Shakespeare and the Romance Tradition

Shakespeare and the Romance Tradition PDF Author: E. C. Pettet
Publisher:
ISBN:
Category :
Languages : en
Pages : 208

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Book Description

Shakespeare and the Romance Tradition

Shakespeare and the Romance Tradition PDF Author: E. C. Pettet
Publisher:
ISBN:
Category :
Languages : en
Pages : 208

Get Book Here

Book Description


Shakespeare and the Romance Tradition

Shakespeare and the Romance Tradition PDF Author: E. C. Pettet
Publisher:
ISBN:
Category : Romanticism
Languages : en
Pages : 208

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Shakespeare and the Romance Tradition, Etc

Shakespeare and the Romance Tradition, Etc PDF Author: Ernest Charles PETTET
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Courtship in Shakespeare

Courtship in Shakespeare PDF Author: William G. Meader
Publisher:
ISBN: 9781258015299
Category :
Languages : en
Pages : 274

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Shakespeare and the Romance Tradition, by E. C. Pettet,... Introduction by H. S. Bennett

Shakespeare and the Romance Tradition, by E. C. Pettet,... Introduction by H. S. Bennett PDF Author: E. C. Pettet
Publisher:
ISBN:
Category :
Languages : en
Pages : 208

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Staging Early Modern Romance

Staging Early Modern Romance PDF Author: Mary Ellen Lamb
Publisher: Routledge
ISBN: 1135895252
Category : Drama
Languages : en
Pages : 274

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Book Description
This collection recovers the continuities between two modes of romance that have long been separated from one another in critical discourse: the prose fictions that early moderns often referred to as romances, and Shakespeare's late plays, which have often been termed 'romances' since Dowden.

Shakespeare and the Greek Romance

Shakespeare and the Greek Romance PDF Author: Carol Gesner
Publisher: University Press of Kentucky
ISBN: 081316284X
Category : Literary Criticism
Languages : en
Pages : 229

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Book Description
This is the first study to relate the Greek romances to Elizabethan drama. It focuses upon the Greek romance materials in Shakespeare's plays to clarify the background of his art and to illuminate the relationship between the two literatures. The Greek romance tradition is described historically and traced through the works of Boccaccio and Cervantes, as well as other continental and English writers. Then, full attention is given to those plays of Shakespeare which utilize the Greek materials. The notes are full and, with the aid of the extensive index, can serve as a manual of the Greek romance materials in Renaissance literature. A bibliographic appendix lists the known editions, translations, and adaptations of Greek romances from about 1470 to about 1642. The manuscript history is reviewed briefly. Thorough, careful, the book will be indispensable for concerned scholars and libraries.

European Shakespeares

European Shakespeares PDF Author: Dirk Delabastita
Publisher: John Benjamins Publishing
ISBN: 9027221308
Category : Language Arts & Disciplines
Languages : en
Pages : 257

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Book Description
Where, when, and why did European Romantics take to Shakespeare? How about Shakespeare's reception in enduring Neoclassical or in popular traditions? And above all: which Shakespeare did these various groups promote? This collection of essays leaves behind the time-honoured commonplaces about Shakespearean translation (the 'translatability' of Shakespeare's forms and meanings, the issue of 'loss' and 'gain' in translation, the distinction between 'translation' and 'adaptation', translation as an 'art'. etc.) and joins modern Shakespearean scholarship in its attempt to lay bare the cultural mechanisms endowing Shakespeare's texts with their supposedly inherent meanings. The book presents a fresh approach to the subject by its radically descriptive stance, by its search for an adequate underlying theory along interdisciplinary lines, and not in the least by its truly European scope. It traces common trends and local features not just in France and Germany, but also in Hungary, Italy, the Netherlands, Portugal, Russia, Scandinavia, and the West Slavic cultures.

Let Wonder Seem Familiar

Let Wonder Seem Familiar PDF Author: R.S. White
Publisher: A&C Black
ISBN: 0567199541
Category : Literary Criticism
Languages : en
Pages : 214

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Book Description
Dr White examines the ways in which Shakespeare uses formal conventions from romance throughout his writing career, especially in giving formal completion to a play without forfeiting the 'open-ended' sense of life's complexity. In his romantic comedies these conventions are modified to imply that the cosy womb of marriage is not the end of lovers' lives; in the 'problem' comedies they are used to challenge the artifice of the comic ending; in some tragedies they are used to provide an ideal of fulfilment which has been destroyed by the tragic events - and in the last plays or 'romances' they are used to invoke the full sense of life's continuing comprehensiveness.

Romantic and Realistic Love in Shakespeare’s "As You Like It"

Romantic and Realistic Love in Shakespeare’s Author: Doreen Klahold
Publisher: GRIN Verlag
ISBN: 3656469520
Category : Literary Criticism
Languages : en
Pages : 9

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Book Description
Essay from the year 2013 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Paderborn, language: English, abstract: As typical for romantic comedy, the central theme in William Shakespeare's "As You Like It" is love in its various forms. In total, there are four conventional couples (Rosalind & Or-lando, Celia & Oliver, Phebe & Silvius, Audrey & Touchstone) and one rejected country fellow (William). Nevertheless, the forms of love differ between those couples. Most of the relationships in "As You Like It" are based on the principle of love at first sight, implying an abrupt and overwhelming falling in love; this can be seen with Rosalind and Orlando right at the beginning of the comedy as well as with Celia and Oliver later in the play, although in the case of the latter the audience does not know at what point of the plot they actually fell in love with each other. An overwhelming romantic, however, is also experienced by Silvius, but his beloved Phebe dismisses him because she believes his love to be a fantasy, mocking thus the principle of love at first sight as well as the impulsive love expressions.