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Author: Salah M. Hassan
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 276
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Book Description
Against the musty stereotypes and prejudices that still consider Africa a dark continent full of nameless, Third World nations always striving but never managing to catch up with the West, Authentic/Ex-Centric positions Africa as the source of many of the ideas associated with European modernism. From Cubism's radical abstraction to 70s performance art and its use of ritual, shamanism, and magic, the influence of African art has long been underap-preciated. Published in conjunction with an exhibition of the same name held to critical acclaim on the fringes of the 2001 Venice Biennale, Authentic/Ex-centric offers a glimpse of the ways in which African and African and African Diaspora artists have interpreted and translated the aesthetic and social experiences of post-colonial Africa into new idioms of artistic expression, and argues for their proper location in the broad narrative of global conceptualism. Including work by such artists as Maria Magdalena Campos-Pons, Willem Boshoff, Godfried Donkor, Rachid Koraichi, Berni Searle, and Yinka Shonibare.
Author: Salah M. Hassan
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 276
Get Book Here
Book Description
Against the musty stereotypes and prejudices that still consider Africa a dark continent full of nameless, Third World nations always striving but never managing to catch up with the West, Authentic/Ex-Centric positions Africa as the source of many of the ideas associated with European modernism. From Cubism's radical abstraction to 70s performance art and its use of ritual, shamanism, and magic, the influence of African art has long been underap-preciated. Published in conjunction with an exhibition of the same name held to critical acclaim on the fringes of the 2001 Venice Biennale, Authentic/Ex-centric offers a glimpse of the ways in which African and African and African Diaspora artists have interpreted and translated the aesthetic and social experiences of post-colonial Africa into new idioms of artistic expression, and argues for their proper location in the broad narrative of global conceptualism. Including work by such artists as Maria Magdalena Campos-Pons, Willem Boshoff, Godfried Donkor, Rachid Koraichi, Berni Searle, and Yinka Shonibare.
Author: Salah M. Hassan
Publisher: Cornell University Press
ISBN: 9780801475948
Category : Darfur (Sudan)
Languages : en
Pages : 532
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Book Description
This book provides the most comprehensive, balanced, and nuanced account yet published of the Darfur conflict's roots and the contemporary realities that shape the experiences of those living in the region.
Author: Ibrahim El Salahi
Publisher:
ISBN: 9781849762267
Category : Art
Languages : en
Pages : 0
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Book Description
Ibrahim El-Salahi is one of the most influential figures in Sudanese modern art. Including an interview with, and a special text by, the artist this book accompanies a major exhibition at Tate Modern.
Author: Salah M. Hassan
Publisher: Hatje Cantz Verlag
ISBN: 3775731202
Category : Art
Languages : en
Pages : 90
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Book Description
Salah M. Hassan schlägt in seinem Text eine Neubetrachtung des afrikanischen Marxismus vor, mit der er gleichzeitig eine Befreiung Marx', eines für das 20. Jahrhundert einflussreichsten politischen Denkers, vom Eurozentrismus bezweckt. Während der Entkolonisierung und der Befreiungsbewegung in Afrika und anderen Teilen der Dritten Welt in der Mitte des 20. Jahrhunderts, die mit den Anfängen der documenta zusammenfielen, wurde die Ideologie des Marxismus zur intellektuellen Leitkultur. Als Beispiele für die Innovationskraft und Kreativität des afrikanischen/schwarzen Marxismus, die in der gegenwärtigen Forschung nur wenig berücksichtigt werden, führt Hassan Texte zweier Schlüsselfiguren zusammen: die politische Verteidigungsrede By Virtue of Marxism, Your Honor (1956) von Abdel Khaliq Mahgoub (1927–1971), dem Gründer der Sudanesischen Kommunistischen Partei, der 1971 zusammen mit anderen führenden Mitgliedern der Partei hingerichtet wurde, sowie den Brief an Maurice Thorez (1956) von Aimé Césaire (1913–2008), dem martiniquinischen Philosophen, Dichter und Kritiker, in dem er die Gründe für seinen späteren Austritt aus der Kommunistischen Partei Frankreichs darlegt. Salah M. Hassan ist Goldwin Smith Professor, Direktor des Institute for Comparative Modernities sowie Professor der African and African Diaspora Art History an der Cornell University in Ithaca, New York; er ist Mitglied des Honorary Advisory Committee der dOCUMENTA (13).
