Author: Luc Sante
Publisher: Harry N. Abrams
ISBN: 9781419709791
Category : Art
Languages : en
Pages : 0
Book Description
"Published on the occasion of the exhibition Revisionist Art: Thirty Works by Bob Dylan, November 28, 2012-January 12, 2013, Gagosian Gallery, New York, NY"--Colophon.
Revisionist Art: Thirty Works by Bob Dylan
Author: Luc Sante
Publisher: Harry N. Abrams
ISBN: 9781419709791
Category : Art
Languages : en
Pages : 0
Book Description
"Published on the occasion of the exhibition Revisionist Art: Thirty Works by Bob Dylan, November 28, 2012-January 12, 2013, Gagosian Gallery, New York, NY"--Colophon.
Publisher: Harry N. Abrams
ISBN: 9781419709791
Category : Art
Languages : en
Pages : 0
Book Description
"Published on the occasion of the exhibition Revisionist Art: Thirty Works by Bob Dylan, November 28, 2012-January 12, 2013, Gagosian Gallery, New York, NY"--Colophon.
Bob Dylan
Author: Bob Dylan
Publisher:
ISBN: 9781935263470
Category : Asia
Languages : en
Pages : 97
Book Description
Catalog of an exhibition held at Gagosian Gallery, New York, N.Y., Sept. 20-Oct. 22, 2011.
Publisher:
ISBN: 9781935263470
Category : Asia
Languages : en
Pages : 97
Book Description
Catalog of an exhibition held at Gagosian Gallery, New York, N.Y., Sept. 20-Oct. 22, 2011.
Drawn Blank
Author: Bob Dylan
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 144
Book Description
An extraodinary collection of drawings and sketches-of women, hotel rooms, cityscapes, and more-by the world's best-known singer-songwriter, each accompanied by a note or short poem.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 144
Book Description
An extraodinary collection of drawings and sketches-of women, hotel rooms, cityscapes, and more-by the world's best-known singer-songwriter, each accompanied by a note or short poem.
Mondo Scripto
Author: Bob Dylan
Publisher:
ISBN: 9781907849442
Category :
Languages : en
Pages : 335
Book Description
Publisher:
ISBN: 9781907849442
Category :
Languages : en
Pages : 335
Book Description
21st-Century Dylan
Author: Laurence Estanove
Publisher: Bloomsbury Publishing USA
ISBN: 1501363719
Category : Music
Languages : en
Pages : 272
Book Description
Bob Dylan has constantly reinvented the persona known as “Bob Dylan,” renewing the performance possibilities inherent in his songs, from acoustic folk, to electric rock and a late, hybrid style which even hints at so-called world music and Latin American tones. Then in 2016, his achievements outside of performance – as a songwriter – were acknowledged when he was awarded the Nobel Literature Prize. Dylan has never ceased to broaden the range of his creative identity, taking in painting, film, acting and prose writing, as well as advertising and even own-brand commercial production. The book highlights how Dylan has brought his persona(e) to different art forms and cultural arenas, and how they in turn have also created these personae. This volume consists of multidisciplinary essays written by cultural historians, musicologists, literary academics and film experts, including contributions by critics Christopher Ricks and Nina Goss. Together, the essays reveal Dylan's continuing artistic development and self-fashioning, as well as the making of a certain legitimized Dylan through critical and public recognition in the new millennium.
Publisher: Bloomsbury Publishing USA
ISBN: 1501363719
Category : Music
Languages : en
Pages : 272
Book Description
Bob Dylan has constantly reinvented the persona known as “Bob Dylan,” renewing the performance possibilities inherent in his songs, from acoustic folk, to electric rock and a late, hybrid style which even hints at so-called world music and Latin American tones. Then in 2016, his achievements outside of performance – as a songwriter – were acknowledged when he was awarded the Nobel Literature Prize. Dylan has never ceased to broaden the range of his creative identity, taking in painting, film, acting and prose writing, as well as advertising and even own-brand commercial production. The book highlights how Dylan has brought his persona(e) to different art forms and cultural arenas, and how they in turn have also created these personae. This volume consists of multidisciplinary essays written by cultural historians, musicologists, literary academics and film experts, including contributions by critics Christopher Ricks and Nina Goss. Together, the essays reveal Dylan's continuing artistic development and self-fashioning, as well as the making of a certain legitimized Dylan through critical and public recognition in the new millennium.
