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Author: Peter Whisson
Publisher: iUniverse
ISBN: 0595200001
Category : Fiction
Languages : en
Pages : 310
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Book Description
Dynastic turmoil in 15th Century England? No thanks! For many people Shakespeare's histories rank a distant third behind his tragedies and comedies. Obscure lords and long-forgotten battles. So the image goes. Yet some of these same plays tell superb stories, and contain scenes and characters that are among the liveliest and most memorable in all literature.Here, four of the very best, Richard the Second, Henry the Fourth Parts One and Two, and Henry the Fifth are presented as 'productions for the page'-consecutive stories for the modern reader. Be bemused no longer by endless kings, dukes and earls, acting out their arguments in iambic verse. Follow instead, as if in the midst of events, Shakespeare's masterly unfolding of a classic pattern of revolution, suppression of enemies, and conquest abroad.
Author: Peter Whisson
Publisher: iUniverse
ISBN: 0595200001
Category : Fiction
Languages : en
Pages : 310
Get Book
Book Description
Dynastic turmoil in 15th Century England? No thanks! For many people Shakespeare's histories rank a distant third behind his tragedies and comedies. Obscure lords and long-forgotten battles. So the image goes. Yet some of these same plays tell superb stories, and contain scenes and characters that are among the liveliest and most memorable in all literature.Here, four of the very best, Richard the Second, Henry the Fourth Parts One and Two, and Henry the Fifth are presented as 'productions for the page'-consecutive stories for the modern reader. Be bemused no longer by endless kings, dukes and earls, acting out their arguments in iambic verse. Follow instead, as if in the midst of events, Shakespeare's masterly unfolding of a classic pattern of revolution, suppression of enemies, and conquest abroad.
Author: John Julius Norwich
Publisher: Simon and Schuster
ISBN: 0743200314
Category : History
Languages : en
Pages : 438
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Book Description
Compares the historical kings with their portrayal in Shakespeare's plays.
Author: Helen Cooper
Publisher: Cambridge University Press
ISBN: 0521683068
Category : Literary Criticism
Languages : en
Pages : 39
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Book Description
Helen Cooper's inaugural lecture traces the influence of medieval literature on the Renaissance, particularly in Shakespeare's work.
Author: Martha W. Driver
Publisher: McFarland
ISBN: 0786491655
Category : Literary Criticism
Languages : en
Pages : 285
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Book Description
Every generation reinvents Shakespeare for its own needs, imagining through its particular choices and emphases the Shakespeare that it values. The man himself was deeply involved in his own kind of historical reimagining. This collection of essays examines the playwright's medieval sources and inspiration, and how they shaped his works. With a foreword by Michael Almereyda (director of the Hamlet starring Ethan Hawke) and dramaturge Dakin Matthews, these thirteen essays analyze the ways in which our modern understanding of medieval life has been influenced by our appreciation of Shakespeare's plays.
Author: Ruth Morse
Publisher: Cambridge University Press
ISBN: 1107016274
Category : Drama
Languages : en
Pages : 279
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Book Description
This book gives readers the opportunity to appreciate Shakespeare from the perspectives of the late-medieval European traditions that surrounded him.
Author: Kurt A. Schreyer
Publisher: Cornell University Press
ISBN: 080145509X
Category : Literary Criticism
Languages : en
Pages : 348
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Book Description
In Shakespeare's Medieval Craft, Kurt A. Schreyer explores the relationship between Shakespeare’s plays and a tradition of late medieval English biblical drama known as mystery plays. Scholars of English theater have long debated Shakespeare’s connection to the mystery play tradition, but Schreyer provides new perspective on the subject by focusing on the Chester Banns, a sixteenth-century proclamation announcing the annual performance of that city’s cycle of mystery plays. Through close study of the Banns, Schreyer demonstrates the central importance of medieval stage objects—as vital and direct agents and not merely as precursors—to the Shakespearean stage.As Schreyer shows, the Chester Banns serve as a paradigm for how Shakespeare’s theater might have reflected on and incorporated the mystery play tradition, yet distinguished itself from it. For instance, he demonstrates that certain material features of Shakespeare’s stage—including the ass’s head of A Midsummer Night’s Dream, the theatrical space of Purgatory in Hamlet, and the knocking at the gate in the Porter scene of Macbeth—were in fact remnants of the earlier mysteries transformed to meet the exigencies of the commercial London playhouses. Schreyer argues that the ongoing agency of supposedly superseded theatrical objects and practices reveal how the mystery plays shaped dramatic production long after their demise. At the same time, these medieval traditions help to reposition Shakespeare as more than a writer of plays; he was a play-wright, a dramatic artisan who forged new theatrical works by fitting poetry to the material remnants of an older dramatic tradition.
