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Author: John Mullarkey
Publisher: Springer
ISBN: 0230582311
Category : Performing Arts
Languages : en
Pages : 300
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Book Description
This is the first book to explore all central issues surrounding the relationship between the film-image and philosophy. It tackles the work of particular philosophers of film (Žižek, Deleuze and Cavell) as well as general philosophical positions (Cognitivist and Culturalist), and analyses the ability of film to teach and create philosophy.
Author: John Mullarkey
Publisher: Springer
ISBN: 0230582311
Category : Performing Arts
Languages : en
Pages : 300
Get Book Here
Book Description
This is the first book to explore all central issues surrounding the relationship between the film-image and philosophy. It tackles the work of particular philosophers of film (Žižek, Deleuze and Cavell) as well as general philosophical positions (Cognitivist and Culturalist), and analyses the ability of film to teach and create philosophy.
Author: Mark Sinclair
Publisher: Taylor & Francis
ISBN: 0429667981
Category : Philosophy
Languages : en
Pages : 529
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Book Description
Henri Bergson (1859–1941) is widely regarded as one of the most original and important philosophers of the twentieth century. His work explored a rich panoply of subjects, including time, memory, free will and humour and we owe the popular term élan vital to a fundamental insight of Bergson’s. His books provoked responses from some of the leading thinkers and philosophers of his time, including Albert Einstein, William James and Bertrand Russell, and he is acknowledged as a fundamental influence on Marcel Proust. The Bergsonian Mind is an outstanding, wide-ranging volume covering the major aspects of Bergson’s thought, from his early influences to his continued relevance and legacy. Thirty-six chapters by an international team of leading Bergson scholars are divided into five clear parts: Sources and Scene Mind and World Ethics and Politics Reception Bergson and Contemporary Thought. In these sections fundamental topics are examined, including time, freedom and determinism, memory, perception, evolutionary theory, pragmatism and art. Bergson’s impact beyond philosophy is also explored in chapters on Bergson and spiritualism, physics, biology, cinema and post-colonial thought. An indispensable resource for anyone in Philosophy studying and researching Bergson’s work, The Bergsonian Mind will also interest those in related disciplines, such as Literature, Religion, Sociology and French Studies.
Author: Philip Beitchman
Publisher: Rowman & Littlefield
ISBN: 0761873856
Category : Philosophy
Languages : en
Pages : 349
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Book Description
The Poverty of Philosophy: Readings in Non and Other Philosophies and Arts of Imminence kicks off with an 8,000 word overture, “Poverty of Philosophy” introducing non-philosophy and its progenitor, François Laruelle, his inspirations by, rapports and connections with other ‘philosophers of immanence’ (Nietzsche, Henry, Deleuze, Derrida...) as well as exploring, and also drawing some conclusions as to the possibilities of its present, and/or feasible impact on culture, politics and the arts, there follows the Anthology of NON, and other Philosophies and Arts of Immanence, comprised of some 300 excerpts from some 140 published sources, many signed by Laruelle, and many of the others by French, Anglophone, as well as Eastern European writers, artists, philosophers, scholars, critics and thinkers who extend his insights in the various domains of human endeavor. Very often translated from the French, and frequently commented, these excerpts are arranged alphabetically under 88 topics, from Actor to World, the complete list of them following my introduction, in a table of contents keyed to page #’s for each of them. Following are close readings in Beitchman’s five review essays, two of works of Laruelle, and of three by scholars here very much in his wake: “The Machinery of Control (Sophie Lesueur, “Pensée machine et ordre politique”)”; “Universe, World, Philo-Fiction and Non-Action in Non-philosophy (François Laruelle, Tétralogos:)”; “Ecology, Sacred and Profane (François Laruelle, En dernière humanité: la nouvelle science écologique)”; “The Philo-Fictions of Katerina Kolozova (Cut of the Real and 5 other works)”; “A Leap through Language: Non-Philosophy, Science and the Arts (Sergueï Khoruzhiy, “La non-philosophie de François Laruelle entre le Charybde de la transraison et le Scylla du scientisme”).” These essays provide a synoptic overview of non-philosophy from its inception to its latest non-standard philosophy avatar. Generally Beitchman’s focus is on language and vocabulary, and their associated arts, principally literary and performing—and on the way terms like World, Universe, Superposition and Philo-fiction are deployed, defined, re-defined or refused definition; also how modern science, once fractals, now more Quantum and Wave theory, in concert with these imponderables, expands the horizon of the thinkable, conceivable and above all the feasible.
