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Author: Boston Public Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 244
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Book Description
"Published in conjunction with an exhibition of the same title at the McMullen Museum of Art from February 19 to June 4, 2006, this volume explores multiple ways in which medieval and early modern objects communicated both sacred and secular messages to their audiences. Focusing on paintings, illuminated texts, tapestries, silks, sculptures, ceramics and metalwork, many previously unpublished, from the collections of two distinguished Boston institutions, the authors of the volume's thirteen essays take an inventive and interdisciplinary approach to the study of the subjects, functions, and receptions of works of art from the eleventh through the sixteenth century. By re-thinking scholars' traditional division of objects into secular and sacred categories and by examining the history of these classifications, the authors decode images from various perspectives, revealing how lines between the two categories blur for individual works."--BOOK JACKET.
Author: Boston Public Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 244
Get Book Here
Book Description
"Published in conjunction with an exhibition of the same title at the McMullen Museum of Art from February 19 to June 4, 2006, this volume explores multiple ways in which medieval and early modern objects communicated both sacred and secular messages to their audiences. Focusing on paintings, illuminated texts, tapestries, silks, sculptures, ceramics and metalwork, many previously unpublished, from the collections of two distinguished Boston institutions, the authors of the volume's thirteen essays take an inventive and interdisciplinary approach to the study of the subjects, functions, and receptions of works of art from the eleventh through the sixteenth century. By re-thinking scholars' traditional division of objects into secular and sacred categories and by examining the history of these classifications, the authors decode images from various perspectives, revealing how lines between the two categories blur for individual works."--BOOK JACKET.
Author: Charles Taylor
Publisher: Harvard University Press
ISBN: 0674986911
Category : Philosophy
Languages : en
Pages : 889
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Book Description
The place of religion in society has changed profoundly in the last few centuries, particularly in the West. In what will be a defining book for our time, Taylor takes up the question of what these changes mean, and what, precisely, happens when a society becomes one in which faith is only one human possibility among others.
Author: Horton Davies
Publisher:
ISBN:
Category : Art and religion
Languages : en
Pages : 124
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Book Description
Author: Nigel Aston
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 352
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Book Description
Annotation. Eighteenth-century Europe witnessed monumental upheavals in both the Catholic and Protestant faiths and the repercussions rippled down to the churches' religious art forms. In this major new study, Nigel Aston chronicles the intertwining of cultural and institutional turmoil during this pivotal century. The sustained production and popularity of religious art in the face of competition from increasingly prevalent secular artworks lies at the heart of this book. Religious art staked out new spaces of display in state institutions, palaces and private collections as well as taking advantage of state patronage from monarchs such as Louis XIV and George III, who funded religious art in an effort to enhance their national projects and monarchial prestige. Aston explores the motivations of private collectors and how they exhibited their artworks, and analyses changing Catholic and Protestant attitudes toward art. He examines purchases made by corporate patrons such as charity hospitals and religious confraternities, and considers what this reveals about the changing religiosity of eighteenth-century Europe. An in-depth historical study, Art and Religion in Eighteenth-century Europewill be essential for art history and religious studies scholars alike.
Author: Tapati Guha-Thakurta
Publisher: Cambridge University Press
ISBN: 1009276751
Category : History
Languages : en
Pages : 446
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Book Description
As an invitation to interrogate the secular modality of art, the book unsettles both the categories of 'art' and 'secular' in their theoretical and historical implications. It questions the temporal, spatial and cultural binaries between the 'sacred' and the 'secular' that have shaped art historical scholarship as well as artistic practice. All the essays here are anchored in a conception of a region, whether we call it South Asia or the Indian subcontinent – one, fissured by histories of partition, state formations and religious nationalisms, but still offering a collective site from which to speak to the disciplines of art and the knowledge worlds in which they are embedded. The book asks: How do we complicate the religious designations of pre-modern art and architecture and the new forms of their resurgence in contemporary iconographies and monuments? How do we re-conceptualize the public and the political, as fiery contestations and new curatorial practices reconfigure the meaning of art in the proliferating spaces of museums, galleries, biennales and festivals? How do we understand South Asian art's deep entanglements with the politics of the present?
