Author: John Guillory
Publisher: Columbia University Press
ISBN: 9780231055413
Category : Literary Criticism
Languages : en
Pages : 220
Book Description
Poetic Authority
Author: John Guillory
Publisher: Columbia University Press
ISBN: 9780231055413
Category : Literary Criticism
Languages : en
Pages : 220
Book Description
Publisher: Columbia University Press
ISBN: 9780231055413
Category : Literary Criticism
Languages : en
Pages : 220
Book Description
Approaching Authority
Author: Anthony Flinn
Publisher: Bucknell University Press
ISBN: 9780838753408
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
This study, using the example of Yeats, Eliot, and Williams, examines the principal gestures of Modernist poetic speakers attempting to identify, mediate, and project cultural authority. To effect this mediation, the poetic speakers must engage in "transpersonality"; by association with the objects of presences in the poem, they must translate their finite egos into mediating voices detached from the concerns of unique selfhood. However, complete transpersonality brings silence: the fact of utterance presupposes a unique perspective, never the totality of perspectives that an atemporal authority possesses. So, rather than the speaker's elevation to a position of authority, the necessary result of the transpersonality is instead that the speaker approach authority in calculated acts of mystification.
Publisher: Bucknell University Press
ISBN: 9780838753408
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
This study, using the example of Yeats, Eliot, and Williams, examines the principal gestures of Modernist poetic speakers attempting to identify, mediate, and project cultural authority. To effect this mediation, the poetic speakers must engage in "transpersonality"; by association with the objects of presences in the poem, they must translate their finite egos into mediating voices detached from the concerns of unique selfhood. However, complete transpersonality brings silence: the fact of utterance presupposes a unique perspective, never the totality of perspectives that an atemporal authority possesses. So, rather than the speaker's elevation to a position of authority, the necessary result of the transpersonality is instead that the speaker approach authority in calculated acts of mystification.
John Milton
Author: Annabel M. Patterson
Publisher: Routledge
ISBN: 1317900200
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
This collection of selected writings represents the best of recent critical work on Milton. The essays cover all stages of his career, from the early poems through to the later poems of the Restoration period, especially Paradise Lost. Professor Patterson includes British and American critics such as Michael Wilding, Victoria Kahn, James Grantham Turner and Mary Ann Radzinowicz and guides the reader through the varied ways Milton's achievement has been explored and debated by modern criticism.
Publisher: Routledge
ISBN: 1317900200
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
This collection of selected writings represents the best of recent critical work on Milton. The essays cover all stages of his career, from the early poems through to the later poems of the Restoration period, especially Paradise Lost. Professor Patterson includes British and American critics such as Michael Wilding, Victoria Kahn, James Grantham Turner and Mary Ann Radzinowicz and guides the reader through the varied ways Milton's achievement has been explored and debated by modern criticism.
Landscape, Liberty and Authority
Author: Tim Fulford
Publisher: Cambridge University Press
ISBN: 9780521554558
Category : Literary Criticism
Languages : en
Pages : 274
Book Description
Eighteenth-century landscape description formed part of a larger debate over the nature of liberty and authority which was vital to a Britain newly defining its nationhood in a period of growing imperial power and rapid economic change. Tim Fulford examines landscape description in the writings of Thomson, Cowper, Johnson, Gilpin, Repton, Wordsworth, Coleridge and others, revealing tensions that arose as writers struggled for authority over the public sphere and sought to redefine the nature of that authority. In his investigation of poetry and political and aesthetic writing, Dr Fulford throws light on the legacy of Commonwealth and Country-party ideas of liberty. Also discussed are the significance of the Miltonic sublime, the politics of the picturesque and the post-colonial encounter of the Scottish tour. Dr Fulford goes on to show how the early radicalism and later conservatism of Wordsworth and Coleridge were shaped, in part, by eighteenth-century literary political and literary authorities. His study offers an understanding of literary and political influence that cuts across conventional periodization, finding new links between the early eighteenth and nineteenth centuries.