Author: Salah M. Hassan
Publisher: Africa Research and Publications
ISBN:
Category : Art
Languages : en
Pages : 136
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Book Description
A collection of work by six prominent artists accompanied by critical essays which place the work in the context of the artists' socio-cultural backgrounds. All six artists are of African origin but work in the West: Ethiopian painter Elisabeth T Atnafu; US fibre and mixed-media artist Xenobia Bailey; Jamaican photographer Renee Cox; Cameroon photographer Angele Essamba; painter Houria Niati from Algeria; and Ethiopian sculptor Etiye Dimma Poulsen.
Author: Philip G. Altbach
Publisher: Africa Research and Publications
ISBN:
Category : Business & Economics
Languages : en
Pages : 254
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Book Description
Culture plays a central role in the well-being of any society. This is especially true in postcolonial Africa, where rich traditional cultures collide with complex modern realities. Cultural development and the integration of culture into contemporary society is of primary importance not only for African prosperity, but also for the strengthening of civil society and of societal integration. This book focuses on the role of culture in the process of development as well as on strategies for ensuring the growth of indigenous African culture and the strengthening of cultural industries in the African context. The prospects for filmmaking, the performing arts, publishing, radio, museums, art, and traditional storytelling in Africa are creatively examined and explored by some of Africa's most creative cultural figures. This book combines thoughtful analysis of problems and a "state of the art" assessment of key cultural industries with practical suggestions for improvement and progress.
Author: David Hammons
Publisher: Prestel Publishing
ISBN:
Category : Art, African
Languages : en
Pages : 328
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Book Description
"A presentation and analysis of the work of three of the most exciting African diaspora artists of our time - David Hammons, Maria Magdalena Campos-Pons, and Pamela Z. A series of essays by scholars and critics examine three site-specific installation and performances originally concieved by these artists for Dak'Art 2004, the Biennale of Contemporary African Art in Dakar, Senegal."--BOOK JACKET.
Author: Salah M. Hassan
Publisher: Edwin Mellen Press
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 428
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Book Description
Taking a perspective based on folk lore, this text is an ethnographic study of the tools, artifacts, and other expressions of the material culture of literacy as it is found in the clerics' diverse activities within the context of the Hausa society in northern Nigeria. This study fills a gap in African data by addressing how informational, magical, as well as aesthetic potentials of the written word have been adapted in local contexts. It explores the origins of the diverse roles and types of malams (represented primarily by malaman Qur'ani and malaman Ilmi). The history and origin of the current calligraphic styles adapted and developed by the Hausa malams are investigated as a guide to understanding calligraphic designs and writings on manuscripts, charms, amulets, Qur'anic boards, architectural decorations, and other artifacts.
Author: Erdener Kaynak
Publisher: Routledge
ISBN: 1317939905
Category : Business & Economics
Languages : en
Pages : 356
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Book Description
The concepts, strategic frameworks, and cases in Globalization of Consumer Markets provide managers of global firms with new ideas for growth and keep them current with state-of-the-art global marketing strategies and management tools. With an increased understanding of the structure of today’s consumer markets, readers will find they have the key to success and survival in the global marketplace. The contributing authors present managerially oriented chapters, each of which is based on research or practical experience. These are designed to advance the reader’s knowledge of the globalizing consumer market. Focused around structure--how consumer markets on a global scale are being shaped--and strategy--successful methods necessary to global competitive marketing and how these strategies work--are the two main themes around which the book is organized. To further enable marketing professionals’success in the global marketplace, Globalization of Consumer Markets details actual strategies, action programs for competitive management, and exemplary cases. There are new ideas from expert marketers on opportunities for growth in the global marketplace and, most importantly, state-of-the-art marketing strategies and management tools. For professional marketers, this book is a must for prosperity in marketing consumer products and services on a global level. This is an ideal book for professional education in marketing of consumer products and services on a global level. Professionals will find a progression of chapters taking them through degree of globalization; market behavior and development; standardization of marketing programs and processes; managerial implications; and extensive references for further study.
Author: D. Fairchild Ruggles
Publisher: State University of New York Press
ISBN: 0791493075
Category : Social Science
Languages : en
Pages : 262
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Book Description
The first to combine the study of representation, gender theory, and Muslim women from a historical and geographical perspective, this book examines where women have represented themselves in art, architecture, and the written word in the Muslim world. The authors explore the gendering and implicit power relations present in the positioning of subject and object in the visual field and look specifically at occasions when women publicly adopted the stance of the viewer, speaker, writer, or patron. Contributors include Ellison Banks Findly, Elizabeth Brown Frierson, Salah M. Hassan, Nancy Micklewright, Leslie Peirce, Kishwar Rizvi, D. Fairchild Ruggles, Yasser Tabbaa, Lucienne Thys-Senoçak, and Ethel Sara Wolper.
