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Author: Prabhat Kumar Singh
Publisher:
ISBN: 9788171894871
Category : Realism in literature
Languages : en
Pages : 113
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Book Description
Author: Prabhat Kumar Singh
Publisher:
ISBN: 9788171894871
Category : Realism in literature
Languages : en
Pages : 113
Get Book Here
Book Description
Author: Prabhat Kumar Singh
Publisher:
ISBN: 9788171894864
Category : Realism in literature
Languages : en
Pages : 113
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Book Description
Author: Marvin Felheim
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 248
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Book Description
Author: Doreen Klahold
Publisher: GRIN Verlag
ISBN: 3656469520
Category : Literary Criticism
Languages : en
Pages : 9
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Book Description
Essay from the year 2013 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Paderborn, language: English, abstract: As typical for romantic comedy, the central theme in William Shakespeare's "As You Like It" is love in its various forms. In total, there are four conventional couples (Rosalind & Or-lando, Celia & Oliver, Phebe & Silvius, Audrey & Touchstone) and one rejected country fellow (William). Nevertheless, the forms of love differ between those couples. Most of the relationships in "As You Like It" are based on the principle of love at first sight, implying an abrupt and overwhelming falling in love; this can be seen with Rosalind and Orlando right at the beginning of the comedy as well as with Celia and Oliver later in the play, although in the case of the latter the audience does not know at what point of the plot they actually fell in love with each other. An overwhelming romantic, however, is also experienced by Silvius, but his beloved Phebe dismisses him because she believes his love to be a fantasy, mocking thus the principle of love at first sight as well as the impulsive love expressions.
Author: Doreen Klahold
Publisher:
ISBN: 9783656469957
Category :
Languages : en
Pages : 8
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Book Description
Essay from the year 2013 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Paderborn, language: English, abstract: As typical for romantic comedy, the central theme in William Shakespeare's "As You Like It" is love in its various forms. In total, there are four conventional couples (Rosalind & Or-lando, Celia & Oliver, Phebe & Silvius, Audrey & Touchstone) and one rejected country fellow (William). Nevertheless, the forms of love differ between those couples. Most of the relationships in "As You Like It" are based on the principle of love at first sight, implying an abrupt and overwhelming falling in love; this can be seen with Rosalind and Orlando right at the beginning of the comedy as well as with Celia and Oliver later in the play, although in the case of the latter the audience does not know at what point of the plot they actually fell in love with each other. An overwhelming romantic, however, is also experienced by Silvius, but his beloved Phebe dismisses him because she believes his love to be a fantasy, mocking thus the principle of love at first sight as well as the impulsive love expressions.
Author: Henry MacArthur
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 314
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Book Description
Author: William M. Hawley
Publisher: Cambridge Scholars Publishing
ISBN: 1527585875
Category : Drama
Languages : en
Pages : 196
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Book Description
This book treats William Shakespeare’s romances as international relations (IR) theory plays depicting paths to peace abroad, showing that the playwright sounds the depths of human emotions and resolves diplomatic crises threatening entire populations overseas. Remarkably, Shakespeare vindicates Renaissance concepts of IR classical realism, as well as our modern definitions of IR realism, defensive realism, and constructivism. These late plays reveal the playwright at the height of his aesthetic powers, for, by virtue of his art, his antagonistic state actors restore frayed international alliances and reap the benefits of a renewed sense of universal well-being.
Author: Barbara A. Mowat
Publisher:
ISBN: 9780820338569
Category : Drama
Languages : en
Pages : 0
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Book Description
Cymbeline, The Winter's Tale, and The Tempest--three of Shakespeare's final plays diverge from his usual standards. Mowat posits that by confronting the comic form with the tragic, the realistic with the artificial, the dramatic with the narrative, Shakespeare frees romance from the traditional bounds and makes meaning in a new way.
Author: Peter Lichtenfels
Publisher: Rowman & Littlefield
ISBN: 1683931718
Category : Literary Criticism
Languages : en
Pages : 149
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Book Description
This collection of essays examines the works of the most famous writer of plays in the English language within the most culturally pervasive genre in which they are performed. Though Realist productions of Shakespeare are central to the ways in which his work is produced and consumed in the 21st century-and has been for the last 100 years-scholars are divided on the socio-political, historical, and ethical effects of this marriage of content and style. The book is divided into two sections, the first of which focuses on how Realist performance style influences our understanding of Shakespeare’s characters. These chapters engage in close readings of multiple performances, interrogating the ways in which actors’ specific characterizations contribute to extremely varied interpretations of a single character. The second section then considers audiences’ experiences of Shakespearean texts in Realist performance. The essays in this section-all written by theatre directors-imagine out what might constitute Realism. Each chapter focuses on a particular production, or set of productions by a single company, and considers how the practitioners utilized critically informed notions of what constitutes “the real” to reframe what Realism looks like on stage. This is a book of arguments by both theatre practitioners and scholars. Rather than presenting a unified critical position, this collection seeks to stimulate the debate around Realist Shakespeare performance, and to attend to the political consequences of particular aesthetic choices for the audience, as well as for Shakespeare critics and theatre artists.
Author: E. C. Pettet
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 222
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Book Description
