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Author: Jack G. Shaheen
Publisher: Interlink Publishing
ISBN: 1623710065
Category : Performing Arts
Languages : en
Pages : 637
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Book Description
A groundbreaking book that dissects a slanderous history dating from cinema’s earliest days to contemporary Hollywood blockbusters that feature machine-gun wielding and bomb-blowing "evil" Arabs Award-winning film authority Jack G. Shaheen, noting that only Native Americans have been more relentlessly smeared on the silver screen, painstakingly makes his case that "Arab" has remained Hollywood’s shameless shorthand for "bad guy," long after the movie industry has shifted its portrayal of other minority groups. In this comprehensive study of over one thousand films, arranged alphabetically in such chapters as "Villains," "Sheikhs," "Cameos," and "Cliffhangers," Shaheen documents the tendency to portray Muslim Arabs as Public Enemy #1—brutal, heartless, uncivilized Others bent on terrorizing civilized Westerners. Shaheen examines how and why such a stereotype has grown and spread in the film industry and what may be done to change Hollywood’s defamation of Arabs.
Author: Jack G. Shaheen
Publisher: Interlink Publishing
ISBN: 1623710065
Category : Performing Arts
Languages : en
Pages : 637
Get Book Here
Book Description
A groundbreaking book that dissects a slanderous history dating from cinema’s earliest days to contemporary Hollywood blockbusters that feature machine-gun wielding and bomb-blowing "evil" Arabs Award-winning film authority Jack G. Shaheen, noting that only Native Americans have been more relentlessly smeared on the silver screen, painstakingly makes his case that "Arab" has remained Hollywood’s shameless shorthand for "bad guy," long after the movie industry has shifted its portrayal of other minority groups. In this comprehensive study of over one thousand films, arranged alphabetically in such chapters as "Villains," "Sheikhs," "Cameos," and "Cliffhangers," Shaheen documents the tendency to portray Muslim Arabs as Public Enemy #1—brutal, heartless, uncivilized Others bent on terrorizing civilized Westerners. Shaheen examines how and why such a stereotype has grown and spread in the film industry and what may be done to change Hollywood’s defamation of Arabs.
Author: Jack G. Shaheen
Publisher: Olive Branch Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 638
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Book Description
Secondary edition statement from table of contents.
Author: Jack G. Shaheen
Publisher: Interlink Publishing
ISBN: 1623710200
Category : Performing Arts
Languages : en
Pages : 256
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Book Description
“Nothing will be the same again.” Americans scarred by the experience of 9/11 often express this sentiment. But what remains the same, argues Jack Shaheen, is Hollywood’s stereotyping of Arabs. In his new book about films made after 9/11, Shaheen finds that nearly all of Hollywood’s post-9/11 films legitimize a view of Arabs as stereotyped villains and the use of Arabs and Muslims as shorthand for the “Enemy” or “Other.” Along with an examination of a hundred recent movies, Shaheen addresses the cultural issues at play since 9/11: the government’s public relations campaigns to win “hearts and minds” and the impact of 9/11 on citizens and on the imagination. He suggests that winning the “war on terror” would take shattering the centuries-old stereotypes of Arabs, and frames the solutions needed to begin to tackle the problem and to change the industry and culture at large.
Author: Jack G. Shaheen
Publisher: Popular Press
ISBN: 9780879723095
Category : Performing Arts
Languages : en
Pages : 172
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Book Description
Dr. Shaheen, studying over 100 different popular entertainment programs, cartoons and major documentaries telecast on network, independent and public channels, totaling nearly 200 episodes that relate to Arabs, has thrown new and revealing light on the stereotypes of people from the Middle East.
Author: Evelyn Alsultany
Publisher: NYU Press
ISBN: 0814707319
Category : Literary Criticism
Languages : en
Pages : 239
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Book Description
After 9/11, there was an increase in both the incidence of hate crimes and government policies that targeted Arabs and Muslims and the proliferation of sympathetic portrayals of Arabs and Muslims in the U.S. media. Arabs and Muslims in the Media examines this paradox and investigates the increase of sympathetic images of “the enemy” during the War on Terror. Evelyn Alsultany explains that a new standard in racial and cultural representations emerged out of the multicultural movement of the 1990s that involves balancing a negative representation with a positive one, what she refers to as “simplified complex representations.” This has meant that if the storyline of a TV drama or film represents an Arab or Muslim as a terrorist, then the storyline also includes a “positive” representation of an Arab, Muslim, Arab American, or Muslim American to offset the potential stereotype. Analyzing how TV dramas such as The Practice, 24, Law and Order, NYPD Blue, and Sleeper Cell, news-reporting, and non-profit advertising have represented Arabs, Muslims, Arab Americans, and Muslim Americans during the War on Terror, this book demonstrates how more diverse representations do not in themselves solve the problem of racial stereotyping and how even seemingly positive images can produce meanings that can justify exclusion and inequality.