Author: Benoit Dillet
Publisher: Edinburgh University Press
ISBN: 0748653694
Category : Philosophy
Languages : en
Pages : 560
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Book Description
Written by experts in their field, this Companion surveys the challenges and provocations raised by the major voices of poststructuralism: Foucault, Deleuze, Derrida, Cixous, Lyotard, Guattari, Kristeva, Irigaray, Barthes and Baudrillard. Thematically organised and clearly written, it will guide students and researchers in philosophy, literature, art, geography, politics, sociology, law, film, and cultural studies around the nature and contemporary relevance of poststructuralism.
Author: Robert Sinnerbrink
Publisher: Bloomsbury Publishing
ISBN: 1350181951
Category : Philosophy
Languages : en
Pages : 432
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Book Description
What can philosophy teach us about cinema? Can cinema transform how we understand philosophy? How should we describe the competing approaches to philosophizing on film? New Philosophies of Film answers these questions by offering a lucid introduction to the exciting developments and contentious debates within the philosophy of film. Mapping out the conceptual terrain, it examines both analytic and continental approaches to cinema and puts forward a pluralist film philosophy, grounded in practical examples from film, documentaries and television series. Now thoroughly updated to showcase the most recent developments in the field, this 2nd edition features: · New chapters on phenomenology, cinematic ethics, philosophical documentary film and television as philosophy, incorporating feminist, socio-political, ethical and ecological approaches to cinema · Contemporary case studies including Carol, Roma, Melancholia, two Derrida documentaries, and the Netflix series Black Mirror · Expanded coverage of Gilles Deleuze and Stanley Cavell, two of the most influential philosophers of film · An updated bibliography, filmography and reading lists, with links to online resources to support further study Demonstrating how the film-philosophy encounter can open up new paths for thinking, New Philosophies of Film is an essential resource for putting interdisciplinary inquiry into practice.
Author: Warwick Mules
Publisher: Bloomsbury Publishing USA
ISBN: 1501361236
Category : Philosophy
Languages : en
Pages : 228
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Book Description
Film Figures develops a figural account of the memory structure of films. Employing theoretical concepts drawn from a range of sources, including French post-humanist philosophy and German Idealism, the book undertakes an organology of film guided by the work of Bernard Stiegler whose philosophy of mnemotechnesis provides the framework of analysis. Situating films in the quantum field of spacetime relativity as a field of cosmic views, inquiry into film figures begins with disturbances in the experience of films themselves, posing questions of the relation between the dead past and the living future in film story-telling. By breaking the façade of the continuing present through self-questioning, we open films to their figural dimensions in the counter-movement of drive as negentropic resistance. Following the back-movement of drive switches our perception to the figural register in which characters become figures probing blindly for what the film will have been in another time – a time yet to be lived. By following the anterior possibilities of this other time, we open films to the archival future in which a new future comes forth. This book provides theoretical and analytical concepts as well as strategies for taking a step into this future, guided by questions of the right path to take given the relativity of views in which the film can be experienced. Films analysed include Murnau's The Last Laugh, Capra's It's a Wonderful Life, Hitchcock's Rear Window, Welles's The Lady from Shanghai, Fellini's Intervista, Antonioni's L'Eclisse, Bresson's Une Femme Douce, and Zeller's The Father.
