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Author: Jack G. Shaheen
Publisher: Interlink Publishing
ISBN: 1623710065
Category : Performing Arts
Languages : en
Pages : 643
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Book Description
A groundbreaking book that dissects a slanderous history dating from cinema’s earliest days to contemporary Hollywood blockbusters that feature machine-gun wielding and bomb-blowing "evil" Arabs Award-winning film authority Jack G. Shaheen, noting that only Native Americans have been more relentlessly smeared on the silver screen, painstakingly makes his case that "Arab" has remained Hollywood’s shameless shorthand for "bad guy," long after the movie industry has shifted its portrayal of other minority groups. In this comprehensive study of over one thousand films, arranged alphabetically in such chapters as "Villains," "Sheikhs," "Cameos," and "Cliffhangers," Shaheen documents the tendency to portray Muslim Arabs as Public Enemy #1—brutal, heartless, uncivilized Others bent on terrorizing civilized Westerners. Shaheen examines how and why such a stereotype has grown and spread in the film industry and what may be done to change Hollywood’s defamation of Arabs.
Author: Jack G. Shaheen
Publisher: Interlink Publishing
ISBN: 1623710065
Category : Performing Arts
Languages : en
Pages : 643
Get Book Here
Book Description
A groundbreaking book that dissects a slanderous history dating from cinema’s earliest days to contemporary Hollywood blockbusters that feature machine-gun wielding and bomb-blowing "evil" Arabs Award-winning film authority Jack G. Shaheen, noting that only Native Americans have been more relentlessly smeared on the silver screen, painstakingly makes his case that "Arab" has remained Hollywood’s shameless shorthand for "bad guy," long after the movie industry has shifted its portrayal of other minority groups. In this comprehensive study of over one thousand films, arranged alphabetically in such chapters as "Villains," "Sheikhs," "Cameos," and "Cliffhangers," Shaheen documents the tendency to portray Muslim Arabs as Public Enemy #1—brutal, heartless, uncivilized Others bent on terrorizing civilized Westerners. Shaheen examines how and why such a stereotype has grown and spread in the film industry and what may be done to change Hollywood’s defamation of Arabs.
Author: Jack G. Shaheen
Publisher:
ISBN: 9781844370191
Category : Arabs in motion pictures
Languages : en
Pages : 574
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Book Description
A groundbreaking book that dissects a slanderous history dating from cinema's earliest days to contemporary Hollywood blockbusters that feature bedouin bandits, sinister sheikhs, machinegun wielding and bomb-blowing 'evil' Arabs. In this comprehensive study of nearly one thousand films, award-winning film authority Jack Shaheen documents the tendency to portray Muslim Arabs as Public Enemy No. 1 - brutal, heartless, uncivilised, bent on terrorising civilised Westerners. He examines how and why such a stereotype has grown and spread in the film industry and what may be done to change Hollywood's defamation of Arabs.
Author: Jack G. Shaheen
Publisher:
ISBN:
Category : Arabs in motion pictures
Languages : en
Pages : 617
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Book Description
Author: Jack G. Shaheen
Publisher: Olive Branch Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 638
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Book Description
Secondary edition statement from table of contents.
Author: Jack G. Shaheen
Publisher: Interlink Publishing
ISBN: 1623710200
Category : Performing Arts
Languages : en
Pages : 340
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Book Description
“Nothing will be the same again.” Americans scarred by the experience of 9/11 often express this sentiment. But what remains the same, argues Jack Shaheen, is Hollywood’s stereotyping of Arabs. In his new book about films made after 9/11, Shaheen finds that nearly all of Hollywood’s post-9/11 films legitimize a view of Arabs as stereotyped villains and the use of Arabs and Muslims as shorthand for the “Enemy” or “Other.” Along with an examination of a hundred recent movies, Shaheen addresses the cultural issues at play since 9/11: the government’s public relations campaigns to win “hearts and minds” and the impact of 9/11 on citizens and on the imagination. He suggests that winning the “war on terror” would take shattering the centuries-old stereotypes of Arabs, and frames the solutions needed to begin to tackle the problem and to change the industry and culture at large.
Author: Jack G. Shaheen
Publisher: Popular Press
ISBN: 9780879723095
Category : Performing Arts
Languages : en
Pages : 172
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Book Description
Dr. Shaheen, studying over 100 different popular entertainment programs, cartoons and major documentaries telecast on network, independent and public channels, totaling nearly 200 episodes that relate to Arabs, has thrown new and revealing light on the stereotypes of people from the Middle East.
