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Author: Eran Neuman
Publisher: Routledge
ISBN: 1317055241
Category : Art
Languages : en
Pages : 225
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Book Description
Through the analysis of several commemorative acts in space, matter and image, namely museums and memorials, this book reflects on the ways in which architecture as a discipline, a practice and a discourse represents the Holocaust. In doing so, it problematises how one presents an extreme historical case in a contemporary context and integrates the historical into actuality. By examining several cases, the book defines the issues faced by various architects who dealt with this topic and discusses their separate and distinctive approaches. In each case, it analyses the ways in which the cultural and political contexts of commemoration led to a different interpretation of the condition. Focusing on the Ghetto Fighters’ House, the world’s first Holocaust museum; Yad Vashem, Israel’s national Holocaust memorial in Jerusalem; the US Holocaust Memorial Museum in Washington; and the Holocaust Memorial in Berlin, the book discusses how the representation of history by architecture creates a dialectic process in which architecture mediates the past to the present, while at the same time creating a present saturated with historical contexts. It shows how, together, they are incorporated into one another and create a new reality: past and present intertwined.
Author: Eran Neuman
Publisher: Routledge
ISBN: 1317055241
Category : Art
Languages : en
Pages : 225
Get Book Here
Book Description
Through the analysis of several commemorative acts in space, matter and image, namely museums and memorials, this book reflects on the ways in which architecture as a discipline, a practice and a discourse represents the Holocaust. In doing so, it problematises how one presents an extreme historical case in a contemporary context and integrates the historical into actuality. By examining several cases, the book defines the issues faced by various architects who dealt with this topic and discusses their separate and distinctive approaches. In each case, it analyses the ways in which the cultural and political contexts of commemoration led to a different interpretation of the condition. Focusing on the Ghetto Fighters’ House, the world’s first Holocaust museum; Yad Vashem, Israel’s national Holocaust memorial in Jerusalem; the US Holocaust Memorial Museum in Washington; and the Holocaust Memorial in Berlin, the book discusses how the representation of history by architecture creates a dialectic process in which architecture mediates the past to the present, while at the same time creating a present saturated with historical contexts. It shows how, together, they are incorporated into one another and create a new reality: past and present intertwined.
Author: Malcolm Miles
Publisher: Bloomsbury Publishing
ISBN: 1350240001
Category : Philosophy
Languages : en
Pages : 233
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Book Description
Art has always been central to moments of great social change. From the avant-garde to the ages of revolution, the act of rebellious creation has been crucial to bringing people and ideas together. However, in an increasingly fractured world characterised by upheaval and crisis, what role can art play in ushering in transformation? Malcolm Miles offers a guide to contemporary art and activism, setting it firmly within the context of the avant garde and its legacies in the postwar period. He explores the rise of direct action to replace representational politics in organizations like Occupy and Extinction Rebellion, and in the movements to destroy or remove statues of slavers, and finds parallels in anti-institutional art practices. By engaging with the significant theoretical innovations of the last 50 years - modernism, postmodernism and contemporary critical thinking - Miles provides both an overview of political aesthetics and an introduction to how art activism works in its most memorable moments in history. Art Rebellion argues that beauty is radically other to the dominant society; that power relations can be transformed; that protest cultures and contemporary art grow together; and that art has a crucial interruptive role in forming new, more equal and just, realities.
