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Author: Zaoui
Publisher: Search Press Limited
ISBN: 1781267154
Category : Crafts & Hobbies
Languages : en
Pages :
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Book Description
Author: Zaoui
Publisher: Search Press Limited
ISBN: 1781267154
Category : Crafts & Hobbies
Languages : en
Pages :
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Book Description
Author: Doreen Mastandrea
Publisher: Quarry Books
ISBN: 9781610594011
Category : China painting
Languages : en
Pages : 134
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Book Description
Author: Fred Miller (decorative artist.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 194
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Book Description
Author: Marty Noble
Publisher: Courier Corporation
ISBN: 9780486427058
Category : Crafts & Hobbies
Languages : en
Pages : 52
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Book Description
Here are 95 versatile patterns based on authentic Southwest Indian designs. Included are details from a Navajo blanket and sand painting, Pueblo, Maricopa, and Zuñi pottery, a Hopi wedding shawl, Apache baskets, and other artifacts. Easily adaptable for use in embroidery, appliqué work, fabric painting, and other crafts.
Author: Paolino Mingazzini
Publisher:
ISBN: 9780600012344
Category : Pottery, Greek
Languages : en
Pages : 155
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Book Description
Author: Denise Schmandt-Besserat
Publisher: University of Texas Press
ISBN: 0292774877
Category : Social Science
Languages : en
Pages : 145
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Book Description
An archaeologist and art historian examines the impact of literacy on visual art during the early urban period in the Near East. Denise Schmandt-Besserat opened a new chapter in the history of literacy when she demonstrated that the cuneiform script invented in the ancient Near East in the late fourth millennium BC—the world's oldest known system of writing—derived from an archaic counting device. Her discovery, was published in Before Writing: From Counting to Cuneiform and How Writing Came About, which was named by American Scientist as one of the “100 or so Books that shaped a Century of Science.” In When Writing Met Art, Schmandt-Besserat expands her history of writing into the visual realm. Using examples of ancient Near Eastern writing and masterpieces of art, she shows that between 3500 and 3000 BC the conventions of writing—everything from its linear organization to its semantic use of the form, size, order, and placement of signs—spread to the making of art, resulting in artworks that presented complex visual narratives in place of the repetitive motifs found on preliterate art objects. Schmandt-Besserat then demonstrates art's reciprocal impact on the development of writing. She shows how, beginning in 2700-2600 BC, the inclusion of inscriptions on funerary and votive art objects emancipated writing from its original accounting function. To fulfill its new role, writing evolved to replicate speech; this made it possible to compile, organize, and synthesize unlimited amounts of information. Schmandt-Besserat’s pioneering investigation documents a turning point in human history, when two of our most fundamental information media reciprocally multiplied their capacities to communicate. When writing met art, literate civilization was born.
Author: Linda Merrill
Publisher: Smithsonian Books (DC)
ISBN:
Category : Art
Languages : en
Pages : 442
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Book Description
"A Pot of Paint reconstructs the lost transcript and revisits the highly contested issues surrounding one of the most celebrated trials in the history of art. A libel suit brought in the London courts by American expatriate artist James McNeill Whistler against John Ruskin, England's most powerful art critic, the trial was essentially a debate of aesthetic theory conducted at a critical hour in the evolution of modern art." "After viewing an 1877 exhibition that included some of Whistler's most abstract works, Ruskin declared in print that the artist had flung "a pot of paint in the public's face." He called Whistler a "coxcomb" and said that it was the height of "cockney impudence" to ask two hundred guineas for a painting such as Nocturne in Black and Gold: The Falling Rocket. The dispute was fully covered in the popular press. Using those newspaper accounts, as well as letters, legal papers, Ruskin's instructions to his counsel, and Whistler's later rendition of events in The Gentle Art of Making Enemies, Linda Merrill reveals the deeply held, contrary aesthetic ideals of the two parties, and shows that, in many ways, the real litigants in Whistler v. Ruskin were traditional, representational art and art that tended toward abstraction." "During eighteen months of pretrial delays and two days of testimony from Whistler and several well-known figures in the art world, London debated the value and the meaning of art. A Pot of Paint retrieves these debates for a society that continues to argue the merits of innovation in art and the place of art in the modern world."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Linda S. Cordell
Publisher: University of Arizona Press
ISBN: 0816529922
Category : Crafts & Hobbies
Languages : en
Pages : 209
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Book Description
The peoples of the American Southwest during the 13th through the 17th centuries witnessed dramatic changes in settlement size, exchange relationships, ideology, social organization, and migrations that included those of the first European settlers. Concomitant with these world-shaking events, communities of potters began producing new kinds of wares—particularly polychrome and glaze-paint decorated pottery—that entailed new technologies and new materials. The contributors to this volume present results of their collaborative research into the production and distribution of these new wares, including cutting-edge chemical and petrographic analyses. They use the insights gained to reflect on the changing nature of communities of potters as they participated in the dynamic social conditions of their world.
Author: Sharon Herbert
Publisher: ASCSA
ISBN: 9780876610749
Category : Art
Languages : en
Pages : 142
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Book Description
Inferior clays and glazes, unsuited to the red-figure style, means that the indigenous production of red-figure vases in Corinth was very limited. However for about 75 years, in the middle of the 5th century B.C., Corinthian potters tried to imitate the Athenian fashion and this book catalogues 186 pieces of their work. The author discusses the reasons for the production of Corinthian red figure even in limited quantities. Six painters are identified as responsible for at least half the known pieces. Thirteen deposits provide chronological evidence to supplement that of the painting style. The volume serves to bring forward a small but significant segment of the non-Attic pottery industries, and should stimulate interest in other unpublished, unreported examples. All items in the catalogue are illustrated in photographs; line drawings are used to demonstrate details of technique.
Author: Janet Stoeppelmann
Publisher: Northland Pub
ISBN: 9780873585996
Category : Crafts & Hobbies
Languages : en
Pages : 112
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Book Description
A combination of informative detail about how Maricopa pottery is made and the heart-warming narrative of an Anglo woman's relationship with Maricopa potters.
