Author: Ahmed Sékou Touré
Publisher:
ISBN:
Category : Africa
Languages : en
Pages : 216
Book Description
Cultural Revolution and Revolutionary Culture
Author: Alessandro Russo
Publisher: Duke University Press
ISBN: 1478012188
Category : History
Languages : en
Pages : 214
Book Description
In Cultural Revolution and Revolutionary Culture, Alessandro Russo presents a dramatic new reading of China's Cultural Revolution as a mass political experiment aimed at thoroughly reexamining the tenets of communism. Russo explores four critical phases of the Cultural Revolution, each with its own reworking of communist political subjectivity: the historical-theatrical “prologue” of 1965; Mao's attempts to shape the Cultural Revolution in 1965 and 1966; the movements and organizing between 1966 and 1968 and the factional divides that ended them; and the mass study campaigns from 1973 to 1976 and the unfinished attempt to evaluate the inadequacies of the political decade that brought the Revolution to a close. Among other topics, Russo shows how the dispute around the play Hai Rui Dismissed from Office was not the result of a Maoist conspiracy, but rather a series of intense and unresolved political and intellectual controversies. He also examines the Shanghai January Storm and the problematic foundation of the short-lived Shanghai Commune. By exploring these and other political-cultural moments of Chinese confrontations with communist principles, Russo overturns conventional wisdom about the Cultural Revolution.
Publisher: Duke University Press
ISBN: 1478012188
Category : History
Languages : en
Pages : 214
Book Description
In Cultural Revolution and Revolutionary Culture, Alessandro Russo presents a dramatic new reading of China's Cultural Revolution as a mass political experiment aimed at thoroughly reexamining the tenets of communism. Russo explores four critical phases of the Cultural Revolution, each with its own reworking of communist political subjectivity: the historical-theatrical “prologue” of 1965; Mao's attempts to shape the Cultural Revolution in 1965 and 1966; the movements and organizing between 1966 and 1968 and the factional divides that ended them; and the mass study campaigns from 1973 to 1976 and the unfinished attempt to evaluate the inadequacies of the political decade that brought the Revolution to a close. Among other topics, Russo shows how the dispute around the play Hai Rui Dismissed from Office was not the result of a Maoist conspiracy, but rather a series of intense and unresolved political and intellectual controversies. He also examines the Shanghai January Storm and the problematic foundation of the short-lived Shanghai Commune. By exploring these and other political-cultural moments of Chinese confrontations with communist principles, Russo overturns conventional wisdom about the Cultural Revolution.
Revolution and Culture
Author: Zenovia A. Sochor
Publisher: Cornell University Press
ISBN: 9780801420887
Category : Biography & Autobiography
Languages : en
Pages : 284
Book Description
Zenovia A. Sochor here assesses one of the most important debates within the Bolshevik leadership during the early years of Soviet power-that between A. A. Bogdanov and V. I. Lenin. Once comrades-in-arms, Bogdanov and Lenin became political rivals prior to the October Revolution. Their disagreements over political and cultural issues led to a split in the Bolshevik Party, with Bogdanov spearheading the party's left-wing faction and attracting a following of notable intellectuals. Before Lenin died in 1924, however, he had succeeded in shaping Soviet society according to his own vision, and today Bolshevism is commonly identified with Leninism while Bogdanovism is little known. Sochor provides the first full exposition in English of Bogdanov's views, which, she asserts, must be understood to appreciate the choices available and the paths not taken during the formative years of the Soviet regime.
Publisher: Cornell University Press
ISBN: 9780801420887
Category : Biography & Autobiography
Languages : en
Pages : 284
Book Description
Zenovia A. Sochor here assesses one of the most important debates within the Bolshevik leadership during the early years of Soviet power-that between A. A. Bogdanov and V. I. Lenin. Once comrades-in-arms, Bogdanov and Lenin became political rivals prior to the October Revolution. Their disagreements over political and cultural issues led to a split in the Bolshevik Party, with Bogdanov spearheading the party's left-wing faction and attracting a following of notable intellectuals. Before Lenin died in 1924, however, he had succeeded in shaping Soviet society according to his own vision, and today Bolshevism is commonly identified with Leninism while Bogdanovism is little known. Sochor provides the first full exposition in English of Bogdanov's views, which, she asserts, must be understood to appreciate the choices available and the paths not taken during the formative years of the Soviet regime.
