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Author: Damian Walford Davies
Publisher: Routledge
ISBN: 1135899657
Category : History
Languages : en
Pages : 415
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Book Description
The "(re)turn to history" in Romantic Studies in the 1980s marked the beginning of a critical orthodoxy that continues to condition, if not define, our sense of the Romantic period twenty-five years on. Romantic New Historicism’s revisionary engagements have played a central role in the realignment of the field and in the expansion of the Romantic canon. In this major new collection of eleven essays, critics reflect on New Historicism’s inheritance, its achievements and its limitations. Integrating a self-reflexive engagement with New Historicism’s "history" and detailed attention to a range of Romantic lives and literary texts, the collection offers a close-up view of Romanticism’s hybrid present, and a dynamic vision of its future.
Author: Damian Walford Davies
Publisher: Routledge
ISBN: 1135899657
Category : History
Languages : en
Pages : 415
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Book Description
The "(re)turn to history" in Romantic Studies in the 1980s marked the beginning of a critical orthodoxy that continues to condition, if not define, our sense of the Romantic period twenty-five years on. Romantic New Historicism’s revisionary engagements have played a central role in the realignment of the field and in the expansion of the Romantic canon. In this major new collection of eleven essays, critics reflect on New Historicism’s inheritance, its achievements and its limitations. Integrating a self-reflexive engagement with New Historicism’s "history" and detailed attention to a range of Romantic lives and literary texts, the collection offers a close-up view of Romanticism’s hybrid present, and a dynamic vision of its future.
Author: Sarah MacKenzie Zimmerman
Publisher: SUNY Press
ISBN: 9780791441091
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
Arguing against a persistent view of Romantic lyricism as an inherently introspective mode, this book examines how Charlotte Smith, William Wordsworth, and John Clare recognized end employed the mode's immense capacity for engaging reading audiences in reflections both personal and social. Zimmerman focuses new attention on the Romantic lyric's audiences - not the silent, passive auditor of canonical paradigms, but historical readers and critics who can tell us more than we have asked about the mode's rhetorical possibilities. She situates poems within the specific circumstances of their production and consumption, including the aftermath in England of the French Revolution, rural poverty, the processes of parliamentary enclosure, the biographical contours of poet's careers, and the myriad exchanges among poets, patrons, publishers, critics, and readers in the literary marketplace.
Author: Duncan Wu
Publisher: Wiley-Blackwell
ISBN: 9780631218777
Category : Literary Criticism
Languages : en
Pages : 566
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Book Description
The Companion to Romanticism is a major introductory survey from an international galaxy of scholars writing new pieces, specifically for a student readership, under the editorship of Duncan Wu.
Author: Jerome Christensen
Publisher: JHU Press
ISBN: 9780801879036
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
US period drama starring Christina Ricci as an air stewardess working for Pan American Airways in the 1960s at the dawn of the jet engine and mass public air travel. Joining Head Stewardess Maggie (Ricci) on the Pan Am flight crew are Laura (Margot Robbie), an inexperienced stewardess Maggie takes under her wing, and the relentless charmer Ted (Michael Mosley). The episodes are: 'Pilot', 'We'll Always Have Paris', 'Ich Bin Ein Berliner', 'Eastern Exposure', 'One Coin in a Fountain', 'The Genuine Article', 'Truth Or Dare', 'Unscheduled Departure', 'Kiss Kiss Bang Bang', 'Secrets and Lies', 'Diplomatic Relations', 'New Frontiers', 'Romance Languages' and '1964'.
Author: Ann Rigney
Publisher: Cornell University Press
ISBN: 1501729683
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
Imperfect Histories puts "imperfection" at the heart of a theory of historical representation. Ann Rigney shows how historical writing involves dealing with intractable subjects that resist our efforts to know and to shape them. Those who write history, she says, engage in an ongoing struggle to match up what they find relevant in the past with the information and interpretive models at their disposal. Chronic dissatisfaction is at the heart of historical practice. This is especially evident in the various attempts made over the last two centuries to write an "alternative" history of everyday experience. Focusing on historical writing in the last decades of the eighteenth century and the first half of the nineteenth, Rigney analyzes a wide range of works by Walter Scott, Jules Michelet, Augustin Thierry, and Thomas Carlyle. She shows how the attempt to write an alternative history brought historical writing into a close yet fraught relationship with literature. The result is a new account of that relationship as it took shape in the romantic period and as it continues to influence contemporary practices.
