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Author: David Shapiro
Publisher: Burns & Oates
ISBN:
Category : Art
Languages : en
Pages : 360
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Book Description
In an introductory essay, David Shapiro appraises the roots and achievements of Social Realism, providing an overall framework within which the source material that follows can be understood. Was Social Realism only a response to the economic collapse of the 1930s, or was it part of a continuing American art tradition? A primary selection of documents -- ranging from Hugo Gellert's exultant" We Capture the Walls" (1932) to Oliver Larkin's retrospective "Common Cause" (1949) -- fixes the period's social and aesthetic background. It includes spirited contributions by Diego Rivera, Meyer Schapiro, Stuart Davis, and others. A second selection of documents focuses on five major Social Realists -- Philip Evergood, William Gropper, Jacob Lawrence, Jack Levine, and Ben Shahn -- for closer study. This section includes individual biographical outlines, personal statements by the artists, and representative critical analyses of their work. The book concludes with an especially compiled list of major Social Realists, an extended bibliography, and a detailed index. Includes ten reproductions. --! From book jacket.
Author: David Shapiro
Publisher: Burns & Oates
ISBN:
Category : Art
Languages : en
Pages : 360
Get Book Here
Book Description
In an introductory essay, David Shapiro appraises the roots and achievements of Social Realism, providing an overall framework within which the source material that follows can be understood. Was Social Realism only a response to the economic collapse of the 1930s, or was it part of a continuing American art tradition? A primary selection of documents -- ranging from Hugo Gellert's exultant" We Capture the Walls" (1932) to Oliver Larkin's retrospective "Common Cause" (1949) -- fixes the period's social and aesthetic background. It includes spirited contributions by Diego Rivera, Meyer Schapiro, Stuart Davis, and others. A second selection of documents focuses on five major Social Realists -- Philip Evergood, William Gropper, Jacob Lawrence, Jack Levine, and Ben Shahn -- for closer study. This section includes individual biographical outlines, personal statements by the artists, and representative critical analyses of their work. The book concludes with an especially compiled list of major Social Realists, an extended bibliography, and a detailed index. Includes ten reproductions. --! From book jacket.
Author: Stacy I. Morgan
Publisher: University of Georgia Press
ISBN: 9780820325798
Category : Literary Criticism
Languages : en
Pages : 374
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Book Description
The social realist movement, with its focus on proletarian themes and its strong ties to New Deal programs and leftist politics, has long been considered a depression-era phenomenon that ended with the start of World War II. This study explores how and why African American writers and visual artists sustained an engagement with the themes and aesthetics of social realism into the early cold war-era--far longer than a majority of their white counterparts. Stacy I. Morgan recalls the social realist atmosphere in which certain African American artists and writers were immersed and shows how black social realism served alternately to question the existing order, instill race pride, and build interracial, working-class coalitions. Morgan discusses, among others, such figures as Charles White, John Wilson, Frank Marshall Davis, Willard Motley, Langston Hughes, Sterling Brown, Elizabeth Catlett, and Hale Woodruff.
Author:
Publisher: Penn State Press
ISBN: 9780271047164
Category : Art
Languages : en
Pages : 394
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Book Description
Author: Juan Fernando Botero-Garcia
Publisher: Cambridge Scholars Publishing
ISBN: 1443832413
Category : Art
Languages : en
Pages : 455
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Book Description
Voices: Postgraduate Perspectives on Inter-disciplinarity was created out of a compilation of papers presented at the University of Aberdeen’s annual College of arts and Social Sciences Postgraduate Conference, more widely known as Moving Forward. This conference reached its sixth year in 2009. Both the conference and proposed collection incorporate the colleges of Divinity, History and Philosophy; Education; Language and Literature; Law; Social Sciences; Music and Business. Moving Forward is an annual event, sponsored by the College of Arts and Social Sciences, University of Aberdeen, and the Roberts Fund. Given the variety of papers received for, and the number of disciplines involved in this project, it was deemed that a theme of “voice” would be particularly appropriate. This theme attempts to incorporate the interdisciplinary approach taken both within the selection of papers, and within the papers themselves. Voice is approached in a variety of manners, not only referring to the sound produced from the human vocal cords, or the literary tool of an author, but also through the works of a musical artist, or by using unique research methods to understand the perspectives of those lacking a public voice. This work seeks to demonstrate an entire range of what voices may do, and how they are experienced.
Author: Francis Frascina
Publisher: Psychology Press
ISBN: 9780415228664
Category : Art
Languages : en
Pages : 400
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Book Description
This revised edition features ten new articles and is fully updated to take account of new critical approaches to post-war American art.