Culture and Liberty in the Age of the American Revolution
Author: Michal Jan Rozbicki
Publisher: University of Virginia Press
ISBN: 0813931541
Category : History
Languages : en
Pages : 304
Book Description
In his new book, Michal Jan Rozbicki undertakes to bridge the gap between the political and the cultural histories of the American Revolution. Through a careful examination of liberty as both the ideological axis and the central metaphor of the age, he is able to offer a fresh model for interpreting the Revolution. By establishing systemic linkages between the histories of the free and the unfree, and between the factual and the symbolic, this framework points to a fundamental reassessment of the ways we think about the American Founding. Rozbicki moves beyond the two dominant interpretations of Revolutionary liberty—one assuming the Founders invested it with a modern meaning that has in essence continued to the present day, the other highlighting its apparent betrayal by their commitment to inequality. Through a consistent focus on the interplay between culture and power, Rozbicki demonstrates that liberty existed as an intricate fusion of political practices and symbolic forms. His deeply historicized reconstruction of its contemporary meanings makes it clear that liberty was still understood as a set of privileges distributed according to social rank rather than a universal right. In fact, it was because the Founders considered this assumption self-evident that they felt confident in publicizing a highly liberal, symbolic narrative of equal liberty to represent the Revolutionary endeavor. The uncontainable success of this narrative went far beyond the circumstances that gave birth to it because it put new cultural capital—a conceptual arsenal of rights and freedoms—at the disposal of ordinary people as well as political factions competing for their support, providing priceless legitimacy to all those who would insist that its nominal inclusiveness include them in fact.
Publisher: University of Virginia Press
ISBN: 0813931541
Category : History
Languages : en
Pages : 304
Book Description
In his new book, Michal Jan Rozbicki undertakes to bridge the gap between the political and the cultural histories of the American Revolution. Through a careful examination of liberty as both the ideological axis and the central metaphor of the age, he is able to offer a fresh model for interpreting the Revolution. By establishing systemic linkages between the histories of the free and the unfree, and between the factual and the symbolic, this framework points to a fundamental reassessment of the ways we think about the American Founding. Rozbicki moves beyond the two dominant interpretations of Revolutionary liberty—one assuming the Founders invested it with a modern meaning that has in essence continued to the present day, the other highlighting its apparent betrayal by their commitment to inequality. Through a consistent focus on the interplay between culture and power, Rozbicki demonstrates that liberty existed as an intricate fusion of political practices and symbolic forms. His deeply historicized reconstruction of its contemporary meanings makes it clear that liberty was still understood as a set of privileges distributed according to social rank rather than a universal right. In fact, it was because the Founders considered this assumption self-evident that they felt confident in publicizing a highly liberal, symbolic narrative of equal liberty to represent the Revolutionary endeavor. The uncontainable success of this narrative went far beyond the circumstances that gave birth to it because it put new cultural capital—a conceptual arsenal of rights and freedoms—at the disposal of ordinary people as well as political factions competing for their support, providing priceless legitimacy to all those who would insist that its nominal inclusiveness include them in fact.
Cultural Politics in Revolution
Author: Mary K. Vaughan
Publisher: University of Arizona Press
ISBN: 9780816516766
Category : History
Languages : en
Pages : 284
Book Description
"Innovative study of the cultural legacy of the Mexican Revolution, using the story of rural schools. Focuses on Puebla and Sonora and the attempt by the central government to implement socialist education and to advance its nationalist agenda. Stresses the importance of negotiation among national and local leaders, teachers and peasants"--Handbook of Latin American Studies, v. 58.
Publisher: University of Arizona Press
ISBN: 9780816516766
Category : History
Languages : en
Pages : 284
Book Description
"Innovative study of the cultural legacy of the Mexican Revolution, using the story of rural schools. Focuses on Puebla and Sonora and the attempt by the central government to implement socialist education and to advance its nationalist agenda. Stresses the importance of negotiation among national and local leaders, teachers and peasants"--Handbook of Latin American Studies, v. 58.
A Continuous Revolution
Author: Barbara Mittler
Publisher: Harvard University Press
ISBN: 9780674065819
Category : Arts
Languages : en
Pages : 0
Book Description
Cultural Revolution Culture, often denigrated as pure propaganda, was liked not only in its heyday but continues to be enjoyed today. Considering this art--music, stage works, posters, comics, literature--in its longue durée, Barbara Mittler suggests it builds on a tradition of earlier works, allowing for proliferation in contemporary China.
Publisher: Harvard University Press
ISBN: 9780674065819
Category : Arts
Languages : en
Pages : 0
Book Description
Cultural Revolution Culture, often denigrated as pure propaganda, was liked not only in its heyday but continues to be enjoyed today. Considering this art--music, stage works, posters, comics, literature--in its longue durée, Barbara Mittler suggests it builds on a tradition of earlier works, allowing for proliferation in contemporary China.