Publisher: Cambridge University Press
ISBN: 9780521554558
Category : Literary Criticism
Languages : en
Pages : 274
Book Description
Eighteenth-century landscape description formed part of a larger debate over the nature of liberty and authority which was vital to a Britain newly defining its nationhood in a period of growing imperial power and rapid economic change. Tim Fulford examines landscape description in the writings of Thomson, Cowper, Johnson, Gilpin, Repton, Wordsworth, Coleridge and others, revealing tensions that arose as writers struggled for authority over the public sphere and sought to redefine the nature of that authority. In his investigation of poetry and political and aesthetic writing, Dr Fulford throws light on the legacy of Commonwealth and Country-party ideas of liberty. Also discussed are the significance of the Miltonic sublime, the politics of the picturesque and the post-colonial encounter of the Scottish tour. Dr Fulford goes on to show how the early radicalism and later conservatism of Wordsworth and Coleridge were shaped, in part, by eighteenth-century literary political and literary authorities. His study offers an understanding of literary and political influence that cuts across conventional periodization, finding new links between the early eighteenth and nineteenth centuries.
A Companion to British Literature, Volume 1
Author: Heesok Chang
Publisher: John Wiley & Sons
ISBN: 1118731891
Category : Literary Criticism
Languages : en
Pages : 524
Book Description
A Companion to British Literature, Medieval Literature, 700 - 1450
Publisher: John Wiley & Sons
ISBN: 1118731891
Category : Literary Criticism
Languages : en
Pages : 524
Book Description
A Companion to British Literature, Medieval Literature, 700 - 1450
Horace and the Rhetoric of Authority
Author: Ellen Oliensis
Publisher: Cambridge University Press
ISBN: 0521573157
Category : Foreign Language Study
Languages : en
Pages : 255
Book Description
This book explores how Horace's poems construct the literary and social authority of their author. Bridging the traditional distinction between 'persona' and 'author', Ellen Oliensis considers Horace's poetry as one dimension of his 'face' - the projected self-image that is the basic currency of social interactions. She reads Horace's poems not only as works of art but also as social acts of face-saving, face-making and self-effacement. These acts are responsive, she suggests, to the pressure of several audiences: Horace shapes his poetry to promote his authority and to pay deference to his patrons while taking account of the envy of contemporaries and the judgement of posterity. Drawing on the insights of sociolinguistics, deconstruction and new historicism Dr Oliensis charts the poet's shifting strategies of authority and deference across his entire literary career.
Publisher: Cambridge University Press
ISBN: 0521573157
Category : Foreign Language Study
Languages : en
Pages : 255
Book Description
This book explores how Horace's poems construct the literary and social authority of their author. Bridging the traditional distinction between 'persona' and 'author', Ellen Oliensis considers Horace's poetry as one dimension of his 'face' - the projected self-image that is the basic currency of social interactions. She reads Horace's poems not only as works of art but also as social acts of face-saving, face-making and self-effacement. These acts are responsive, she suggests, to the pressure of several audiences: Horace shapes his poetry to promote his authority and to pay deference to his patrons while taking account of the envy of contemporaries and the judgement of posterity. Drawing on the insights of sociolinguistics, deconstruction and new historicism Dr Oliensis charts the poet's shifting strategies of authority and deference across his entire literary career.
Falling Towers
Author: John A. Richardson
Publisher: University of Delaware Press
ISBN: 9780874134193
Category : Literary Criticism
Languages : en
Pages : 202
Book Description
The similar casts of the imagination shared by these three poems can be traced back to the similar cultural conditions under which the poets wrote. Each stood in, and indeed stood for, a cultural tradition that was exhausted and dying. Skelton was arguably the last medieval poet, Pope the last Renaissance poet, and Eliot the last romantic. One important pattern of conflict that can be seen in all three poems is between age and youth. Each poet speaks with an aged voice. Skelton's parrot is a very old bird and the poet himself is not very far behind him; Pope is present behind The Dunciad in the character he publicly cultivated in the 1730s of the wise old philosopher; and Eliot's speaker in The Waste Land, who is probably much like Eliot himself, is implicitly aged. The speakers' worlds are dominated by youth, a motif that is quite marked in each of the poems.
