Author: Sean Moore Ireton
Publisher: Camden House
ISBN: 1571135022
Category : Literary Criticism
Languages : en
Pages : 408
Book Description
Examines the lure of mountains in German literature, philosophy, film, music, and culture from the Middle Ages to the twenty-first century. Mountains have always stirred the human imagination, playing a crucial role in the cultural evolution of peoples around the globe and becoming infused with meaning in the process. Beyond their geographical-geological significance, mountains affect the topography of the mind, whether as objects of peril or attraction, of spiritual enlightenment or existential fulfillment, of philosophical contemplation or aesthetic inspiration. This volume challenges the oversimplified assumption that human interaction with mountains is a distinctly modern development, one that began with the empowerment of the individual in the wake of Enlightenment rationalism and Romantic subjectivity. These essays by European and North American scholars examine the lure of mountains in German literature, philosophy, film, music, and culture from the Middle Ages to the present, with a focus on the interaction between humans and the alpineenvironment. The contributors consider mountains not as mere symbolic tropes or literary metaphors, but as constituting a tangible reality that informs the experiences and ideas of writers, naturalists, philosophers, filmmakers, and composers. Overall, this volume seeks to provide multiple answers to questions regarding the cultural significance of mountains as well as the physical practice of climbing them. Contributors: Peter Arnds, Olaf Berwald, Albrecht Classen, Roger Cook, Scott Denham, Sean Franzel, Christof Hamann, Harald Höbusch, Dan Hooley, Peter Höyng, Sean Ireton, Oliver Lubrich, Anthony Ozturk, Caroline Schaumann, Heather I. Sullivan, Johannes Türk, Sabine Wilke, Wilfried Wilms. SEAN IRETON is Associate Professor of German at the University of Missouri. CAROLINE SCHAUMANN is Professor of German Studies at Emory University.
Heights of Reflection
Author: Sean Moore Ireton
Publisher: Camden House
ISBN: 1571135022
Category : Literary Criticism
Languages : en
Pages : 408
Book Description
Examines the lure of mountains in German literature, philosophy, film, music, and culture from the Middle Ages to the twenty-first century. Mountains have always stirred the human imagination, playing a crucial role in the cultural evolution of peoples around the globe and becoming infused with meaning in the process. Beyond their geographical-geological significance, mountains affect the topography of the mind, whether as objects of peril or attraction, of spiritual enlightenment or existential fulfillment, of philosophical contemplation or aesthetic inspiration. This volume challenges the oversimplified assumption that human interaction with mountains is a distinctly modern development, one that began with the empowerment of the individual in the wake of Enlightenment rationalism and Romantic subjectivity. These essays by European and North American scholars examine the lure of mountains in German literature, philosophy, film, music, and culture from the Middle Ages to the present, with a focus on the interaction between humans and the alpineenvironment. The contributors consider mountains not as mere symbolic tropes or literary metaphors, but as constituting a tangible reality that informs the experiences and ideas of writers, naturalists, philosophers, filmmakers, and composers. Overall, this volume seeks to provide multiple answers to questions regarding the cultural significance of mountains as well as the physical practice of climbing them. Contributors: Peter Arnds, Olaf Berwald, Albrecht Classen, Roger Cook, Scott Denham, Sean Franzel, Christof Hamann, Harald Höbusch, Dan Hooley, Peter Höyng, Sean Ireton, Oliver Lubrich, Anthony Ozturk, Caroline Schaumann, Heather I. Sullivan, Johannes Türk, Sabine Wilke, Wilfried Wilms. SEAN IRETON is Associate Professor of German at the University of Missouri. CAROLINE SCHAUMANN is Professor of German Studies at Emory University.
