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Author: Carol Marie Bensick
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
Author: Carol Marie Bensick
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 192
Get Book Here
Book Description
Author:
Publisher:
ISBN: 9781978810495
Category : NON-CLASSIFIABLE.
Languages : en
Pages : 0
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Author: Brenda Wineapple
Publisher: Random House
ISBN: 0307808661
Category : Biography & Autobiography
Languages : en
Pages : 530
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Book Description
Handsome, reserved, almost frighteningly aloof until he was approached, then playful, cordial, Nathaniel Hawthorne was as mercurial and double-edged as his writing. “Deep as Dante,” Herman Melville said. Hawthorne himself declared that he was not “one of those supremely hospitable people who serve up their own hearts, delicately fried, with brain sauce, as a tidbit” for the public. Yet those who knew him best often took the opposite position. “He always puts himself in his books,” said his sister-in-law Mary Mann, “he cannot help it.” His life, like his work, was extraordinary, a play of light and shadow. In this major new biography of Hawthorne, the first in more than a decade, Brenda Wineapple, acclaimed biographer of Janet Flanner and Gertrude and Leo Stein (“Luminous”–Richard Howard), brings him brilliantly alive: an exquisite writer who shoveled dung in an attempt to found a new utopia at Brook Farm and then excoriated the community (or his attraction to it) in caustic satire; the confidant of Franklin Pierce, fourteenth president of the United States and arguably one of its worst; friend to Emerson and Thoreau and Melville who, unlike them, made fun of Abraham Lincoln and who, also unlike them, wrote compellingly of women, deeply identifying with them–he was the first major American writer to create erotic female characters. Those vibrant, independent women continue to haunt the imagination, although Hawthorne often punishes, humiliates, or kills them, as if exorcising that which enthralls. Here is the man rooted in Salem, Massachusetts, of an old pre-Revolutionary family, reared partly in the wilds of western Maine, then schooled along with Longfellow at Bowdoin College. Here are his idyllic marriage to the youngest and prettiest of the Peabody sisters and his longtime friendships, including with Margaret Fuller, the notorious feminist writer and intellectual. Here too is Hawthorne at the end of his days, revered as a genius, but considered as well to be an embarrassing puzzle by the Boston intelligentsia, isolated by fiercely held political loyalties that placed him against the Civil War and the currents of his time. Brenda Wineapple navigates the high tides and chill undercurrents of Hawthorne’s fascinating life and work with clarity, nuance, and insight. The novels and tales, the incidental writings, travel notes and children’s books, letters and diaries reverberate in this biography, which both charts and protects the dark unknowable core that is quintessentially Hawthorne. In him, the quest of his generation for an authentically American voice bears disquieting fruit.
Author: David Leverenz
Publisher: Cornell University Press
ISBN: 1501744143
Category : Literary Criticism
Languages : en
Pages : 387
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Book Description
In the view of David Leverenz, such nineteenth-century American male writers as Emerson, Hawthorne, Melville, Thoreau, and Whitman were influenced more profoundly by the popular model of the entrepreneurial "man of force" than they were by their literary precursors and contemporaries. Drawing on the insights of feminist theory, gender studies, psychoanalytical criticism, and social history, Manhood and the American Renaissance demonstrates that gender pressures and class conflicts played as critical a role in literary creation for the male writers of nineteenth-century America as they did for the women writers. Leverenz interprets male American authors in terms of three major ideologies of manhood linked to the social classes in the Northeast-patrician, artisan, and entrepreneurial. He asserts that the older ideologies of patrician gentility and of artisan independence were being challenged from 1820 to 1860 by the new middle-class ideology of competitive individualism. The male writers of the American Renaissance, patrician almost without exception in their backgrounds and self-expectations, were fascinated yet horrified by the aggressive materialism and the rivalry for dominance they witnessed in the undeferential "new men." In close readings of the works both of well-known male literary figures and of then popular authors such as Richard Henry Dana, Jr., and Francis Parkman, Leverenz discovers a repressed center of manhood beset by fears of humiliation and masochistic fantasies. He discerns different patterns in the works of Whitman, with his artisan's background, and Frederick Douglass, who rose from artisan freedom to entrepreneurial power. Emphasizing the interplay of class and gender, Leverenz also considers how women viewed manhood. He concludes that male writers portrayed manhood as a rivalry for dominance, but contemporary female writers saw it as patriarchy. Two chapters contrast the work of the genteel writers Sarah Hale and Caroline Kirkland with the evangelical works of Susan Warner and Harriet Beecher Stowe. A bold and imaginative work, Manhood and the American Renaissance will enlighten and inspire controversy among all students of American literature, nineteenth-century American history, and the relation of gender and literature.
