Classical and Romantic Performing Practice 1750-1900 PDF Download
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Author: Clive Brown
Publisher: Oxford University Press
ISBN: 0195347242
Category : Music
Languages : en
Pages : 677
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Book Description
The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers' notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers' intentions have remained uncertain. Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music were more radically different from ours than is generally assumed.
Author: Clive Brown
Publisher: Oxford University Press
ISBN: 0195347242
Category : Music
Languages : en
Pages : 677
Get Book
Book Description
The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers' notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers' intentions have remained uncertain. Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music were more radically different from ours than is generally assumed.
Author: Clive Brown
Publisher: Oxford University Press, USA
ISBN: 0195166655
Category : Language Arts & Disciplines
Languages : en
Pages : 678
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Book Description
"This is for all performers and students of Classical and Romantic music. It provides a textbook for the teaching of late eighteenth- and nineteenth-century performing practice in universities and colleges. It will also be a guide for the enquiring listener."--Jacket.
Author: David Milsom
Publisher: Routledge
ISBN: 1351571745
Category : History
Languages : en
Pages : 650
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Book Description
This volume brings together twenty-two of the most diverse and stimulating journal articles on classical and romantic performing practice, representing a rich vein of enquiry into epochs of music still very much at the forefront of current concert repertoire. In so doing, it provides a wide range of subject-based scholarship. It also reveals a fascinating window upon the historical performance debate of the last few decades in music where such matters still stimulate controversy.
Author: Clive Brown
Publisher:
ISBN: 9780197581636
Category : Performance practice (Music)
Languages : en
Pages : 0
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Book Description
"This book investigates the changing ways in which composers employed notation, and skilled musicians understood it, between the middle of the 18th century and the early years of the 20th century. While the trend was towards increasingly explicit notational practices, many aspects of performance, even in the late 19th century, were assumed rather than specified and it was still widely understood that much remained to be read between the lines. Furthermore, during the 20th century the intended implications of many notational practices were gradually forgotten and are now generally misunderstood, while others, such as continuous vibrato and the meticulous observance of vertical synchrony and notated rhythms, differ radically from anything the composer might have envisaged. The underlying message of the book is that composers' intentions for their notation ought not to be confused with their expectations for its execution. The employment of expressive practices that often involve substantial deviations from a conventional modern reading of the notation is not only a legitimate, but also an essential element in getting closer to the composer's conception. The following topics are investigated in sixteen chapters: metrical and rhetorical accentuation, dynamics, articulation, string-instrument bowing, phrasing, expression, tempo, tempo flexibility, ornamentation and improvisation, asynchrony, arpeggiation, rhythmic flexibility, sliding effects (portamento), and trembling effects (tremolo, vibrato)"--
Author: Martha Elliott
Publisher: Yale University Press
ISBN: 9780300109320
Category : Music
Languages : en
Pages : 380
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Book Description
Muziekhistorisch en musicologisch overzicht van de klassieke solozang vanaf de barok tot heden.
Author: Kenneth Hamilton
Publisher: OUP USA
ISBN: 0195178262
Category : Music
Languages : en
Pages : 321
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Book Description
Hamilton dissects the oft invoked myth of a 'Great Tradition', or Golden Age of pianism. He then goes on to discuss the performance style great pianists, from Liszt to Paderewski, and delves into the far from inevitable development of the piano recital.
Author: Clive Brown
Publisher: Yale University Press
ISBN: 0300127863
Category : Music
Languages : en
Pages : 605
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Book Description
Since his death in 1847, Felix Mendelssohn’s music and personality have been both admired and denigrated to extraordinary degrees. In this valuable book Clive Brown weaves together a rich array of documents—letters, diaries, memoirs, reviews, news reports, and more—to present a balanced and fascinating picture of the composer and his work. Rejecting the received view of Mendelssohn as a facile, lightweight musician, Brown demonstrates that he was in fact an innovative and highly cerebral composer who exerted a powerful influence on musical thought into the twentieth century. Brown discusses Mendelssohn’s family background and education; the role of religion and race in his life and reputation; his experiences as practical musician (pianist, organist, string player, conductor) and as teacher and composer; the critical reception of his works; and the vicissitudes of his posthumous reputation. The book also includes a range of hitherto unpublished sketches made by Mendelssohn. The result is an unprecedented portrayal of the man and his achievements as viewed through his own words and those of his contempories.
Author: Mary Cyr
Publisher: Routledge
ISBN: 9780754629665
Category : Performance practice
Languages : en
Pages : 0
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Book Description
The revival of interest in early instruments that began over a hundred years ago has more recently led to a desire amongst scholars, performers, and listeners to understand how old instruments sounded, how music was sung and by whom, and how musical symbols were interpreted. The essays brought together in this series show how the results of research into performance practice have fundamentally changed the way that early music is performed today. The repertoire represented ranges broadly across Western art music, both secular and sacred, and each volume addresses issues that arise in both vocal and instrumental music. This collection of the most influential English-language writings about performance practice published within the past several decades is an essential reference tool for libraries. In addition, by bringing together important articles in the field from disparate journals which are often difficult to locate and of limited access, students are able to study leading articles side by side for comparison, whilst lecturers are provided with an invaluable 'one-stop' teaching resource.
Author: David Milsom
Publisher: Boydell & Brewer
ISBN: 1783275278
Category : Music
Languages : en
Pages : 337
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Book Description
What are the key topics that define Romantic violin playing?
Author: Benedict Taylor
Publisher: Cambridge University Press
ISBN: 1108475434
Category : History
Languages : en
Pages : 403
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Book Description
A stimulating new approach to understanding the relationship between music and culture in the long nineteenth century.