Author: Amanda Luyster
Publisher: Routledge
ISBN: 1351556568
Category : Art
Languages : en
Pages : 222
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Book Description
Offering original analysis of the convergence between 'sacred' and 'secular' in medieval works of art and architecture, this collection explores both the usefulness and limitations of these terms for describing medieval attitudes. The modern concepts of 'sacred' and 'secular' are shown to be effective as scholarly tools, but also to risk imposing false dichotomies. The authors consider medieval material culture from a broad perspective, addressing works of art and architecture from England to Japan, and from the seventh to the fifteenth century. Although the essays take a variety of methodological approaches they are unified in their emphasis on the continuing and necessary dialectic between sacred and secular. The contributors consciously frame their interpretations in terms and perspectives derived from the Middle Ages, thereby demonstrating how the present art-historical terminology and conceptual frameworks can obscure the complexity of medieval life and material culture. The resonance among essays opens possibilities for productive cross-cultural study of an issue that is relevant to a diversity of cultures and sub-periods. Introducing an innovative approach to the literature of the field, this volume complicates and enriches our understanding of social realities across a broad spectrum of medieval worlds.
Author: Jon H. Roberts
Publisher: Princeton University Press
ISBN: 0691015562
Category : Education
Languages : en
Pages : 199
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Book Description
This secularization has long been recognized as a decisive turning point in the history of American education. John Roberts and James Turner identify the forces and explain the events that reformed the college curriculum during this era.".
Author: Amanda Wunder
Publisher: Penn State Press
ISBN: 027107941X
Category : Art
Languages : en
Pages : 499
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Book Description
Baroque art flourished in seventeenth-century Seville during a tumultuous period of economic decline, social conflict, and natural disasters. This volume explores the patronage that fueled this frenzy of religious artistic and architectural activity and the lasting effects it had on the city and its citizens. Amanda Wunder investigates the great public projects of sacred artwork that were originally conceived as medios divinos—divine solutions to the problems that plagued Seville. These commissions included new polychromed wooden sculptures and richly embroidered clothing for venerable old images, gilded altarpieces and monumental paintings for church interiors, elaborate ephemeral decorations and festival books by which to remember them, and the gut renovation or rebuilding of major churches that had stood for hundreds of years. Meant to revive the city spiritually, these works also had a profound real-world impact. Participation in the production of sacred artworks elevated the social standing of the artists who made them and the devout benefactors who commissioned them, and encouraged laypeople to rally around pious causes. Using a diverse range of textual and visual sources, Wunder provides a compelling look at the complex visual world of seventeenth-century Seville and the artistic collaborations that involved all levels of society in the attempt at its revitalization. Vibrantly detailed and thoroughly researched, Baroque Seville is a fascinating account of Seville’s hard-won transformation into one of the foremost centers of Baroque art in Spain during a period of crisis.
Author: Emile Male
Publisher: Routledge
ISBN: 042997244X
Category : Art
Languages : en
Pages : 752
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Book Description
Emile Male's book aids understanding of medieval art and medieval symbolism, and of the vision of the world which presided over the building of the French cathedrals. It looks at French religious art in the Middle Ages, its forms, and especially the Eastern sources of sculptural iconography used in the cathedrals of France. Fully illustrated with many footnotes it acts as a useful guide for the student of Western culture.
Author: Charles Taliaferro
Publisher: University of Notre Dame Pess
ISBN: 0268093776
Category : Philosophy
Languages : en
Pages : 216
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Book Description
The title of Charles Taliaferro’s book is derived from poems and stories in which a person in peril or on a quest must follow a cord or string in order to find the way to happiness, safety, or home. In one of the most famous of such tales, the ancient Greek hero Theseus follows the string given him by Ariadne to mark his way in and out of the Minotaur’s labyrinth. William Blake's poem “Jerusalem” uses the metaphor of a golden string, which, if followed, will lead one to heaven itself. Taliaferro extends Blake’s metaphor to illustrate the ways we can link what we see, feel, and do with deep spiritual realities. Taliaferro offers a foundational case for the recognition of the experience of the eternal God of Christianity, in which God is understood as the fount of all goodness and the subject and object of our best love, revealed through scripture, tradition, philosophical reflection, and encountered in everyday events. He addresses philosophical obstacles to the recognition of such experiences, especially objections from the “new atheists,” and explores the values involved in thinking and experiencing God as eternal. These include the belief that the eternal goodness of God subordinates temporal goods, such as the pursuit of fame and earthly glory; that God is the essence of life; and that the eternal God hallows domestic goods, blessing the everyday goods of ordinary life. An exploration of the moral and spiritual riches of the Christian tradition as an alternative to materialism and naturalism, The Golden Cord brings an originality and depth to the debate in accessible and engaging prose.
