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Author: Steven Bruhm
Publisher: U of Minnesota Press
ISBN: 9781452904702
Category : Electronic books
Languages : en
Pages : 242
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Book Description
Author: Steven Bruhm
Publisher: U of Minnesota Press
ISBN: 9781452904702
Category : Electronic books
Languages : en
Pages : 242
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Book Description
Author: Steven Zalman Levine
Publisher: University of Chicago Press
ISBN: 9780226475431
Category : Art
Languages : en
Pages : 466
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Book Description
Steven Z. Levine provides a new understanding of the life and work of Claude Monet and the myth of the modern artist. Levine analyzes the extensive critical reception of Monet and the artist's own prolific writings in the context of the story of Narcissus, popular in late nineteenth-century France. Through a careful blending of psychoanalytical theory and historical study, Levine identifies narcissism and obsession as driving forces in Monet's art and demonstrates how we derive meaning from the accumulated verbal responses to an artist's work.
Author: Lieve Spaas
Publisher: Berghahn Books
ISBN: 9781571817617
Category : History
Languages : en
Pages : 314
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Book Description
Nineteen contributors from the humanities and social sciences present essays exploring the myth of Narcissus, and the formation of theories based on this myth. Topics include the origin of the myth; variations of the myth; works of art inspired by the myth; the application of the myth to various social phenomena, literary works, and films; what the myth suggests about the relationship between self and others; and the transference of the myth from the individual level to the collective group. Spaas teaches French cultural studies at Kingston U. c. Book News Inc.
Author: David Lomas
Publisher: Reaktion Books
ISBN: 9780947912994
Category : Art, Modern
Languages : en
Pages : 0
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Book Description
This publication, which accompanies the exhibition 'Narcissus Reflected' at The Fruitmarket Gallery, Edinburgh, explores the myth of Narcissus in Surrealist and contemporary art.
Author: Joseph Epstein
Publisher: Houghton Mifflin Harcourt
ISBN: 9780618872169
Category : Biography & Autobiography
Languages : en
Pages : 340
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Book Description
Epstein's sixth collection of personal pieces winningly and brilliantly rounds off his 23-year tenure as editor of "The American Scholar". Among the topics covered are naps, Gershwin aging, name-dropping, long books, pet peeves, talent vs. genius, Anglophilia, and surgery--the head and the heart. Excerpted in "The New Yorker".
Author: Jane Megan Northrop
Publisher: Taylor & Francis
ISBN: 113632786X
Category : Social Science
Languages : en
Pages : 242
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Book Description
Cosmetic surgery represents an extreme form of modern grooming. It is the fastest growing medical specialty, yet misconceptions abound about those who undertake it and their reasons for doing so. With a grounded approach, engaging 30 women through in-depth interview, this study explores how they chose cosmetic surgery as an option. Their accounts frame a theoretical discussion, in which Northrop proposes that cosmetic surgery is initiated within the vulnerable and divisive relationship between the self and its poor body image. Poor body image and the attempt at its reparation are examined conceptually through shame and narcissism. With compelling case studies and a multi-disciplinary approach, Reflecting on Cosmetic Surgery demonstrates that shame constitutes a framework through which we formulate appearance norms and learn the art of becoming socially embodied. Shame concerns the self, but manifests in response to perceived social phenomena. Through the evaluation and amendment of body image with cosmetic surgery, notions of self and social worthiness are played out. Northrop argues convincingly for a review of the way in which we view narcissism and proposes that shame, and the discomforts arising from it, are implicated in its occurrence. This book will appeal to students and scholars across the social sciences, and particularly in women’s studies and gender studies.
