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Author: Stijn Alsteens
Publisher: Yale University Press
ISBN: 0300212054
Category : Art
Languages : en
Pages : 321
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Book Description
The first major examination of Anthony van Dyck's work as a portraitist and an essential resource on this aspect of his illustrious career This landmark volume is a comprehensive survey of the portrait drawings, paintings, and prints of Anthony van Dyck (1599-1641), one of the most celebrated portraitists of all time. His supremely elegant style and ability to convey a sense of a sitter's inner life made him a favored portraitist among high-ranking figures and royalty across Europe, as well as among his fellow artists and art enthusiasts. Showcasing the full range of Van Dyck's fascinating international career with more than 100 works, this catalogue celebrates the artist's versatility, inventiveness, and influential approach to portraiture. Works include preparatory drawings and oil sketches that shed light on Van Dyck's working process, prints that allowed his work to reach a wider audience, and grand painted portraits. Some of the masterpieces are drawn from the exceptional holdings of The Frick Collection, while other works are presented here for the first time. Also included are drawings by some of Van Dyck's contemporaries--including his teacher Peter Paul Rubens--that illuminate the lineage of his working method. With insightful contributions by a team of international scholars, this unparalleled study of Van Dyck offers a compelling case for the distinctiveness and importance of the artist's work.
Author: Stijn Alsteens
Publisher: Yale University Press
ISBN: 0300212054
Category : Art
Languages : en
Pages : 321
Get Book Here
Book Description
The first major examination of Anthony van Dyck's work as a portraitist and an essential resource on this aspect of his illustrious career This landmark volume is a comprehensive survey of the portrait drawings, paintings, and prints of Anthony van Dyck (1599-1641), one of the most celebrated portraitists of all time. His supremely elegant style and ability to convey a sense of a sitter's inner life made him a favored portraitist among high-ranking figures and royalty across Europe, as well as among his fellow artists and art enthusiasts. Showcasing the full range of Van Dyck's fascinating international career with more than 100 works, this catalogue celebrates the artist's versatility, inventiveness, and influential approach to portraiture. Works include preparatory drawings and oil sketches that shed light on Van Dyck's working process, prints that allowed his work to reach a wider audience, and grand painted portraits. Some of the masterpieces are drawn from the exceptional holdings of The Frick Collection, while other works are presented here for the first time. Also included are drawings by some of Van Dyck's contemporaries--including his teacher Peter Paul Rubens--that illuminate the lineage of his working method. With insightful contributions by a team of international scholars, this unparalleled study of Van Dyck offers a compelling case for the distinctiveness and importance of the artist's work.
Author: Emilie E. S. Gordenker
Publisher: Brepols Publishers
ISBN: 9782503508801
Category : Clothing and dress in art
Languages : en
Pages : 0
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Book Description
Anthony Van Dyck (1599-1641) introduced a new type of costume in his portraits during his second English period (1632-1641), one that blurred the margins of fact and fancy. He used costume to forge a complex and memorable image of his English patrons, the Caroline courtiers, one that captured their ideals and yet had resonance for many years after his death. Van Dyck established new conventions for the representation of dress in portraits that held sway until the end of the seventeenth century. Later generations of English, Dutch, and French painters, used Van Dyck's innovations as a touchstone for a new manner of dressing sitters, one that was partially fictional, and much more casual and unbuttoned than had ever been represented before. This book shows that an understanding of dress can offer a new way of revealing the associations and ideals that a portait mayhave projected, and that the history of costume provides a unique set of tools with which to analyze the creativity and contributions of Van Dyck.