Publisher: University of Delaware Press
ISBN: 9780874134193
Category : Literary Criticism
Languages : en
Pages : 202
Book Description
The similar casts of the imagination shared by these three poems can be traced back to the similar cultural conditions under which the poets wrote. Each stood in, and indeed stood for, a cultural tradition that was exhausted and dying. Skelton was arguably the last medieval poet, Pope the last Renaissance poet, and Eliot the last romantic. One important pattern of conflict that can be seen in all three poems is between age and youth. Each poet speaks with an aged voice. Skelton's parrot is a very old bird and the poet himself is not very far behind him; Pope is present behind The Dunciad in the character he publicly cultivated in the 1730s of the wise old philosopher; and Eliot's speaker in The Waste Land, who is probably much like Eliot himself, is implicitly aged. The speakers' worlds are dominated by youth, a motif that is quite marked in each of the poems.
The Emergence of the English Author
Author: Kevin Pask
Publisher: Cambridge University Press
ISBN: 9780521481557
Category : Literary Criticism
Languages : en
Pages : 238
Book Description
The historical construction of literary authorship has long been of particular interest to literary scholars. Yet an important aspect of the historical emergence of the author - the literary biography or 'life of the poet' - has received scant attention. In The Emergence of the English Author, Kevin Pask studies the early life-narratives of five now-canonical English poets: Geoffrey Chaucer, Philip Sidney, Edmund Spenser, John Donne and John Milton. By attending to the changing shape of the lives of these poets, Pask produces a history of the developing conception of literary authorship in England from the late medieval period to the end of the eighteenth century, and offers a long-term sociological account of literary production. His book is the first full-scale history of the cultural construction of literary authority in early modern England.
Publisher: Cambridge University Press
ISBN: 9780521481557
Category : Literary Criticism
Languages : en
Pages : 238
Book Description
The historical construction of literary authorship has long been of particular interest to literary scholars. Yet an important aspect of the historical emergence of the author - the literary biography or 'life of the poet' - has received scant attention. In The Emergence of the English Author, Kevin Pask studies the early life-narratives of five now-canonical English poets: Geoffrey Chaucer, Philip Sidney, Edmund Spenser, John Donne and John Milton. By attending to the changing shape of the lives of these poets, Pask produces a history of the developing conception of literary authorship in England from the late medieval period to the end of the eighteenth century, and offers a long-term sociological account of literary production. His book is the first full-scale history of the cultural construction of literary authority in early modern England.
The Cambridge History of American Literature: Volume 8, Poetry and Criticism, 1940-1995
Author: Sacvan Bercovitch
Publisher: Cambridge University Press
ISBN: 9780521497336
Category : Literary Criticism
Languages : en
Pages : 568
Book Description
Multi-volume history of American literature.
Publisher: Cambridge University Press
ISBN: 9780521497336
Category : Literary Criticism
Languages : en
Pages : 568
Book Description
Multi-volume history of American literature.
Beyond Maximus
Author: Anne Day Dewey
Publisher: Stanford University Press
ISBN: 9780804756471
Category : Literary Criticism
Languages : en
Pages : 314
Book Description
Beyond Maximus shows how field poetics influenced the construction of the public voices of five Black Mountain poets (Charles Olson, Robert Creeley, Robert Duncan, Denise Levertov, and Ed Dorn) in order to explain their association in the 1950s and 60s as well as their break-up as a result of the political and poetic crises of the Vietnam War era.
Publisher: Stanford University Press
ISBN: 9780804756471
Category : Literary Criticism
Languages : en
Pages : 314
Book Description
Beyond Maximus shows how field poetics influenced the construction of the public voices of five Black Mountain poets (Charles Olson, Robert Creeley, Robert Duncan, Denise Levertov, and Ed Dorn) in order to explain their association in the 1950s and 60s as well as their break-up as a result of the political and poetic crises of the Vietnam War era.