Author: Avinoam Patt
Publisher: Wayne State University Press
ISBN: 0814345174
Category : History
Languages : en
Pages : 460
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Book Description
Analyzes how the Warsaw Ghetto Uprising was interpreted and commemorated following the revolt. The Jewish Heroes of Warsaw: The Afterlife of the Revolt by Avinoam J. Patt analyzes how the heroic saga of the Warsaw Ghetto Uprising was mythologized in a way that captured the attention of Jews around the world, allowing them to imagine what it might have been like to be there, engaged in the struggle against the Nazi oppressor. The timing of the uprising, coinciding with the transition to memorialization and mourning, solidified the event as a date to remember both the heroes and the martyrs of Warsaw, and of European Jewry more broadly. The Jewish Heroes of Warsawincludes nine chapters. Chapter 1 includes a brief history of Warsaw from 1939 to 1943, including the creation of the ghetto and the development of the Jewish underground. Chapter 2 examines how the uprising was reported, interpreted, and commemorated in the first year after the revolt. Chapter 3 concerns the desire for first-person accounts of the fighters. Chapter 4 examines the ways the uprising was seized upon by Jewish communities around the world as evidence that Jews had joined the struggle against fascism and utilized as a prism for memorializing the destruction of European Jewry. Chapter 5 analyzes how memory of the uprising was mobilized by the Zionist movement, even as it debated how to best incorporate the doomed struggle of Warsaw's Jews into the Zionist narrative.Chapter 6 explores the aftermath of the war as survivors struggled to come to terms with the devastation around them. Chapter 7 studies how the testimonies of three surviving ghetto fighters present a fascinating case to examine the interaction between memory, testimony, politics, and history. Chapter 8 analyzes literary and artistic works, including Jacob Pat's Ash un Fayer, Marie Syrkin, Blessed is the Match, and Natan Rapoport's Monument to the Ghetto Fighters, among others. As this book demonstrates, the revolt itself, while described as a "revolution in Jewish history," did little to change the existing modes for Jewish understanding of events. Students and scholars of modern Jewish history, Holocaust studies, and European studies will find great value in this detail-oriented study.
Author: Elena Stylianou
Publisher: Routledge
ISBN: 1317528964
Category : Art
Languages : en
Pages : 440
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Book Description
Museums and Photography combines a strong theoretical approach with international case studies to investigate the display of death in various types of museums—history, anthropology, art, ethnographic, and science museums – and to understand the changing role of photography in museums. Contributors explore the politics and poetics of displaying death, and more specifically, the role of photography in representing and interpreting this difficult topic. Working with nearly 20 researchers from different cultural backgrounds and disciplines, the editors critically engage the recent debate on the changing role of museums, exhibition meaning-making, and the nature of photography. They offer new ways for understanding representational practices in relation to contemporary visual culture. This book will appeal to researchers and museum professionals, inspiring new thinking about death and the role of photography in making sense of it.
Author: Eran Neuman
Publisher: Taylor & Francis
ISBN: 1003800777
Category : Architecture
Languages : en
Pages : 265
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Book Description
Arieh Sharon and Modern Architecture in Israel: Building Social Pragmatism offers the first comprehensive survey of the work of Arieh Sharon and analyzes and discusses his designs and plans in relation to the emergence of the State of Israel. A graduate of the Bauhaus, Sharon worked for a few years at the office of Hannes Mayer before returning to Mandatory Palestine. There, he established his office which was occupied in its first years in planning kibbutzim and residential buildings in Tel Aviv. After the establishment of the State of Israel in 1948, Arieh Sharon became the director and chief architect of the National Planning Department, where he was asked to devise the young country’s first national masterplan. Known as the Sharon Plan, it was instrumental in shaping the development of the new nation. During the 1950s and 1960s, Sharon designed many of Israel’s institutions, including hospitals and buildings on university campuses. This book presents Sharon’s exceptionally wide range of work and examines his perception of architecture in both socialist and pragmatist terms. It also explores Sharon’s modernist approach to architecture and his subsequent shift to Brutalist architecture, when he partnered with Benjamin Idelson in the 1950s and when his son, Eldar Sharon, joined the office in 1964. Thus, the book contributes a missing chapter in the historiography of Israeli architecture in particular and of modern architecture overall. This book will be of interest to researchers in architecture, modern architecture, Israel studies, Middle Eastern studies and migration of knowledge.
Author: Mathew Aitchison
Publisher: Routledge
ISBN: 1317044800
Category : Architecture
Languages : en
Pages : 222
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Book Description
From the Rust Belt to Silicon Valley, the intersection between architecture and industry has provided a rich and evolving source for historians of architecture. In a historical context, industrial architecture evokes the smoking factories of the nineteenth century or Fordist production complexes of the twentieth century. This book documents the changing nature of industrial building and planning from the end of the nineteenth century to the beginning of the twenty-first century. Drawing on research from the United States, Europe and Australia, this collection of essays highlights key moments in industrial architecture and planning representative of the wider paradigms in the field. Areas of analysis include industrial production, factories, hydroelectricity, aerospace, logistics, finance, scientific research and mining. The selected case studies serve to highlight architectural and planning innovations in industry and their contributions to wider cultural and societal currents. This richly illustrated collection will be of interest for a wide range of built environment studies, incorporating findings from both historical and theoretical scholarship and design research.
