin
Publisher: Metropolitan Museum of Art
ISBN: 1588394255
Category : Art, Italian
Languages : en
Pages : 434
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Book Description
Published in conjunction with an exhibition held at the Bode-Museum, Berlin, Aug. 25-Nov. 20, 2011, and at the Metropolitan Museum of Art, New York, Dec. 21, 2011-Mar. 18, 2012.
Author: Giuditta Cirnigliaro
Publisher: BRILL
ISBN: 9004527192
Category : Art
Languages : en
Pages : 270
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Book Description
An exploration of the compositional methods and sources of Leonardo’s fables to investigate their relationship with illustrations and scientific studies.
Author: Paula Nuttall
Publisher: BRILL
ISBN: 9004434615
Category : Art
Languages : en
Pages : 407
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Book Description
Filippino Lippi (1457–1504), although one of the most original and gifted artists of the Florentine renaissance, has attracted less scholarly attention than his father Fra Filippo Lippi or his master Botticelli, and very little has been published on him in English. This book, authored by leading Renaissance art historians, covers diverse aspects of Filippino Lippi’s art: his role in Botticelli’s workshop; his Lucchese patrons; his responses to Netherlandish painting; portraits; space and temporality; the restoration of the Strozzi Chapel in Santa Maria Novella; his immediate artistic legacy; and, finally, his nineteenth-century critical reception. The fourteen chapters in this volume were originally presented at the international conference Filippino Lippi: Beauty, Invention and Intelligence, held at the Dutch University Institute (NIKI) in Florence in 2017. See inside the book.
Author: Patrick and Beatrice Haggerty Museum of Art
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 264
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Book Description
Author: D. Stephen Pepper
Publisher: BJU Press
ISBN:
Category : Art
Languages : en
Pages : 342
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Book Description
This brief overview is intended to give the sense of the historic comprehensiveness of the Italian collection, not to give a complete review of the Collection's strengths. It runs the gamut from famous masterpieces to little known figures; from metropolitan to provincial schools. Throughout this variety runs the continuity of religious themes, the highest ambition of Italian art for five centuries. The Italian collection is very likely to be the most representative in the country. - Introduction.