Russian Culture in War and Revolution, 1914-22
Author: Melissa Kirschke Stockdale
Publisher:
ISBN: 9780893579234
Category : Political culture
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9780893579234
Category : Political culture
Languages : en
Pages :
Book Description
The Chinese Cultural Revolution as History
Author: Joseph Esherick
Publisher:
ISBN: 9780804753494
Category : History
Languages : en
Pages : 0
Book Description
Publisher description
Publisher:
ISBN: 9780804753494
Category : History
Languages : en
Pages : 0
Book Description
Publisher description
Revolution, Culture, and Panafricanism
Author: Ahmed Sékou Touré
Publisher:
ISBN:
Category : Africa
Languages : en
Pages : 216
Book Description
Publisher:
ISBN:
Category : Africa
Languages : en
Pages : 216
Book Description
Time Images
Author: Tyrus Miller
Publisher: Cambridge Scholars Publishing
ISBN: 1527556646
Category : History
Languages : en
Pages : 230
Book Description
The concept of “time-image,” this book argues, holds broad potential for the historical interpretation of cultural and aesthetic works. Many works that would not ordinarily be thought to be historical artifacts reveal their intrinsic historical character in light of this innovative interpretative concept. The book’s first section,“Time-Images as Theory and Historiography,” considers alternative temporalities underlying historicizing theories and specific practices of history. Examples treated here include the notion of “retro-avantgardism,” works by the Frankfurt School on the interrelations of images and history, and Mass Observation’s dream documentation project. The second section, “Time-Images in Modernist and Postmodernist Literature,” considers literary instances in which alternative notions of historical time are engaged. These include discussions of Wyndham Lewis and “cultural revolution,” Theodor Adorno’s reading of Samuel Beckett’s Endgame, and Pier Paolo Pasolini’s use of Antonio Gramsci in the practice of poetry and philology. The third section, “Moving Images of Time,” discusses questions of cinema including children’s experience in films depicting traumatic historical events, the Quay Brothers’ animated adaptation of Bruno Schulz’s “Street of Crocodiles,” and Sergei Eisenstein’s and Charles Olson’s engagements in Mexico with pictographic representation, etymology, and archeological time.
Publisher: Cambridge Scholars Publishing
ISBN: 1527556646
Category : History
Languages : en
Pages : 230
Book Description
The concept of “time-image,” this book argues, holds broad potential for the historical interpretation of cultural and aesthetic works. Many works that would not ordinarily be thought to be historical artifacts reveal their intrinsic historical character in light of this innovative interpretative concept. The book’s first section,“Time-Images as Theory and Historiography,” considers alternative temporalities underlying historicizing theories and specific practices of history. Examples treated here include the notion of “retro-avantgardism,” works by the Frankfurt School on the interrelations of images and history, and Mass Observation’s dream documentation project. The second section, “Time-Images in Modernist and Postmodernist Literature,” considers literary instances in which alternative notions of historical time are engaged. These include discussions of Wyndham Lewis and “cultural revolution,” Theodor Adorno’s reading of Samuel Beckett’s Endgame, and Pier Paolo Pasolini’s use of Antonio Gramsci in the practice of poetry and philology. The third section, “Moving Images of Time,” discusses questions of cinema including children’s experience in films depicting traumatic historical events, the Quay Brothers’ animated adaptation of Bruno Schulz’s “Street of Crocodiles,” and Sergei Eisenstein’s and Charles Olson’s engagements in Mexico with pictographic representation, etymology, and archeological time.
Culture in the Plural
Author: Michel de Certeau
Publisher: U of Minnesota Press
ISBN: 9780816627677
Category : Social Science
Languages : en
Pages : 204
Book Description
From the late Michel de Certeau comes an essential engagement with multiculturalism and identity politics. De Certeau stresses that anyone attempting to understand contemporary societies in the West must grasp the already-existing diversity that outflanks elitist conceptions of the "national group". He argues compellingly that old ideas of social unity have no relevance in the diverse societies of today.
Publisher: U of Minnesota Press
ISBN: 9780816627677
Category : Social Science
Languages : en
Pages : 204
Book Description
From the late Michel de Certeau comes an essential engagement with multiculturalism and identity politics. De Certeau stresses that anyone attempting to understand contemporary societies in the West must grasp the already-existing diversity that outflanks elitist conceptions of the "national group". He argues compellingly that old ideas of social unity have no relevance in the diverse societies of today.