Author: Peter Saccio
Publisher: Oxford University Press
ISBN: 019988076X
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
Far more than any professional historian, Shakespeare is responsible for whatever notions most of us possess about English medieval history. Anyone who appreciates the dramatic action of Shakespeare's history plays but is confused by much of the historical detail will welcome this guide to the Richards, Edwards, Henrys, Warwicks and Norfolks who ruled and fought across Shakespeare's page and stage. Not only theater-goers and students, but today's film-goers who want to enrich their understanding of film adaptations of plays such as Richard III and Henry V will find this revised edition of Shakespeare's English Kings to be an essential companion. Saccio's engaging narrative weaves together three threads: medieval English history according to the Tudor chroniclers who provided Shakespeare with his material, that history as understood by modern scholars, and the action of the plays themselves. Including a new preface, a revised further reading list, genealogical charts, an appendix of names and titles, and an index, the second edition of Shakespeare's English Kings offers excellent background reading for all of the ten history plays.
Author: Curtis Perry
Publisher: OUP Oxford
ISBN: 0191569712
Category : Literary Criticism
Languages : en
Pages : 311
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Book Description
Shakespeare and the Middle Ages brings together a distinguished, multidisciplinary group of scholars to rethink the medieval origins of modernity. Shakespeare provides them with the perfect focus, since his works turn back to the Middle Ages as decisively as they anticipate the modern world: almost all of the histories depict events during the Hundred Years War, and King John glances even further back to the thirteenth-century Angevins; several of the comedies, tragedies, and romances rest on medieval sources; and there are important medieval antecedents for some of the poetic modes in which he worked as well. Several of the essays reread Shakespeare by recovering aspects of his works that are derived from medieval traditions and whose significance has been obscured by the desire to read Shakespeare as the origin of the modern. These essays, taken cumulatively, challenge the idea of any decisive break between the medieval period and early modernity by demonstrating continuities of form and imagination that clearly bridge the gap. Other essays explore the ways in which Shakespeare and his contemporaries constructed or imagined relationships between past and present. Attending to the way these writers thought about their relationship to the past makes it possible, in turn, to read against the grain of our own teleological investment in the idea of early modernity. A third group of essays reads texts by Shakespeare and his contemporaries as documents participating in social-cultural transformation from within. This means attending to the way they themselves grapples with the problem of change, attempting to respond to new conditions and pressures while holding onto customary habits of thought and imagination. Taken together, the essays in this volume revisit the very idea of transition in a refreshingly non-teleological way.
Author: Phyllis Rackin
Publisher: Cornell University Press
ISBN: 150172472X
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
Phyllis Rackin offers a fresh approach to Shakespeare's English history plays, rereading them in the context of a world where rapid cultural change transformed historical consciousness and gave the study of history a new urgency. Rackin situates Shakespeare's English chronicles among multiple discourses, particularly the controversies surrounding the functions of poetry, theater, and history. She focuses on areas of contention in Renaissance historiography that are also areas of concern in recent criticism-historical authority and causation, the problems of anachronism and nostalgia, and the historical construction of class and gender. She analyzes the ways in which the perfoace of history in Shakespeare's theater participated—and its representation in subsequent criticism still participates—in the contests between opposed theories of history and between the different ideological interests and historiographic practices they authorize. Celebrating the heroic struggles of the past and recording the patriarchal genealogies of kings and nobles, Tudor historians provided an implicit rationale for the hierarchical order of their own time; but the new public theater where socially heterogeneous audiences came together to watch common players enact the roles of their social superiors was widely perceived as subverting that order. Examining such sociohistorical factors as the roles of women and common men and the conditions of theatrical performance, Rackin explores what happened when elite historical discourse was trans porteto the public commercial theater. She argues that Shakespeare's chronicles transformed univocal historical writing into polyphonic theatrical scripts that expressed the contradictions of Elizabethan culture.
Author: Alfred Thomas
Publisher: Springer
ISBN: 3319902180
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
Whereas traditional scholarship assumed that William Shakespeare used the medieval past as a negative foil to legitimate the present, Shakespeare, Catholicism, and the Middle Ages offers a revisionist perspective, arguing that the playwright valorizes the Middle Ages in order to critique the oppressive nature of the Tudor-Stuart state. In examining Shakespeare’s Richard II, The Merchant of Venice, Hamlet, King Lear, Macbeth, and The Winter’s Tale, the text explores how Shakespeare repossessed the medieval past to articulate political and religious dissent. By comparing these and other plays by Shakespeare’s contemporaries with their medieval analogues, Alfred Thomas argues that Shakespeare was an ecumenical writer concerned with promoting tolerance in a highly intolerant and partisan age.