Author: Evelyn Alsultany
Publisher: NYU Press
ISBN: 0814707319
Category : Literary Criticism
Languages : en
Pages : 239
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Book Description
After 9/11, there was an increase in both the incidence of hate crimes and government policies that targeted Arabs and Muslims and the proliferation of sympathetic portrayals of Arabs and Muslims in the U.S. media. Arabs and Muslims in the Media examines this paradox and investigates the increase of sympathetic images of “the enemy” during the War on Terror. Evelyn Alsultany explains that a new standard in racial and cultural representations emerged out of the multicultural movement of the 1990s that involves balancing a negative representation with a positive one, what she refers to as “simplified complex representations.” This has meant that if the storyline of a TV drama or film represents an Arab or Muslim as a terrorist, then the storyline also includes a “positive” representation of an Arab, Muslim, Arab American, or Muslim American to offset the potential stereotype. Analyzing how TV dramas such as The Practice, 24, Law and Order, NYPD Blue, and Sleeper Cell, news-reporting, and non-profit advertising have represented Arabs, Muslims, Arab Americans, and Muslim Americans during the War on Terror, this book demonstrates how more diverse representations do not in themselves solve the problem of racial stereotyping and how even seemingly positive images can produce meanings that can justify exclusion and inequality.
Author: Waleed F. Mahdi
Publisher: Syracuse University Press
ISBN: 9780815636717
Category : Performing Arts
Languages : en
Pages : 280
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Book Description
It comes as little surprise that Hollywood films have traditionally stereotyped Arab Americans, but how are Arab Americans portrayed in Arab films, and just as importantly, how are they portrayed in the works of Arab American filmmakers themselves? In this innovative volume, Mahdi offers a comparative analysis of three cinemas, yielding rich insights on the layers of representation and the ways in which those representations are challenged and disrupted. Hollywood films have fostered reductive imagery of Arab Americans since the 1970s as either a national security threat or a foreign policy concern, while Egyptian filmmakers have used polarizing images of Arab Americans since the 1990s to convey their nationalist critiques of the United States. Both portrayals are rooted in anxieties around globalization, migration, and US-Arab geopolitics. In contrast, Arab American cinema provides a more complex, realistic, and fluid representation of Arab American citizenship and the nuances of a transnational identity. Exploring a wide variety of films from each cinematic site, Mahdi traces the competing narratives of Arab American belonging—how and why they vary, and what’s at stake in their circulation.
Author: Rashid Razaq
Publisher: Bloomsbury Publishing
ISBN: 1783196521
Category : Performing Arts
Languages : en
Pages : 89
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Book Description
Based on the short story by Hassan Blasim. Salim, an Iraqi refugee, takes on a new identity In London after fleeing persecution in Baghdad. He is picked up, and marries a wealthy older woman, who enthusiastically coaches him in the bedroom for his forthcoming citizenship test. But Carlos Fuentes finds that knowing the names of all six of Henry VIII’s wives can neither satisfy his new wife nor turn him into a “Britishman”. The nightmare of the violence of his past catches up with him, and suddenly he is at the airport, accompanied by a G4 security guard, waiting for a plane to take him back to Iraq.
Author: Charles Ramírez Berg
Publisher: University of Texas Press
ISBN: 0292783000
Category : Performing Arts
Languages : en
Pages : 329
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Book Description
The bandido, the harlot, the male buffoon, the female clown, the Latin lover, and the dark lady—these have been the defining, and demeaning, images of Latinos in U.S. cinema for more than a century. In this book, Charles Ramírez Berg develops an innovative theory of stereotyping that accounts for the persistence of such images in U.S. popular culture. He also explores how Latino actors and filmmakers have actively subverted and resisted such stereotyping. In the first part of the book, Berg sets forth his theory of stereotyping, defines the classic stereotypes, and investigates how actors such as Raúl Julia, Rosie Pérez, José Ferrer, Lupe Vélez, and Gilbert Roland have subverted stereotypical roles. In the second part, he analyzes Hollywood's portrayal of Latinos in three genres: social problem films, John Ford westerns, and science fiction films. In the concluding section, Berg looks at Latino self-representation and anti-stereotyping in Mexican American border documentaries and in the feature films of Robert Rodríguez. He also presents an exclusive interview in which Rodríguez talks about his entire career, from Bedhead to Spy Kids, and comments on the role of a Latino filmmaker in Hollywood and how he tries to subvert the system.