Publisher: Camden House
ISBN: 1571135022
Category : Literary Criticism
Languages : en
Pages : 408
Book Description
Examines the lure of mountains in German literature, philosophy, film, music, and culture from the Middle Ages to the twenty-first century. Mountains have always stirred the human imagination, playing a crucial role in the cultural evolution of peoples around the globe and becoming infused with meaning in the process. Beyond their geographical-geological significance, mountains affect the topography of the mind, whether as objects of peril or attraction, of spiritual enlightenment or existential fulfillment, of philosophical contemplation or aesthetic inspiration. This volume challenges the oversimplified assumption that human interaction with mountains is a distinctly modern development, one that began with the empowerment of the individual in the wake of Enlightenment rationalism and Romantic subjectivity. These essays by European and North American scholars examine the lure of mountains in German literature, philosophy, film, music, and culture from the Middle Ages to the present, with a focus on the interaction between humans and the alpineenvironment. The contributors consider mountains not as mere symbolic tropes or literary metaphors, but as constituting a tangible reality that informs the experiences and ideas of writers, naturalists, philosophers, filmmakers, and composers. Overall, this volume seeks to provide multiple answers to questions regarding the cultural significance of mountains as well as the physical practice of climbing them. Contributors: Peter Arnds, Olaf Berwald, Albrecht Classen, Roger Cook, Scott Denham, Sean Franzel, Christof Hamann, Harald Höbusch, Dan Hooley, Peter Höyng, Sean Ireton, Oliver Lubrich, Anthony Ozturk, Caroline Schaumann, Heather I. Sullivan, Johannes Türk, Sabine Wilke, Wilfried Wilms. SEAN IRETON is Associate Professor of German at the University of Missouri. CAROLINE SCHAUMANN is Professor of German Studies at Emory University.
Classical and Romantic Performing Practice 1750-1900
Author: Clive Brown
Publisher: Oxford University Press
ISBN: 0195347242
Category : Music
Languages : en
Pages : 677
Book Description
The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers' notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers' intentions have remained uncertain. Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music were more radically different from ours than is generally assumed.
Publisher: Oxford University Press
ISBN: 0195347242
Category : Music
Languages : en
Pages : 677
Book Description
The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers' notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers' intentions have remained uncertain. Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music were more radically different from ours than is generally assumed.
Reflections on Poetry
Author: Alexander Gottlieb Baumgarten
Publisher: Univ of California Press
ISBN: 0520345525
Category : Literary Criticism
Languages : en
Pages : 142
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1954.
Publisher: Univ of California Press
ISBN: 0520345525
Category : Literary Criticism
Languages : en
Pages : 142
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1954.
Inventing the Criminal
Author: Richard F. Wetzell
Publisher: Univ of North Carolina Press
ISBN: 0807861049
Category : History
Languages : en
Pages : 365
Book Description
Recent years have witnessed a resurgence of biological research into the causes of crime, but the origins of this kind of research date back to the late nineteenth century. Here, Richard Wetzell presents the first history of German criminology from Imperial Germany through the Weimar Republic to the end of the Third Reich, a period that provided a unique test case for the perils associated with biological explanations of crime. Drawing on a wealth of primary sources from criminological, legal, and psychiatric literature, Wetzell shows that German biomedical research on crime predominated over sociological research and thus contributed to the rise of the eugenics movement and the eventual targeting of criminals for eugenic measures by the Nazi regime. However, he also demonstrates that the development of German criminology was characterized by a constant tension between the criminologists' hereditarian biases and an increasing methodological sophistication that prevented many of them from endorsing the crude genetic determinism and racism that characterized so much of Hitler's regime. As a result, proposals for the sterilization of criminals remained highly controversial during the Nazi years, suggesting that Nazi biological politics left more room for contention than has often been assumed.
Publisher: Univ of North Carolina Press
ISBN: 0807861049
Category : History
Languages : en
Pages : 365
Book Description
Recent years have witnessed a resurgence of biological research into the causes of crime, but the origins of this kind of research date back to the late nineteenth century. Here, Richard Wetzell presents the first history of German criminology from Imperial Germany through the Weimar Republic to the end of the Third Reich, a period that provided a unique test case for the perils associated with biological explanations of crime. Drawing on a wealth of primary sources from criminological, legal, and psychiatric literature, Wetzell shows that German biomedical research on crime predominated over sociological research and thus contributed to the rise of the eugenics movement and the eventual targeting of criminals for eugenic measures by the Nazi regime. However, he also demonstrates that the development of German criminology was characterized by a constant tension between the criminologists' hereditarian biases and an increasing methodological sophistication that prevented many of them from endorsing the crude genetic determinism and racism that characterized so much of Hitler's regime. As a result, proposals for the sterilization of criminals remained highly controversial during the Nazi years, suggesting that Nazi biological politics left more room for contention than has often been assumed.