Author: Markku Lehtimäki
Publisher: Walter de Gruyter
ISBN: 3110259974
Category : Literary Criticism
Languages : en
Pages : 344
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Book Description
Recent postclassical narratology has constructed top-down reading models that often remain blind to the frame-breaking potential of individual literary narratives. Narrative, Interrupted goes beyond the macro framing typical of postclassical narratology and sets out to sketch approaches more sensitive to generic specificities, disturbing details and authorial interference. Unlike the mainstream cognitive approaches or even the emergent unnatural narratology, the articles collected here explore the artifice involved in presenting something ordinary and realistic in literature. The first section of the book deals with anti-dynamic elements such as dialogue, details, private events and literary boredom. The second section, devoted to extensions of cognitive narratology, addresses spatiotemporal oddities and the possibility of non-human narratives. The third section focuses on frame-breaking, fragmentarity and problems of authorship in the works of Vladimir Nabokov. The book presents readings of texts ranging from the novels of Don DeLillo and Thomas Pynchon to the Animal Man comics. The common denominator for the texts discussed is the interruption of the chain of events or of the experiential flow of human-like narrative agents.
Author: Laura Sava
Publisher: Edinburgh University Press
ISBN: 0748697489
Category : Performing Arts
Languages : en
Pages : 256
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Book Description
Laura Sava critically engages with the filmic representation of theatre, focusing on a selection of art house and independent films which provide a sophisticated commentary on the interaction between the two media.
Author: Francis Halsall
Publisher: Springer Science & Business Media
ISBN: 9400715099
Category : Philosophy
Languages : en
Pages : 213
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Book Description
Critical Communities and Aesthetic Practices brings together eminent international philosophers to discuss the inter-dependence of critical communities and aesthetic practices. Their contributions share a hermeneutical commitment to dialogue, both as a model for critique and as a generator of community. Two conclusions emerge: The first is that one’s relationships with others will always be central in determining the social, political, and artistic forms that philosophical self-reflection will take. The second is that our practices of aesthetic judgment are bound up with our efforts as philosophers to adapt ourselves and our objects of interest to the inescapably historical and indeterminate conditions of experience. The papers collected here address the issue that critical communities and aesthetic practices are never politically neutral and can never be abstracted from their particular contexts. It is for this reason that the contributors investigate the politics, not of laws, parties or state constitutions, but of open, indefinably critical communities such as audiences, peers and friends. Critical Communities and Aesthetic Practices is distinctive in providing a current selection of prominent positions, written for this volume. Together, these comprise a pluralist, un-homogenized collection that brings into focus contemporary debates on critical and aesthetic practices.
Author: Nurit Yaari
Publisher: Liverpool University Press
ISBN: 1837641676
Category : Art
Languages : en
Pages : 238
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Book Description
In recent years, inter-medial studies have attracted increasing attention in arts theory. The notion of 'inter-mediality' presupposes that each established art such as theatre, painting, and cinema indicates the existence of a particular medium, which preserves its distinct features in translations from art to art and, especially, in its combinations with others in single works. Nonetheless, this field of research is presupposed already in the traditional studies of ekphrasis', which focus on the verbal accounts of nonverbal works of art; and in Wagner's notion of Gesamtkuntswerk. This renewed interest generated new fields of research, such as (a) the likelihood of the arts reflecting common grounds; (b) the necessity of a shared metalanguage; (b) the possibility of inter-medial translation; and (d) the inter-medial coexistence within a single work of art, without hindering the reading, interpreting and experiencing abilities of receivers. In honor of Eli Rozik, Ph.D., professor emeritus, former head of the Department of Theatre Studies, and Dean of the Faculty of Arts, Tel Aviv University, this collection provides overviews of all these theoretical issues, and tackles the contemporary practical questions that arise from attempts to transgress the boundaries between the established disciplines of arts studies. Considering first the theoretical aspects of inter-art, inter-mediality, and nonverbal literacy, Exploring the Common Grounds of the Arts goes on to discuss by means of performance analysis; dialogues between the arts within a single work; and correspondences between visual and auditory stimuli in musical contexts. It concludes with a discussion of practical examples of inter-mediality in religious representations, official processions, and public performances.
