Re-Visioning Romanticism PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Re-Visioning Romanticism PDF full book. Access full book title Re-Visioning Romanticism by Carol Shiner Wilson. Download full books in PDF and EPUB format.
Author: Carol Shiner Wilson
Publisher: University of Pennsylvania Press
ISBN: 1512819379
Category : Literary Criticism
Languages : en
Pages : 348
Get Book Here
Book Description
Selected by Choice magazine as an Outstanding Academic Book for 1995
Author: Carol Shiner Wilson
Publisher: University of Pennsylvania Press
ISBN: 1512819379
Category : Literary Criticism
Languages : en
Pages : 348
Get Book Here
Book Description
Selected by Choice magazine as an Outstanding Academic Book for 1995
Author: Carol Shiner Wilson
Publisher: University of Pennsylvania Press
ISBN: 9780812214215
Category : English literature
Languages : en
Pages : 356
Get Book Here
Book Description
"In Re-visioning Romanticism: British Women Writers, 1776-1837, a group of prominent scholars radically redefine the conventional ideas about Romanticism, who the Romantics were, and how Romantic texts fit into British culture around 1800"--Back cover.
Author: Brad Prager
Publisher: Camden House
ISBN: 9781571133410
Category : Art
Languages : en
Pages : 304
Get Book Here
Book Description
Crosses disciplinary boundaries to explore German Romantic writing about visual experience and the interplay of text and image in Romantic epistemology. The work of the groundbreaking writers and artists of German Romanticism -- including the writers Tieck, Brentano, and Eichendorff and the artists Caspar David Friedrich and Philipp Otto Runge -- followed from the philosophical arguments of the German Idealists, who placed emphasis on exploring the subjective space of the imagination. The Romantic perspective was a form of engagement with Idealist discourses, especially Kant's Critique of Pure Reason and Fichte's Science of Knowledge. Through an aggressive, speculative reading of Kant, the Romantics abandoned the binary distinction between the palpable outer world and the ungraspable space of the mind's eye and were therefore compelled to develop new terms for understanding the distinction between "internal" and "external." In this light, Brad Prager urges a reassessment of some of Romanticism's major oppositional tropes, contending that binaries such as "self and other," "symbol and allegory," and "light and dark," should be understood as alternatives to Lessing's distinction between interior and exterior worlds. Prager thus crosses the boundaries between philosophy, literature, and art history to explore German Romantic writing about visual experience, examining the interplay of text and image in the formulation of Romantic epistemology. Brad Prager is Associate Professor of Germanat the University of Missouri, Columbia.
Author: Sophie Thomas
Publisher: Routledge
ISBN: 1135899304
Category : Literary Criticism
Languages : en
Pages : 285
Get Book Here
Book Description
This book investigates the productive crosscurrents between visual culture and literary texts in the Romantic period, focusing on the construction and manipulation of the visual, the impact of new visual media on the literary and historical imagination, and on fragments and ruins as occupying the shifting border between the visible and the invisible. It examines a broad selection of instances that reflect debates over how seeing should itself be viewed: instances, from Daguerre's Diorama, to the staging of Coleridge's play Remorse, to the figure of the Medusa in Shelley's poetry and at the Phantasmagoria, in which the very act of seeing is represented or dramatized. In reconsidering literary engagements with the expanding visual field, this study argues that the popular culture of Regency Britain reflected not just emergent and highly capitalized forms of mass entertainment, but also a lively interest in the aesthetic and conceptual dimensions of looking. What is commonly thought to be the Romantic resistance to the visible gives way to a generative fascination with the visual and its imaginative--even spectacular--possibilities.
Author: Patrick H. Vincent
Publisher: UPNE
ISBN: 9781584654315
Category : European poetry
Languages : en
Pages : 300
Get Book Here
Book Description
An elegant and provocative study of the literary and political effects of the work of romantic poetesses in England, France, and Russia.
Author: Joseph M. Ortiz
Publisher: Routledge
ISBN: 135190079X
Category : Literary Criticism
Languages : en
Pages : 476
Get Book Here
Book Description
The idea of Shakespearean genius and sublimity is usually understood to be a product of the Romantic period, promulgated by poets such as Coleridge and Byron who promoted Shakespeare as the supreme example of literary genius and creative imagination. However, the picture looks very different when viewed from the perspective of the myriad theater directors, actors, poets, political philosophers, gallery owners, and other professionals in the nineteenth century who turned to Shakespeare to advance their own political, artistic, or commercial interests. Often, as in John Kemble’s staging of The Winter’s Tale at Drury Lane or John Boydell’s marketing of paintings in his Shakespeare Gallery, Shakespeare provided a literal platform on which both artists and entrepreneurs could strive to influence cultural tastes and points of view. At other times, Romantic writers found in Shakespeare’s works a set of rhetorical and theatrical tools through which to form their own public personae, both poetic and political. Women writers in particular often adapted Shakespeare to express their own political and social concerns. Taken together, all of these critical and aesthetic responses attest to the remarkable malleability of the Shakespearean corpus in the Romantic period. As the contributors show, Romantic writers of all persuasions”Whig and Tory, male and female, intellectual and commercial”found in Shakespeare a powerful medium through which to claim authority for their particular interests.
Author: Adriana Craciun
Publisher: SUNY Press
ISBN: 9780791449707
Category : Literary Criticism
Languages : en
Pages : 418
Get Book Here
Book Description
Examines the full spectrum of women's participation in the social, economic, religious, and poetic debates surrounding the French Revolution.
Author:
Publisher: BRILL
ISBN: 9401204756
Category : Literary Criticism
Languages : en
Pages : 279
Get Book Here
Book Description
Romantic Women Poets: Genre and Gender focuses on the part played by women poets in the creation of the literary canon in the Romantic period in Britain. Its thirteen essays enrich our panoramic view of an age that is traditionally dominated by male authors such as Wordsworth, Coleridge, Byron, Shelley, Keats and Scott. Instead the volume concentrates on the poetical theory and practice of such extraordinary and fascinating women as Joanna Baillie, Charlotte Smith, Anna Laetita Barbauld, Dorothy Wordsworth, Helen Maria Williams, Lady Morgan, Ann Radcliffe, Mary Shelley, Letitia Elizabeth Landon, Anna Seward, and Lady Caroline Lamb. Female and male poetics, gender and genres, literary forms and poetic modes are extensively discussed together with the diversity of behaviour and personal responses that the individual women poets offered to their age and provoked in their readers. There have been several important collections of essays in this particular area of study in the last few years, but this volume reflects and complements much of this earlier critical work with specific strengths of its own.
Author: Michael Gamer
Publisher: Cambridge University Press
ISBN: 1139426842
Category : Literary Criticism
Languages : en
Pages : 274
Get Book Here
Book Description
This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre - the Gothic. Michael Gamer offers a sharply focused analysis of how and why Romantic writers drew on Gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of Gothic literature, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of Romanticism as an ideology. In doing so he examines the early history of the Romantic movement and its assumptions about literary value, and the politics of reading, writing and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing and audience on its formation.
Author: J. Labbe
Publisher: Springer
ISBN: 0230306144
Category : Literary Criticism
Languages : en
Pages : 229
Get Book Here
Book Description
What is 'Wordsworthian' Romanticism and how did it evolve? This book argues that only by reading Charlotte Smith's poetry in tandem with William Wordsworth's can this question be answered, demonstrating their mutual contribution to the creation of the 'Wordsworthian', through literary analysis and historical contextualizing of their writings.