Author: William Galperin
Publisher: Stanford University Press
ISBN: 1503603105
Category : Literary Criticism
Languages : en
Pages : 251
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Book Description
Through close engagement with the work of Wordsworth, Austen, and Byron, The History of Missed Opportunities posits that the everyday first emerged as a distinct category of experience, or first became thinkable, in the Romantic period. Conceived here as something overlooked and only noticed in retrospect, the everyday not only becomes subject matter for Romanticism, it also structures Romantic poetry, prose, and writing habits. Because the everyday is not noticed the first time around, it comes to be thought of as a missed opportunity, a possible world that was not experienced or taken advantage of and of whose history—or lack thereof—writers become acutely conscious. Consciousness of the everyday also entails a new relationship to time, as the Romantics turn to the history of what might have been. In recounting Romanticism's interest in making things recurrently present, in recovering a past of what was close at hand yet underappreciated, William H. Galperin positions the Romantics as precursors to twentieth-century thinkers of the everyday, including Heidegger, Benjamin, Lefebvre, and Cavell. He attends to Romantic discourse that works at cross purposes with standard accounts of both Romanticism and Romantic subjectivity. Instead of individualizing or turning inward, the Romantics' own discourse depersonalizes or exhibits a confrontation with thing-ness and the material world.
Author: George Alexander Kennedy
Publisher: Cambridge University Press
ISBN: 9780521300148
Category : Literary Criticism
Languages : en
Pages : 506
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Book Description
This ninth volume in The Cambridge History of Literary Criticism presents a wide-ranging survey of developments in literary criticism and theory during the last century. Drawing on the combined expertise of a large team of specialist scholars, it offers an authoritative account of the various movements of thought that have made the late twentieth century such a richly productive period in the history of criticism. The aim has been to cover developments which have had greatest impact on the academic study of literature, along with background chapters that place those movements in a broader, intellectual, national and socio-cultural perspective. In comparison with Volumes Seven and Eight, also devoted to twentieth-century developments, there is marked emphasis on the rethinking of historical and philosophical approaches, which have emerged, especially during the past two decades, as among the most challenging areas of debate.
Author: James Chandler
Publisher: University of Chicago Press
ISBN: 9780226101095
Category : History
Languages : en
Pages : 616
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Book Description
1819 was the annus mirabilis for many British Romantic writers, and the annus terribilis for demonstrators protesting the state of parliamentary representation. In 1819 Keats wrote what many consider his greatest poetry. This was the year of Shelley's Prometheus Unbound, The Cenci, and Ode to the West Wind. Wordsworth published his most widely reviewed work, Peter Bell, and the craze for Walter Scott's historical novels reached its zenith. Many of these writings explicitly engaged with the politics of representation in 1819, especially the great movement for reform that was fueled by threats of mass emigration to America and came to a head that August with an unprovoked attack on unarmed men, women, and children in St. Peter's Field, Manchester, a massacre that journalists dubbed "Peterloo." But the year of Peterloo in British history is notable for more than just the volume, value, and topicality of its literature. Much of the writing from 1819, argues James Chandler, was acutely aware not only of its place in history, but also of its place as history - a realization of a literary "spirit of the age" that resonates strongly with the current "return to history" in literary studies. Chandler explores the ties between Romantic and contemporary historicism, such as the shared tendency to seize a single dated event as both important on its own and as a "case" testing general principles. To animate these issues, Chandler offers a series of cases of his own built around key texts from 1819.
Author: Tilottama Rajan
Publisher: Cambridge University Press
ISBN: 9780521581929
Category : Literary Criticism
Languages : en
Pages : 316
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Book Description
Romanticism has often been associated with the mode of lyric, or otherwise confined within mainstream genres. As a result, we have neglected the sheer diversity and generic hybridity of a literature that ranged from the Gothic novel to the national tale, from monthly periodicals to fictionalized autobiography. In this volume leading scholars of the period explore the ways in which the Romantics developed genre from a taxonomical given into a cultural category, so as to make it the scene of an ongoing struggle between fixed norms and new initiatives. Focusing on non-canonical writers (such as Thelwall, Godwin and the novelists of the 1790s), or placing authors such as Wordsworth and Byron in a non-canonical context, these essays explore the psychic and social politics of genre from a variety of theoretical perspectives, while the introduction looks at how genre itself was rethought by Romantic criticism.
Author: Patrick Vincent
Publisher:
ISBN: 1108497063
Category : Literary Criticism
Languages : en
Pages : 687
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Book Description
Examining Romanticism's pan-European circulation of people, ideas, and texts, this history re-analyses the period and Britain's place in it.