Author: Charles Ramírez Berg
Publisher: University of Texas Press
ISBN: 0292783000
Category : Performing Arts
Languages : en
Pages : 329
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Book Description
The bandido, the harlot, the male buffoon, the female clown, the Latin lover, and the dark lady—these have been the defining, and demeaning, images of Latinos in U.S. cinema for more than a century. In this book, Charles Ramírez Berg develops an innovative theory of stereotyping that accounts for the persistence of such images in U.S. popular culture. He also explores how Latino actors and filmmakers have actively subverted and resisted such stereotyping. In the first part of the book, Berg sets forth his theory of stereotyping, defines the classic stereotypes, and investigates how actors such as Raúl Julia, Rosie Pérez, José Ferrer, Lupe Vélez, and Gilbert Roland have subverted stereotypical roles. In the second part, he analyzes Hollywood's portrayal of Latinos in three genres: social problem films, John Ford westerns, and science fiction films. In the concluding section, Berg looks at Latino self-representation and anti-stereotyping in Mexican American border documentaries and in the feature films of Robert Rodríguez. He also presents an exclusive interview in which Rodríguez talks about his entire career, from Bedhead to Spy Kids, and comments on the role of a Latino filmmaker in Hollywood and how he tries to subvert the system.
Author: Rashid Razaq
Publisher: Bloomsbury Publishing
ISBN: 1783196521
Category : Performing Arts
Languages : en
Pages : 88
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Book Description
Based on the short story by Hassan Blasim. Salim, an Iraqi refugee, takes on a new identity In London after fleeing persecution in Baghdad. He is picked up, and marries a wealthy older woman, who enthusiastically coaches him in the bedroom for his forthcoming citizenship test. But Carlos Fuentes finds that knowing the names of all six of Henry VIII’s wives can neither satisfy his new wife nor turn him into a “Britishman”. The nightmare of the violence of his past catches up with him, and suddenly he is at the airport, accompanied by a G4 security guard, waiting for a plane to take him back to Iraq.
Author: Jack G. Shaheen
Publisher:
ISBN:
Category : Psychology
Languages : en
Pages : 112
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Book Description
Author: Kerem Bayraktaroğlu
Publisher: McFarland
ISBN: 1476633630
Category : Performing Arts
Languages : en
Pages : 230
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Book Description
Focusing on the decade following 9/11, this critical analysis examines the various portrayals of Muslims in American cinema. Comparison of pre- and post-9/11 films indicates a stereotype shift, influenced by factors other than just politics. The evolving definitions of male, female and child characters and of setting and landscape are described. The rise of the formidable American female character who dominates the weak Muslim male emerges as a common theme.
Author:
Publisher: State University of New York Press
ISBN: 1438402902
Category : Religion
Languages : en
Pages : 243
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Book Description
This volume covers the history of the Muslim community and the biography of Muḥammad in the middle Medinan years. It begins with the unsuccessful last Meccan attack on Medina, known as the battle of the Trench. Events following this battle show the gradual collapse of Meccan resistance to Islam. The next year, when Muḥammad set out on pilgrimage to Mecca, the Meccans at first blocked the road, but eventually a ten-year truce was negotiated at al-Ḥudaybiyah, with Muḥammad agreeing to postpone his pilgrimage until the following year. The Treaty of al-Ḥudaybiyah was followed by a series of Muslim expeditions, climaxing in the important conquest of Khaybar. In the following year Muḥammad made the so-called Pilgrimage of Fulfillment unopposed. Al-Ṭabarī's account emphasizes Islam's expanding geographical horizon during this period. Soon after the Treaty of al-Hudaybiyah, Muḥammad is said to have sent letters to six foreign rulers inviting them to become Muslims. Another example of this expanding horizon was the unsuccessful expedition to Mu'tah in Jordan. Shortly afterward the Treaty of al-Ḥudaybiyah broke down, and Muḥammad marched on Mecca. The Meccans capitulated, and Muḥammad entered the city on his own terms. He treated the city leniently, and most of the Meccan oligarchy swore allegiance to him as Muslims. Two events in the personal life of Muḥammad during this period caused controversy in the community. Muḥammad fell in love with and married Zaynab bint. Jaḥsh, the divorced wife of his adopted son Zayd. Because of Muḥammad's scruples, the marriage took place only after a Qur'anic revelation permitting believers to marry the divorced wives of their adopted sons. In the Affair of the Lie, accusations against Muḥammad's young wife ʿĀʾishah were exploited by various factions in the community and in Muḥammad's household. In the end, a Qur'anic revelation proclaimed ʿĀʾishah's innocence and the culpability of the rumormongers. This volume of al-Ṭabarī's History records the collapse of Meccan resistance to Islam, the triumphant return of Muḥammad to his native city, the conversion to Islam of the Meccan oligarchy, and the community's successful weathering of a number of potentially embarrassing events in Muḥammad's private life.