Author: Geoff Payne
Publisher: Peter Lang
ISBN: 9783039113415
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
What does it mean to say that poetry is dark? How does the presence of darkness give meaning to literary works? Such questions sit at the centre of this study of Lord Byron, a man who has been characterised as intrinsically dark by generations of scholars. This is the first book to offer a comprehensive survey of Byron's darkness, producing new and innovative readings of his poetry by exploring how darkness (both literal and figurative) helps to structure his work's ideological topography and facilitates the exchange of ideas between its different ideological systems. Canvassing a variety of issues relevant to a number of different manifestations of darkness, the study explores such diverse topics as the relationship between sublime aesthetics and the gendering of desire, the connection between darkness and Byron's Scottish nationalism and the influence of blackness on his engagement with the Orient. With such a broad focus in mind, it also engages with texts that represent Byron's oeuvre in its broadest sense, engaging not only with canonical texts such as Manfred and Don Juan, but also selections from Byron's juvenilia, the Oriental Tales and his letters and journals, as well as surveying the critical reviews that helped to influence the colour of his work and its later reception.
Author: David Summers
Publisher: UNC Press Books
ISBN:
Category : Art
Languages : en
Pages : 224
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Book Description
Spanning more than 2,500 years in the history of art, Vision, Reflection, and Desire in Western Painting demonstrates how the rise and diffusion of the science of optics in ancient Greece and the Mediterranean world correlated to pictorial illusion in the development of Western painting from Hellenistic Greece to the present. Using examples from the late Middle Ages and the Renaissance, David Summers argues that scene-painting (architectural backdrops) and shadow-painting (in which forms are modeled or shown as if in relation to a source of light) not only evolved in close association with geometric optics toward the end of the fifth century B.C.E., but also contributed substantially to the foundations of the new science. The spread of understanding of how light is transmitted, reflected, and refracted is evident in the works of artists such as Brunelleschi, van Eyck, Alberti, and Leonardo. The interplay between optics and painting that influenced the course of Western art, Summers says, persisted as a framework for the realism of Caravaggio, Rembrandt, and Goya and continues today in modern photography and film.
Author: David Marriott
Publisher: Rutgers University Press
ISBN: 0813540283
Category : Social Science
Languages : en
Pages : 310
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Book Description
In Haunted Life, David Marriott examines the complex interplay between racial fears and anxieties and the political-visual cultures of suspicion and state terror. He compels readers to consider how media technologies are "haunted" by the phantom of racial slavery. Through examples from film and television, modernist literature, and philosophy, he shows how the ideological image of a brutal African past is endlessly recycled and how this perpetuation of historical catastrophe stokes our nation's race-conscious paranoia. Drawing on a range of comparative readings by writers, theorists, and filmmakers, including John Edgar Wideman, Frantz Fanon, Richard Wright, Issac Julien, Alain Locke, and Sidney Poitier, Haunted Life is a bold and original exploration of the legacies of black visual culture and the political, deeply sexualized violence that lies buried beneath it.
Author: David Greven
Publisher: University of Texas Press
ISBN: 0292779100
Category : Performing Arts
Languages : en
Pages : 310
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Book Description
A struggle between narcissistic and masochistic modes of manhood defined Hollywood masculinity in the period between the presidencies of George H. W. Bush and George W. Bush. David Greven's contention is that a profound shift in representation occurred during the early 1990s when Hollywood was transformed by an explosion of films that foregrounded non-normative gendered identity and sexualities. In the years that have followed, popular cinema has either emulated or evaded the representational strategies of this era, especially in terms of gender and sexuality. One major focus of this study is that, in a great deal of the criticism in both the fields of film theory and queer theory, masochism has been positively cast as a form of male sexuality that resists the structures of normative power, while narcissism has been negatively cast as either a regressive sexuality or the bastion of white male privilege. Greven argues that narcissism is a potentially radical mode of male sexuality that can defy normative codes and categories of gender, whereas masochism, far from being radical, has emerged as the default mode of a traditional normative masculinity. This study combines approaches from a variety of disciplines—psychoanalysis, queer theory, American studies, men's studies, and film theory—as it offers fresh readings of several important films of the past twenty years, including Casualties of War, The Silence of the Lambs, Fight Club, The Passion of the Christ, Auto Focus, and Brokeback Mountain.