The Revisionist
Author: Miranda F. Mellis
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 90
Book Description
Fiction. The title character of THE REVISIONIST conducts covert surveillance on a city whose inhabitants are subject to uncanny transformations as a result of catastrophic weather, political corruption, invasive technologies and environmental degradation. Hired to spin, or "revise," the facts, the revisionist's perceptions in turn become detached and distorted--inevitably unreliable yet all the same, revealing. This civil scientist of a narrator sardonically observes a distressed landscape inhabited by mutant children, a seeing-eye dog, a centenarian with iguanas and constellations beneath her dress, brooding frigate birds, insurance love clones, a terrorist curator, a private investigator, and a little girl who's discovered the world's largest conch. "THE REVISIONIST is at once a beautifully simple fable and a wonderfully lyrical apocalyptic tale"--Brian Evenson.
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 90
Book Description
Fiction. The title character of THE REVISIONIST conducts covert surveillance on a city whose inhabitants are subject to uncanny transformations as a result of catastrophic weather, political corruption, invasive technologies and environmental degradation. Hired to spin, or "revise," the facts, the revisionist's perceptions in turn become detached and distorted--inevitably unreliable yet all the same, revealing. This civil scientist of a narrator sardonically observes a distressed landscape inhabited by mutant children, a seeing-eye dog, a centenarian with iguanas and constellations beneath her dress, brooding frigate birds, insurance love clones, a terrorist curator, a private investigator, and a little girl who's discovered the world's largest conch. "THE REVISIONIST is at once a beautifully simple fable and a wonderfully lyrical apocalyptic tale"--Brian Evenson.
Bob Dylan in the Attic
Author: Freddy Cristóbal Domínguez
Publisher: UMass + ORM
ISBN: 1613769628
Category : Social Science
Languages : en
Pages : 216
Book Description
Bob Dylan is an iconic American artist, whose music and performances have long reflected different musical genres and time periods. His songs tell tales of the Civil War, harken back to 1930s labor struggles, and address racial violence at the height of the civil rights movement, helping listeners to think about history, and history making, in new ways. While Dylan was warned by his early mentor, Dave Van Ronk, that, “You’re just going to be a history book writer if you do those things. An anachronism,” the musician has continued to traffic in history and engage with a range of source material—ancient and modern—over the course of his career. In this beautifully crafted book, Freddy Cristóbal Domínguez makes a provocative case for Dylan as a historian, offering a deep consideration of the musician’s historical influences and practices. Utilizing interviews, speeches, and the close analysis of lyrics and live performances, Bob Dylan in the Attic is the first book to consider Dylan’s work from the point of view of historiography.
Publisher: UMass + ORM
ISBN: 1613769628
Category : Social Science
Languages : en
Pages : 216
Book Description
Bob Dylan is an iconic American artist, whose music and performances have long reflected different musical genres and time periods. His songs tell tales of the Civil War, harken back to 1930s labor struggles, and address racial violence at the height of the civil rights movement, helping listeners to think about history, and history making, in new ways. While Dylan was warned by his early mentor, Dave Van Ronk, that, “You’re just going to be a history book writer if you do those things. An anachronism,” the musician has continued to traffic in history and engage with a range of source material—ancient and modern—over the course of his career. In this beautifully crafted book, Freddy Cristóbal Domínguez makes a provocative case for Dylan as a historian, offering a deep consideration of the musician’s historical influences and practices. Utilizing interviews, speeches, and the close analysis of lyrics and live performances, Bob Dylan in the Attic is the first book to consider Dylan’s work from the point of view of historiography.
Escaping the Delta
Author: Elijah Wald
Publisher: Harper Collins
ISBN: 0062018442
Category : Biography & Autobiography
Languages : en
Pages : 510
Book Description
The life of blues legend Robert Johnson becomes the centerpiece for this innovative look at what many consider to be America's deepest and most influential music genre. Pivotal are the questions surrounding why Johnson was ignored by the core black audience of his time yet now celebrated as the greatest figure in blues history. Trying to separate myth from reality, biographer Elijah Wald studies the blues from the inside -- not only examining recordings but also the recollections of the musicians themselves, the African-American press, as well as examining original research. What emerges is a new appreciation for the blues and the movement of its artists from the shadows of the 1930s Mississippi Delta to the mainstream venues frequented by today's loyal blues fans.
