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Author: Stanley Corkin
Publisher: University of Georgia Press
ISBN: 9780820317304
Category : Social Science
Languages : en
Pages : 260
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Book Description
This book offers an interdisciplinary view of American culture in the late nineteenth and early twentieth centuries. Using the conventions of historical study, Stanley Corkin draws out the ways in which the works of writers and filmmakers from 1885 to 1925 shaped and were shaped by the business, politics, and social life of the period. Corkin traces the entrance of the United States into the modern age by considering the historical dimension of cinema and literary aesthetics: first of realism, then naturalism, and finally modernism. He begins with the work of writer William Dean Howells and the advent of American cinema under the stewardship of Thomas Edison, arguing that realism was complexly involved in Progressive political and economic reform. Next, analyses of Theodore Dreiser's novel Sister Carrie and the films of the Edison Company's star director, Edwin S. Porter, detail the relationships of naturalism to the increasingly abstract presentation of the material commodity through mass marketing. The study culminates with an examination of the parallels between Ernest Hemingway's In Our Time and the D. W. Griffith film The Birth of a Nation. These two modernist works, Corkin contends, illustrate strategies of expression that attempt to move the material commodity away from its economic base and into a pristine, apolitical realm. These literary and cinematic works both reflect and participate in the economic, political, and social reorganization of American life from the top down. The result, Corkin concludes, is a world in which a conception of a human being is asserted as differing little from that of a machine, a tree, or an animal.
Author: Stanley Corkin
Publisher: University of Georgia Press
ISBN: 9780820317304
Category : Social Science
Languages : en
Pages : 260
Get Book Here
Book Description
This book offers an interdisciplinary view of American culture in the late nineteenth and early twentieth centuries. Using the conventions of historical study, Stanley Corkin draws out the ways in which the works of writers and filmmakers from 1885 to 1925 shaped and were shaped by the business, politics, and social life of the period. Corkin traces the entrance of the United States into the modern age by considering the historical dimension of cinema and literary aesthetics: first of realism, then naturalism, and finally modernism. He begins with the work of writer William Dean Howells and the advent of American cinema under the stewardship of Thomas Edison, arguing that realism was complexly involved in Progressive political and economic reform. Next, analyses of Theodore Dreiser's novel Sister Carrie and the films of the Edison Company's star director, Edwin S. Porter, detail the relationships of naturalism to the increasingly abstract presentation of the material commodity through mass marketing. The study culminates with an examination of the parallels between Ernest Hemingway's In Our Time and the D. W. Griffith film The Birth of a Nation. These two modernist works, Corkin contends, illustrate strategies of expression that attempt to move the material commodity away from its economic base and into a pristine, apolitical realm. These literary and cinematic works both reflect and participate in the economic, political, and social reorganization of American life from the top down. The result, Corkin concludes, is a world in which a conception of a human being is asserted as differing little from that of a machine, a tree, or an animal.
Author: Peter Messent
Publisher: OUP USA
ISBN: 0195391160
Category : Biography & Autobiography
Languages : en
Pages : 269
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Book Description
Combining biography, literary history, and gender studies, this book examines three profoundly influential and vastly different friendships in the life of Mark Twain.
Author: Keith Newlin
Publisher:
ISBN: 0190642890
Category : Literary Criticism
Languages : en
Pages : 733
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Book Description
The Oxford Handbook of American Literary Realism offers fresh interpretations of the artistic and political challenges of representing life accurately. It is the first book to treat the subject topically and thematically, in wide scope, with essays that draw upon recent scholarship in literary and cultural studies to offer an authoritative and in-depth reassessment of major and minor figures and the contexts that shaped their work.
