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Author: Jasmine Jagger
Publisher: Oxford University Press
ISBN: 0198868804
Category : Affect (Psychology) in literature
Languages : en
Pages : 262
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Book Description
Rich with unpublished material and detailed insight, Rhythms of Feeling offers a new reading of three of the most celebrated poets: Edward Lear, T.S. Eliot, and Stevie Smith. Tracing exciting lines of interplay, affinity, and influence between these writers for the first time, the book shifts the terms of critical debate on Lear, Eliot, and Smith and subtly reorients the traditional account of the genealogies of Modernism. Going beyond a biographically-framed close reading or a more general analysis framed by affect theory, the volume traces these poets' 'affective rhythms' (fits, tears, nerves) to consider the way that poetics, the mental and physical process of writing and reading, and the ebbs and flows of their emotional weather might be in dialogue. Attentive, acute, and often forensic, the book broadens its reach to contemporary writers and medical accounts of creativity and cognition. Alongside deep critical study, this volume seeks to bring emotional intelligence to criticism, finding ways of speaking lucidly and humanely about emotional and physical states that defy lucidity and stretch our sense of the human.
Author: Jasmine Jagger
Publisher: Oxford University Press
ISBN: 0198868804
Category : Affect (Psychology) in literature
Languages : en
Pages : 262
Get Book Here
Book Description
Rich with unpublished material and detailed insight, Rhythms of Feeling offers a new reading of three of the most celebrated poets: Edward Lear, T.S. Eliot, and Stevie Smith. Tracing exciting lines of interplay, affinity, and influence between these writers for the first time, the book shifts the terms of critical debate on Lear, Eliot, and Smith and subtly reorients the traditional account of the genealogies of Modernism. Going beyond a biographically-framed close reading or a more general analysis framed by affect theory, the volume traces these poets' 'affective rhythms' (fits, tears, nerves) to consider the way that poetics, the mental and physical process of writing and reading, and the ebbs and flows of their emotional weather might be in dialogue. Attentive, acute, and often forensic, the book broadens its reach to contemporary writers and medical accounts of creativity and cognition. Alongside deep critical study, this volume seeks to bring emotional intelligence to criticism, finding ways of speaking lucidly and humanely about emotional and physical states that defy lucidity and stretch our sense of the human.
Author: Jasmine Jagger
Publisher:
ISBN: 9780191905261
Category : Affect (Psychology) in literature
Languages : en
Pages : 0
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Book Description
A study of affect in the poetry of Edward Lear, T. S. Eliot, and Stevie Smith that offers a new understanding of feeling and emotion in poetry, and illustrates a feedback-effect between poetic composition and real-life affects.
Author: Matthew Ward
Publisher: Oxford University Press
ISBN: 0198894775
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
The Romantic period witnessed decisive interest in how feeling might align with forms of artistic expression. Many critical studies have focused on the serious side and melancholic moods of Romantic poets. Romantic Poets and the Laughter of Feeling instead embraces the sublime and the ridiculous to offer an original and compelling new reading of British Romanticism. It reveals the decisive role laughter and the laughable play in Romantic aesthetics, emotions, and ethics. Matthew Ward shows that laughter was one of the primary means by which Romantics embraced and expanded upon, but also frequently aped and lampooned, sympathetic feeling. The laughter of feeling is both the expression of sympathy and an articulation of its implications, prejudices, and constraints. For Romantic poets like Wordsworth, Shelley, and Keats, the sound of laughter carries the hope that greater knowledge of others derives from feeling for and with them through poetry, and this might lead to a better understanding of oneself. Yet laughter also makes these poets acutely aware that our emotional lives are utterly unfamiliar and perhaps ultimately unknowable. Their prosody of laughter enlivens and exposes; it embodies their sense of?and ambitions for?poetry, and yet calls those matters into the most comical and gravest doubt. Laughter helps define what it is to be human. This book shows that it also defines what it is to be a 'Romantic' poet.