Author: Kay Bea Jones
Publisher: Routledge
ISBN: 1317048040
Category : Architecture
Languages : en
Pages : 370
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Book Description
Franco Albini’s works of architecture and design, produced between 1930 and 1977, have enjoyed a recent revival but to date have received only sporadic scholarly attention from historians and critics of the Modern Movement. A chorus of Italian voices has sung his praises, none more eloquently than his protégé, Renzo Piano. Kay Bea Jones’ illuminating study of selected works by Studio Albini will reintroduce his contributions to one of the most productive periods in Italian design. Albini emerged from the ideology of Rationalism to produce some of Italy’s most coherent and poetic examples of modern design. He collaborated for over 25 years with Franca Helg and at a time when professional male-female partnerships were virtually unknown. His museums and installation motifs changed the way Italians displayed historic artifacts. He composed novel suspension structures for dwellings, shops, galleries and his signature INA pavilions where levity and gravity became symbolic devices for connoting his subjects. Albini clarified the vital role of tradition in modern architecture as he experimented with domestic space. His cohort defied CIAM ideologies to re-socialize postwar housing and speculate on ways of reviving Italian cities. He explored new fabrication technologies, from the scale of furniture to wide-span steel structures, yet he never abandoned the rigors of craft and detail in favor of mass-production. Suspending Modernity follows the evolution of Albini’s most important buildings and projects, even as they reveal his apprehensive attitudes about the modern condition. Jones argues here that Albini’s masterful use of materials and architectural expression mark an epic paradigm shift in the modern period.
Author: Robert Proctor
Publisher: Routledge
ISBN: 1317170865
Category : Architecture
Languages : en
Pages : 412
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Book Description
Fifty years after the Second Vatican Council, architectural historian Robert Proctor examines the transformations in British Roman Catholic church architecture that took place in the two decades surrounding this crucial event. Inspired by new thinking in theology and changing practices of worship, and by a growing acceptance of modern art and architecture, architects designed radical new forms of church building in a campaign of new buildings for new urban contexts. A focussed study of mid-twentieth century church architecture, Building the Modern Church considers how architects and clergy constructed the image and reality of the Church as an institution through its buildings. The author examines changing conceptions of tradition and modernity, and the development of a modern church architecture that drew from the ideas of the liturgical movement. The role of Catholic clergy as patrons of modern architecture and art and the changing attitudes of the Church and its architects to modernity are examined, explaining how different strands of post-war architecture were adopted in the field of ecclesiastical buildings. The church building’s social role in defining communities through rituals and symbols is also considered, together with the relationships between churches and modernist urban planning in new towns and suburbs. Case studies analysed in detail include significant buildings and architects that have remained little known until now. Based on meticulous historical research in primary sources, theoretically informed, fully referenced, and thoroughly illustrated, this book will be of interest to anyone concerned with the church architecture, art and theology of this period.
Author: Professor Eran Neuman
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472435990
Category : Architecture
Languages : en
Pages : 225
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Book Description
Through the analysis of several commemorative acts in space, matter and image, namely museums and memorials, this book reflects on the ways in which architecture as a discipline, a practice and a discourse represents the Holocaust. In doing so, it problematises how one presents an extreme historical case in a contemporary context and integrates the historical into actuality. By examining several cases, the book defines the issues faced by various architects who dealt with this topic and discusses their separate and distinctive approaches. In each case, it analyses the ways in which the cultural and political contexts of commemoration led to a different interpretation of the condition. Focusing on the Ghetto Fighters’ House, the world’s first Holocaust museum; Yad Vashem, Israel’s national Holocaust memorial in Jerusalem; the US Holocaust Memorial Museum in Washington; and the Holocaust Memorial in Berlin, the book discusses how the representation of history by architecture creates a dialectic process in which architecture mediates the past to the present, while at the same time creating a present saturated with historical contexts. It shows how, together, they are incorporated into one another and create a new reality: past and present intertwined.
Author: John Hejduk
Publisher:
ISBN: 9780904503777
Category : Architectural design
Languages : en
Pages : 94
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Book Description
Maquette,1985, hand made paper, grey boards.