Author: Peter Messent
Publisher: John Wiley & Sons
ISBN: 1119117917
Category : Literary Criticism
Languages : en
Pages : 597
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Book Description
This broad-ranging companion brings together respected American and European critics and a number of up-and-coming scholars to provide an overview of Twain, his background, his writings, and his place in American literary history. One of the most broad-ranging volumes to appear on Mark Twain in recent years Brings together respected Twain critics and a number of younger scholars in the field to provide an overview of this central figure in American literature Places special emphasis on the ways in which Twain's works remain both relevant and important for a twenty-first century audience A concluding essay evaluates the changing landscape of Twain criticism
Author: Phillip J. Barrish
Publisher: Cambridge University Press
ISBN: 1139502654
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
Between the Civil War and the First World War, realism was the most prominent form of American fiction. Realist writers of the period include some of America's greatest, such as Henry James, Edith Wharton and Mark Twain, but also many lesser-known writers whose work still speaks to us today, for instance Charles Chesnutt, Zitkala-Ša and Sarah Orne Jewett. Emphasizing realism's historical context, this introduction traces the genre's relationship with powerful, often violent, social conflicts involving race, gender, class and national origin. It also examines how the realist style was created; the necessarily ambiguous relationship between realism produced on the page and reality outside the book; and the different, often contradictory, forms 'realism' took in literary works by different authors. The most accessible yet sophisticated account of American literary realism currently available, this volume will be of great value to students, teachers and readers of the American novel.
Author: Phillip Barrish
Publisher: Ohio State University Press
ISBN: 0814210104
Category : Literary Criticism
Languages : en
Pages : 178
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Book Description
White Liberal Identity, Literary Pedagogy, and Classic American Realism brings literary works from the turn of the last century face to face with some of the dilemmas and paradoxes that currently define white liberal identity in the United States. Phillip Barrish develops fresh analytic and pedagogical tools for probing contemporary white liberalism, while also offering new critical insights and classroom approaches to American literary realism. New ground is broken by using bold close analysis of works by canonical American realist writers such as Henry James, Edith Wharton, Mark Twain, and Kate Chopin. These contexts include an affirmative-action court case, the liberal arts classroom, and the "war on drugs," as well as current debates about the United States' role on the international scene. Invoking a methodology that he calls "critical presentism," Barrish's book offers a fresh response to that perennial classroom question, often posed most forcefully by students committed to progressive political agendas: why devote so much time and effort to detailed analyses of canonical American literature? This book makes specific contributions not only to American literary and cultural studies, but also to critical race theory, masculinity studies, and critical pedagogy. -- from back cover.
Author: Wikipedia contributors
Publisher: e-artnow sro
ISBN:
Category :
Languages : en
Pages : 1724
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Book Description
Author: Steven Mintz
Publisher: John Wiley & Sons
ISBN: 1405190035
Category : History
Languages : en
Pages : 417
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Book Description
Fully revised, updated, and extended, this compilation of interpretive essays and primary documents teaches students to read films as cultural artifacts within the contexts of actual past events. A new edition of this classic textbook, which ties movies into the broader narrative of US and film history Ten new articles which consider recently released films, as well as issues of gender and ethnicity Well-organized within a chronological framework with thematic treatments to provide a valuable resource for students of the history of American film Fourth edition includes completely new images throughout
Author: Grahame Smith
Publisher: Manchester University Press
ISBN: 9780719055638
Category : Literary Criticism
Languages : en
Pages : 220
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Book Description
Taking his cue from Walter Benjamin's concept of each epoch dreaming the epoch that is to follow, Grahame Smith argues that Dickens' novels can be regarded as proto-filmic in the detail of their language as well as their larger formal structures. This possibility arises from Dickens' creative engagement with the city as metropolis, as it emerges in the London of the 1830s, plus his immersion in the visual entertainments of his day, such as the panorama, as well as technological advances such as the railway which anticipates cinema in some of its major features. The book offers a new way of reading Dickens, through the perspective of a form which he knew nothing of, while simultaneously suggesting an account of his part in the manifold forces that led to the appearance of film towards the end of the 19th century.
Author: S. Plate
Publisher: Springer
ISBN: 1137100346
Category : Social Science
Languages : en
Pages : 273
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Book Description
Religious traditions have provided a seemingly endless supply of subject matter for film, from the Ten Commandments to the Mahabharata . At the same time, film production has engendered new religious practices and has altered existing ones, from the cult following of The Rocky Horror Picture Show to the 2001 Australian census in which 70,000 people indicated their religion to be 'Jedi Knight'. Representing Religion in World Cinema begins with these mutual transformations as the contributors query the two-way interrelations between film and religion across cinemas of the world. Cross-cultural and interdisciplinary by nature, this collection by an international group of scholars draws on work from religious studies, film studies, and anthropology, as well as theoretical impulses in performance, gender, ethnicity, colonialism, and postcolonialism.