Author: James Williams
Publisher: Oxford University Press
ISBN: 0198708564
Category : Biography & Autobiography
Languages : en
Pages : 402
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Book Description
Of all the Victorian poets, Edward Lear has a good claim to the widest audience: admired and championed by critics and poets from John Ruskin to John Ashbery, he has also been read, heard, and loved by generations of children. As a central figure in the literature of nonsense, Lear has also shaped the evolution of modern literature and his work continues to influence and inspire writers and readers today. This collection of essays, the first ever devoted solely to Lear, builds on a recent resurgence of critical interest and asks how it is that the play of Lear's poetry continues to delight, and to challenge our sense of what poetry can be. These seventeen chapters, written by established and emerging critics of poetry, seek to explore and appreciate the playfulness embodied in the poems and to provide contexts in which it can be better understood and enjoyed. They consider how Lear's poems play off various inheritances (the literary fool, Romantic lyric, his religious upbringing), explore particular forms in which his playful genius took flight (his letters, his queer writings about love), and trace lines of Learical influence and inheritance by showing how other poets and thinkers across the nineteenth and twentieth centuries played off Lear in their turn (Stein, Eliot, Auden, Smith, Ashbery, and others).
Author: Matthew Bevis
Publisher: University of Chicago Press
ISBN: 022665219X
Category : Literary Criticism
Languages : en
Pages : 314
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Book Description
“The next day Wordsworth arrived from Bristol at Coleridge’s cottage,” William Hazlitt recalled, “He answered in some degree to his friend’s description of him, but was more quaint and Don Quixote- like . . . there was a convulsive inclination to laughter about the mouth.” Hazlitt presents a Wordsworth who differs from the one we know—and, as Matthew Bevis argues in his radical new reading of the poet, this Wordsworth owed his quixotic creativity to a profound feeling for comedy. Wordsworth’s Fun explores the writer’s debts to the ludic and the ludicrous in classical tradition; his reworkings of Ariosto, Erasmus, and Cervantes; his engagement with forms of English poetic humor; and his love of comic prose. Combining close reading with cultural analysis, Bevis travels many untrodden ways, studying Wordsworth’s interest in laughing gas, pantomime, the figure of the fool, and the value of play. Intrepid, immersive, and entertaining, Wordsworth’s Fun sheds fresh light on how one poet’s strange humor helped to shape modern literary experiment.
Author: Walter de la Mare
Publisher: Faber & Faber
ISBN: 0571347142
Category : Poetry
Languages : en
Pages : 284
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Book Description
Walter de la Mare (1873-1956) was one of the best-loved English poets of the twentieth century, his verse admired by contemporaries including Thomas Hardy, Robert Frost, W. H. Auden and T. S. Eliot. This volume presents a new selection of de la Mare's finest poems, including perennial favourites such as 'Napoleon', 'Fare Well' and 'The Listeners', for a twenty-first-century audience. The poems are accompanied by commentaries by William Wootten, which build up a portrait of de la Mare's life, loves and friendships with the likes of Hardy, Rupert Brooke, Edward Thomas and Katherine Mansfield. They also point out the fascinating references to literature, folklore and the natural world that embroider the verse.
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 834
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Book Description
Author: Fiona Stafford
Publisher: OUP Oxford
ISBN: 0199558167
Category : Literary Criticism
Languages : en
Pages : 368
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Book Description
How can poems firmly attached to particular regions speak to readers far away? Why do writers turn to their own communities for materials? This book explores the literature of local attachment through the consideration of works by writers - Heaney, Burns, Wordsworth, Scott, Lamb, and Dickens - whose feeling for place is especially evident.
Author: Harold Bloom
Publisher: Oxford University Press, USA
ISBN: 0195162218
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
The second volume in Bloom's series of works which reveal his theory of revisionism, "A Map of Misreading" demonstrates his theory that patterns of imagery in poems represent both a response to and a defense against the influence of precursor poems.
Author: Matthew Bevis
Publisher: Oxford University Press
ISBN: 0199601712
Category : Humor
Languages : en
Pages : 169
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Book Description
With a broad scope across the millennia, from high literature to popular culture, between page and stage and screen, this Very Short Introduction considers comedy not only as a literary genre, but also as a broader impulse at work in many other historical and contemporary forms of satire, parody, and play.