Writing-between-Worlds
Author: Ottmar Ette
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110461129
Category : Literary Criticism
Languages : en
Pages : 314
Book Description
This book proposes that there is no better, no more complex way to access a community, a society, an era and its cultures than through literature. For millennia, literature from a wide variety of geocultural areas has gathered knowledge about life, about survival, and about living together, without either falling into discursive or disciplinary specializations or functioning as a regulatory mechanism for cultural knowledge. Literature is able to offer its readers knowledge through direct participation in the form of step-by-step intellectual and affective experiences. Through this ability, it can reach and affect audiences across great spatial and temporal distances. Literature – what different times and cultures have been able to understand as such in a broad sense – has always been characterized by its transareal and transcultural origins and effects. It is the product of many logics, and it teaches us to think polylogically rather than monologically. Literature is an experiment in living, and living in a state of experimentation. About the author Ottmar Ette has been Chair of Romance Literature at the University of Potsdam, Germany, since 1995. He is Honorary Member of the Modern Language Association of America (MLA) (elected in 2014), member of the Berlin-Brandenburg Academy of Sciences and Humanities (elected in 2013), and regular member of the Academia Europaea (since 2010).
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110461129
Category : Literary Criticism
Languages : en
Pages : 314
Book Description
This book proposes that there is no better, no more complex way to access a community, a society, an era and its cultures than through literature. For millennia, literature from a wide variety of geocultural areas has gathered knowledge about life, about survival, and about living together, without either falling into discursive or disciplinary specializations or functioning as a regulatory mechanism for cultural knowledge. Literature is able to offer its readers knowledge through direct participation in the form of step-by-step intellectual and affective experiences. Through this ability, it can reach and affect audiences across great spatial and temporal distances. Literature – what different times and cultures have been able to understand as such in a broad sense – has always been characterized by its transareal and transcultural origins and effects. It is the product of many logics, and it teaches us to think polylogically rather than monologically. Literature is an experiment in living, and living in a state of experimentation. About the author Ottmar Ette has been Chair of Romance Literature at the University of Potsdam, Germany, since 1995. He is Honorary Member of the Modern Language Association of America (MLA) (elected in 2014), member of the Berlin-Brandenburg Academy of Sciences and Humanities (elected in 2013), and regular member of the Academia Europaea (since 2010).
The British Museum Catalogue of Printed Books, 1881-1900
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 974
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 974
Book Description
The British Museum Catalogue of Printed Books, 1881-1900. Supplement, 1900-1905
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 936
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 936
Book Description
The Genesis of Doctrine
Author: Alister E. McGrath
Publisher: Regent College Publishing
ISBN: 9781573830720
Category : Religion
Languages : en
Pages : 284
Book Description
Alister E. McGrath begins his book by critically engaging the views of George Lindbeck on doctrine before moving on to present a fresh understanding of the nature and function of Christian doctrine within the church. Particular attention is paid to the way in which doctrine acts as a demarcator between communities of faith, providing important insights into contemporary ecumenical debates. McGrath also explores the crucial issue of the authority of the past in Christian theology, focusing especially on how doctrine serves to maintain continuity within the Christian tradition. The Genesis of Doctrine represents an exploration of a "middle way" in relation to the significance of Christian doctrine, rejecting both those approaches that insist on the uncritical repetition of the doctrinal heritage of the past and those that disallow the authority of past doctrinal formulations. The book concludes by considering whether doctrine has a future within the church, answering this question in the affirmative on the basis of a number of important theological and cultural considerations. Product Description: Explores the crucial issue of the authority of the past in Christian theology, focusing especially on how doctrine serves to maintain continuity within the Christian tradition.
Publisher: Regent College Publishing
ISBN: 9781573830720
Category : Religion
Languages : en
Pages : 284
Book Description
Alister E. McGrath begins his book by critically engaging the views of George Lindbeck on doctrine before moving on to present a fresh understanding of the nature and function of Christian doctrine within the church. Particular attention is paid to the way in which doctrine acts as a demarcator between communities of faith, providing important insights into contemporary ecumenical debates. McGrath also explores the crucial issue of the authority of the past in Christian theology, focusing especially on how doctrine serves to maintain continuity within the Christian tradition. The Genesis of Doctrine represents an exploration of a "middle way" in relation to the significance of Christian doctrine, rejecting both those approaches that insist on the uncritical repetition of the doctrinal heritage of the past and those that disallow the authority of past doctrinal formulations. The book concludes by considering whether doctrine has a future within the church, answering this question in the affirmative on the basis of a number of important theological and cultural considerations. Product Description: Explores the crucial issue of the authority of the past in Christian theology, focusing especially on how doctrine serves to maintain continuity within the Christian tradition.