Author: Leon Chai
Publisher: Cornell University Press
ISBN: 1501745662
Category : History
Languages : en
Pages : 459
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Book Description
The Romantic Foundations of the American Renaissance illuminates the process by which the cultural legacy of European Romanticism was assimilated by and transformed in the literature of mid-nineteenth-century America. Leon Chai traces the development various governing concepts or tendencies from their genesis in British, French, and German Romantic traditions through their subsequent appropriation by such American writers as Poe, Emerson, Hawthorne, and Melville. Among the topics he addresses are the shift from allegory to symbolism; selected trends in Romantic science; the secularization of religion; the emergence of a historical consciousness and a philosophy of history; pantheism; the relation of subjectivity to objectivity in Romantic philosophy; and Romantic poets.
Author: Samuel Coale
Publisher: Camden House
ISBN: 1571133631
Category : History
Languages : en
Pages : 210
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Book Description
The process of Hawthorne's scholarly canonization, and the ongoing critical and cultural discourse on his works. Nathaniel Hawthorne, celebrated in his own day for sketches that now seem sentimental, came only gradually to be fully appreciated for what his friend Herman Melville diagnosed as the "power of blackness" in his fiction - the complex moral grappling with sin and guilt. By the 1850s, Hawthorne had already been accepted into the American canon, and since then, his works - especially The Scarlet Letter -- have remained ubiquitous in American culture. Along with this has come an explosion of Hawthorne criticism, from New Criticism, New Historicism, and Cultural Studies to queer theory, feminist scholarship, and transatlantic criticism, that shows no signs of slowing. This book charts Hawthorne's canonization and the ongoing critical discourse, drawing on two senses of "entanglement." First the sense from quantum physics, which allows us to see what were once seen as strict dualisms in Hawthorne as more complex relations where the poles of the would-be dualities play off of and affect each other; second, the sense of critics being tangled up in, caught up in, Hawthorne the man and his work and in previous critics' views of him. Charting the course of Hawthorne criticism as well as his place in popular culture, this book sheds light also on the culture in which his reception has occurred. Samuel Chase Coale is Professor of American Literature and Culture at Wheaton College, Norton, Massachusetts.
Author: Larry J. Reynolds
Publisher: Oxford University Press
ISBN: 0195124138
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
Introduction, Larry J. Reynolds1. Marble and Mud: A Biographical Sketch, Brenda Wineapple2. Mysteries of Mesmerism: Hawthorne's Haunted House, Samuel Coale3. Hawthorne and Children in the Nineteenth Century: Daughters, Flowers, Stories, Gillian Brown4. Hawthorne and the Visual Arts, Rita K. Gollin5. Nathaniel Hawthorne and the Slavery Question, Jean Fagan Yellin6. Illustrated Chronology7. Hawthorne and History: A Bibliographical Essay, Leland S. PersonContributorsIndex.
Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 1438116268
Category : Literary Criticism
Languages : en
Pages : 89
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Book Description
Presents a brief biography of Nathaniel Hawthorne, thematic and structural analysis of his works, critical views, and an index of themes and ideas.
Author: Dorothee Birke
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110384000
Category : Literary Criticism
Languages : en
Pages : 347
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Book Description
The distinction between author and narrator is one of the cornerstones of narrative theory. In the past two decades, however, scope, implications and consequences of this distinction have become the subjects of debate. This volume offers contributions to these debates from different vantage points: literary studies, linguistics, philosophy, and media studies. It thus manifests the status of narrative theory as a transdisciplinary project.
Author: Stephanie P. Browner
Publisher: University of Pennsylvania Press
ISBN: 0812201485
Category : Literary Criticism
Languages : en
Pages : 314
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Book Description
In 1847, at the first meeting of the American Medical Association, the newly elected president reminded his brethren that the profession, "once venerated," no longer earned homage "spontaneously and universally." The medical marketplace was crowded and competitive; state laws regulating medical practice had been repealed; and professional practitioners were often branded by their lay competitors as aristocrats bent on establishing a health care monopoly. By 1900, the battles were over, and, as the president of AMA had hoped, doctors were now widely venerated as men of profound science, elegant literature, polite accomplishments, and virtue. In fact, by 1900 the doctor had replaced the minister as the most esteemed professional in the United States; disease loomed larger than damnation; and science promised to manage the discord, differences, and excesses that democracy seemed to license. In Profound Science and Elegant Literature, Stephanie Browner charts this trajectory—and demonstrates at the same time that medicine's claims to somatic expertise and managerial talent did not go uncontested. Even as elite physicians founded institutions that made professional medicine's authority visible and legitimate, many others worried about the violence that might attend medicine's drive to mastery and science's equation of rational disinterest with white, educated masculinity. Reading fiction by a wide range of authors beside and against medical texts, Browner looks to the ways in which writers such as Hawthorne, Melville, Holmes, James, Chesnutt, and Jewett inventoried the collateral damage that might be done as science installed its peculiar understanding of the body. A work of impressive interdisciplinary reach, Profound Science and Elegant Literature documents both the extraordinary rise of professional medicine in the United States and the aesthetic imperative to make the body meaningful that led many American writers to resist the medicalized body.