Publisher: Harper Collins
ISBN: 0062018442
Category : Biography & Autobiography
Languages : en
Pages : 510
Book Description
The life of blues legend Robert Johnson becomes the centerpiece for this innovative look at what many consider to be America's deepest and most influential music genre. Pivotal are the questions surrounding why Johnson was ignored by the core black audience of his time yet now celebrated as the greatest figure in blues history. Trying to separate myth from reality, biographer Elijah Wald studies the blues from the inside -- not only examining recordings but also the recollections of the musicians themselves, the African-American press, as well as examining original research. What emerges is a new appreciation for the blues and the movement of its artists from the shadows of the 1930s Mississippi Delta to the mainstream venues frequented by today's loyal blues fans.
Darger's Resources
Author: Michael Moon
Publisher: Duke University Press
ISBN: 0822351560
Category : Art
Languages : en
Pages : 170
Book Description
Moon turns his attention to the artist Henry Darger, an eccentric and self-taught artist whose work was only discovered after his death. Since then the work has become famous, but Darger himself has generally been seen as a withdrawn outsider artist whose work may have been the result of mental illness. Moon provides a contrasting view of a creative and gifted artist very responsive to the world around him.
Publisher: Duke University Press
ISBN: 0822351560
Category : Art
Languages : en
Pages : 170
Book Description
Moon turns his attention to the artist Henry Darger, an eccentric and self-taught artist whose work was only discovered after his death. Since then the work has become famous, but Darger himself has generally been seen as a withdrawn outsider artist whose work may have been the result of mental illness. Moon provides a contrasting view of a creative and gifted artist very responsive to the world around him.
No One to Meet
Author: Raphael Falco
Publisher: University of Alabama Press
ISBN: 0817321411
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
A groundbreaking appreciation of Dylan as a literary practitioner WINNER OF THE ELIZABETH AGEE PRIZE IN AMERICAN LITERATURE The literary establishment tends to regard Bob Dylan as an intriguing, if baffling, outsider. That changed overnight when Dylan was awarded the 2016 Nobel Prize in Literature, challenging us to think of him as an integral part of our national and international literary heritage. No One to Meet: Imitation and Originality in the Songs of Bob Dylan places Dylan the artist within a long tradition of literary production and offers an innovative way of understanding his unique, and often controversial, methods of composition. In lucid prose, Raphael Falco demonstrates the similarity between what Renaissance writers called imitatio and the way Dylan borrows, digests, and transforms traditional songs. Although Dylan’s lyrical postures might suggest a post-Romantic, “avant-garde” consciousness, No One to Meet shows that Dylan’s creative process borrows from and creatively expands the methods used by classical and Renaissance authors. Drawing on numerous examples, including Dylan’s previously unseen manuscript excerpts and archival materials, Raphael Falco illuminates how the ancient process of poetic imitation, handed down from Greco-Roman antiquity, allows us to make sense of Dylan’s musical and lyrical technique. By placing Dylan firmly in the context of an age-old poetic practice, No One to Meet deepens our appreciation of Dylan’s songs and allows us to celebrate him as what he truly is: a great writer.
Publisher: University of Alabama Press
ISBN: 0817321411
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
A groundbreaking appreciation of Dylan as a literary practitioner WINNER OF THE ELIZABETH AGEE PRIZE IN AMERICAN LITERATURE The literary establishment tends to regard Bob Dylan as an intriguing, if baffling, outsider. That changed overnight when Dylan was awarded the 2016 Nobel Prize in Literature, challenging us to think of him as an integral part of our national and international literary heritage. No One to Meet: Imitation and Originality in the Songs of Bob Dylan places Dylan the artist within a long tradition of literary production and offers an innovative way of understanding his unique, and often controversial, methods of composition. In lucid prose, Raphael Falco demonstrates the similarity between what Renaissance writers called imitatio and the way Dylan borrows, digests, and transforms traditional songs. Although Dylan’s lyrical postures might suggest a post-Romantic, “avant-garde” consciousness, No One to Meet shows that Dylan’s creative process borrows from and creatively expands the methods used by classical and Renaissance authors. Drawing on numerous examples, including Dylan’s previously unseen manuscript excerpts and archival materials, Raphael Falco illuminates how the ancient process of poetic imitation, handed down from Greco-Roman antiquity, allows us to make sense of Dylan’s musical and lyrical technique. By placing Dylan firmly in the context of an age-old poetic practice, No One to Meet deepens our appreciation of Dylan’s songs and allows us to celebrate him as what he truly is: a great writer.