Author: Phoebe Hoban
Publisher: Simon and Schuster
ISBN: 1644230623
Category : Biography & Autobiography
Languages : en
Pages : 467
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Book Description
“Neel emerges as a resolute survivor who lived by her convictions, both aesthetically and politically.” —Publisher’s Weekly Phoebe Hoban’s definitive biography of the renowned American painter Alice Neel tells the unforgettable story of an artist whose life spanned the twentieth century, from women’s suffrage through the Depression, McCarthyism, the civil rights movement, the sexual revolution, and second-wave feminism. Throughout her life and work, Neel constantly challenged convention, ultimately gaining an enduring place in the canon. Alice Neel’s stated goal was to “capture the zeitgeist.” Born into a proper Victorian family at the turn of the twentieth century, Neel reached voting age during suffrage. A quintessential bohemian, she was one of the first artists participating in the Easel Project of the Works Progress Administration, documenting the challenges of life during the Depression. An avowed humanist, Neel chose to paint the world around her, sticking to figurative work even during the peak of abstract expressionism. Neel never ceased pushing the envelope, creating a unique chronicle of her time. Neel was fiercely democratic in selecting her subjects, who represent an extraordinarily diverse population—from such legendary figures as Joe Gould to her Spanish Harlem neighbors in the 1940s, the art critic Meyer Schapiro, Nobel Laureate Linus Pauling, Andy Warhol, and major figures of the labor, civil rights, and feminist movements—producing an indelible portrait of twentieth-century America. By dictating her own terms, Neel was able to transcend such personal tragedy as the death of her infant daughter, Santillana, a nervous breakdown and suicide attempts, and the separation from her second child, Isabetta. After spending much of her career in relative obscurity, Neel finally received a major museum retrospective in 1974, at the Whitney Museum of American Art, in New York. In this first paperback edition of the authoritative biography of Neel, which serves also as a cultural history of twentieth-century New York, Hoban documents the tumultuous life of the artist in vivid detail, creating a portrait as incisive as Neel’s relentlessly honest paintings. With a new introduction by Hoban that explores Neel’s enduring relevance, this biography is essential to understanding and appreciating the life and work of one of America’s foremost artists.
Author: David P. Peeler
Publisher: University of Georgia Press
ISBN: 0820331406
Category : History
Languages : en
Pages : 362
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Book Description
In Hope Among Us Yet, David Peeler examines art and literature of the Great Depression to reveal a common pursuit and common dream in the work of writers, photographers, and painters who turned their talents toward the utter dislocation and despair of 1930s America. Thrust out of the gilded world of the 1920s by the extent of the crisis, these artists used their canvases, cameras, and pens to condemn capitalism and seal its demise with stunning evidence of its evils. As the years drew on, however, artists began to dream of a new, more equitable social order, and the solace of those dreams rather than the earlier vilification came to dominate Depression art. Discussing the photographs and paintings (many of them reproduced in this book), the essays and novels of the Depression era, David Peeler shows that in their pursuit of the reality of 1930s America, social artists also dreamed of a rebirth of Western art. But, as American capitalism revived with the onset of World War II, hopes for a new order faded, and the vision of the Depression's artists remained the unfilled prophecy of their works.
Author: Mary Helen Washington
Publisher: Columbia University Press
ISBN: 0231526474
Category : Literary Criticism
Languages : en
Pages : 369
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Book Description
Mary Helen Washington recovers the vital role of 1950s leftist politics in the works and lives of modern African American writers and artists. While most histories of McCarthyism focus on the devastation of the blacklist and the intersection of leftist politics and American culture, few include the activities of radical writers and artists from the Black Popular Front. Washington's work incorporates these black intellectuals back into our understanding of mid-twentieth-century African American literature and art and expands our understanding of the creative ferment energizing all of America during this period. Mary Helen Washington reads four representative writers—Lloyd Brown, Frank London Brown, Alice Childress, and Gwendolyn Brooks—and surveys the work of the visual artist Charles White. She traces resonances of leftist ideas and activism in their artistic achievements and follows their balanced critique of the mainstream liberal and conservative political and literary spheres. Her study recounts the targeting of African American as well as white writers during the McCarthy era, reconstructs the events of the 1959 Black Writers' Conference in New York, and argues for the ongoing influence of the Black Popular Front decades after it folded. Defining the contours of a distinctly black modernism and its far-ranging radicalization of American politics and culture, Washington fundamentally reorients scholarship on African American and Cold War literature and life.
Author: Cécile Whiting
Publisher: Yale University Press
ISBN: 9780300042597
Category : Philosophy
Languages : en
Pages : 262
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Book Description
Whiting examines the various manifestations of antifacist art, showing how each negotiated the competing demands of artistic conventions, aesthetic and political theories, and historical developments.
Author: Sandhya Shukla
Publisher: Duke University Press
ISBN: 9780822339618
Category : History
Languages : en
Pages : 470
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Book Description
DIVChallenges the disciplinary boundaries and the assumptions underlying the fields of Latin American Studies and American/U.S. Studies, demonstrating that the "Americas" is a concept that transcends geographical place./div