Spanish Art in Britain and Ireland, 1750-1920
Author: Enriqueta Harris
Publisher: Tamesis Books
ISBN: 185566223X
Category : Architecture
Languages : en
Pages : 330
Book Description
From the Golden Age to Goya. This is the first study wholly devoted to reception of Spanish art in Britain and Ireland. Examining the extent and sources of knowledge of Spanish art in the British Isles during an age of increasing contact, particularly in theaftermath of the Peninsular War, it contains contributions by leading scholars, including reprints of three essays by Enriqueta Harris Frankfort, to whose memory this book is dedicated. Focusing on Spanish art from the Golden Age to Goya, these studies chart the growth in understanding and appreciation of the Spanish School, and its punctuation by controversies and continuing distrust of religious images in Protestant Britain, as well as by the successive `discoveries' of individual artists - Murillo, Velázquez, Ribera, Zurbarán, El Greco and Goya. The book publishes important new research on art importation, collecting and dealing, and discusses the increase in access to andscholarship on works of art, including their reproduction through both traditional prints and copies and the newly invented photographic methods. It also considers for the first time the role of women in reflecting taste for thearts of Spain. It is richly illustrated with 17 colour and 54 black and white illustrations. NIGEL GLENDINNING is Emeritus Professor of Spanish and Fellow of Queen Mary University of London. HILARY MACARTNEY isHonorary Research Fellow of the Institute for Art History, University of Glasgow. Contributors: NIGEL GLENDINNING, HILARY MACARTNEY, JEREMY ROE, SARAH SYMMONS, MARJORIE TRUSTED, ENRIQUETA HARRIS FRANKFORT
Publisher: Tamesis Books
ISBN: 185566223X
Category : Architecture
Languages : en
Pages : 330
Book Description
From the Golden Age to Goya. This is the first study wholly devoted to reception of Spanish art in Britain and Ireland. Examining the extent and sources of knowledge of Spanish art in the British Isles during an age of increasing contact, particularly in theaftermath of the Peninsular War, it contains contributions by leading scholars, including reprints of three essays by Enriqueta Harris Frankfort, to whose memory this book is dedicated. Focusing on Spanish art from the Golden Age to Goya, these studies chart the growth in understanding and appreciation of the Spanish School, and its punctuation by controversies and continuing distrust of religious images in Protestant Britain, as well as by the successive `discoveries' of individual artists - Murillo, Velázquez, Ribera, Zurbarán, El Greco and Goya. The book publishes important new research on art importation, collecting and dealing, and discusses the increase in access to andscholarship on works of art, including their reproduction through both traditional prints and copies and the newly invented photographic methods. It also considers for the first time the role of women in reflecting taste for thearts of Spain. It is richly illustrated with 17 colour and 54 black and white illustrations. NIGEL GLENDINNING is Emeritus Professor of Spanish and Fellow of Queen Mary University of London. HILARY MACARTNEY isHonorary Research Fellow of the Institute for Art History, University of Glasgow. Contributors: NIGEL GLENDINNING, HILARY MACARTNEY, JEREMY ROE, SARAH SYMMONS, MARJORIE TRUSTED, ENRIQUETA HARRIS FRANKFORT
Giovanni Pierluigi Da Palestrina
Author: Clara Marvin
Publisher: Taylor & Francis
ISBN: 9780815323518
Category : Music
Languages : en
Pages : 504
Book Description
Sex and the Internet is the first ever professional book on the fascinating and revolutionary area of internet sexuality. With many disturbing questions raised by sex and the internet, here is a clinician's guide that addresses these concerns by both informing and providing practical and concrete suggestions and directions. Contributions by an international compilation of experts in the field of sexuality keeps on course with pertinent and relevant material.
Publisher: Taylor & Francis
ISBN: 9780815323518
Category : Music
Languages : en
Pages : 504
Book Description
Sex and the Internet is the first ever professional book on the fascinating and revolutionary area of internet sexuality. With many disturbing questions raised by sex and the internet, here is a clinician's guide that addresses these concerns by both informing and providing practical and concrete suggestions and directions. Contributions by an international compilation of experts in the field of sexuality keeps on course with pertinent and relevant material.