Author: Jennifer Higgie
Publisher: Simon and Schuster
ISBN: 1643138049
Category : Art
Languages : en
Pages : 336
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Book Description
A dazzlingly original and ambitious book on the history of female self-portraiture by one of today's most well-respected art critics. Her story weaves in and out of time and place. She's Frida Kahlo, Loïs Mailou Jones and Amrita Sher-Gil en route to Mexico City, Paris or Bombay. She's Suzanne Valadon and Gwen John, craving city lights, the sea and solitude; she's Artemisia Gentileschi striding through the streets of Naples and Paula Modersohn-Becker in Worpswede. She's haunting museums in her paint-stained dress, scrutinising how El Greco or Titian or Van Dyck or Cézanne solved the problems that she too is facing. She's railing against her corsets, her chaperones, her husband and her brothers; she's hammering on doors, dreaming in her bedroom, working day and night in her studio. Despite the immense hurdles that have been placed in her way, she sits at her easel, picks up a mirror and paints a self-portrait because, as a subject, she is always available. Until the twentieth century, art history was, in the main, written by white men who tended to write about other white men. The idea that women in the West have always made art was rarely cited as a possibility. Yet they have - and, of course, continue to do so - often against tremendous odds, from laws and religion to the pressures of family and public disapproval. In The Mirror and the Palette, Jennifer Higgie introduces us to a cross-section of women artists who embody the fact that there is more than one way to understand our planet, more than one way to live in it and more than one way to make art about it. Spanning 500 years, biography and cultural history intertwine in a narrative packed with tales of rebellion, adventure, revolution, travel and tragedy enacted by women who turned their back on convention and lived lives of great resilience, creativity and bravery.
Author: Xavier F. Salomon
Publisher: Silvana Editoriale
ISBN: 9788836621729
Category : Art
Languages : en
Pages : 0
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Book Description
In the spring of 1624 the painter Anthony Van Dyck (1599 -1641) moved from Genoa to Palermo in Sicily. Soon after Van Dyck's arrival, plague struck Palermo and most of the population died. In the same year, the bones of Saint Rosalia were discovered in a cave on the Monte Pellegrino where she was said to have died as a hermit in the Middle Ages. This will be the first exhibition to focus on Van Dyck's work during this period. The exhibition takes Dulwich's own Portrait of Emanuele Filiberto as a starting point and expands into an examination of Van Dyck's activity in that year. It will also be the first time in the UK that Van Dyck's portrait of the Viceroy of Sicily from Dulwich's own collection will be seen next to the spectacular suit of armour worn by the viceroy in the portrait - still surviving in the Royal Armouries of Madrid--Provided by publisher
Author: Karen Hearn
Publisher: Tate Publishing & Enterprises
ISBN:
Category : Art
Languages : en
Pages : 258
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Book Description
Published to accompany the exhibition held at Tate Britain, London, 18 Feb.-17 May 2009.
Author: Natalʹi︠a︡ Ivanovna Grit︠s︡aĭ
Publisher: Parkstone Press
ISBN:
Category : Kings and rulers in art
Languages : en
Pages : 184
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Book Description
Author: Rudolf E. O. Ekkart
Publisher: National Gallery Publications Limited
ISBN: 9781857093636
Category : Art
Languages : en
Pages : 280
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Book Description
In the Golden Age of the Dutch Republic, every gentleman of standing had himself eternalized in a portrait. In Holland, these gentlemen were burghers, not aristocrats, or princes of the church. They were prosperous merchants, scholars, generals, and stadholders, seen in official and private settings, alone or in the company of colleagues, or surrounded by their wives and children. Seventeenth-century Dutch portraiture is a remarkable phenomenon: never before had so many portraits been painted. Today, these pictures offer insight into the taste, fashion, occupations, and ambitions of affluent 17th-century individuals. The two great masters of Dutch portraiture, Rembrandt and Frans Hals, are both represented here.
Author: Richard Rand
Publisher: Clark Art Institute
ISBN: 9780300175646
Category : Art
Languages : en
Pages : 0
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Book Description
Eye to eye : European portraits 1450-1850 / David Ekserdjian -- Catalogue / Richard Rand and Kathleen M. Morris
Author: Catharine MacLeod
Publisher:
ISBN: 9781855145603
Category :
Languages : en
Pages : 31
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Book Description
Author: Arthur K. Wheelock
Publisher: Nicholson
ISBN:
Category : Art
Languages : en
Pages : 390
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Book Description
Donated: The Margaret A. Bailey Art Collection.
