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Author: Penny Farfan
Publisher: Bloomsbury Publishing
ISBN: 1137270802
Category : Performing Arts
Languages : en
Pages : 328
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Book Description
Breaking new ground in this century, this wide-ranging collection of essays is the first of its kind to address the work of contemporary international women playwrights. The book considers the work of established playwrights such as Caryl Churchill, Marie Clements, Lara Foot-Newton, Maria Irene Fornes, Sarah Kane, Lisa Kron, Young Jean Lee, Lynn Nottage, Suzan-Lori Parks, Djanet Sears, Caridad Svich, and Judith Thompson, but it also foregrounds important plays by many emerging writers. Divided into three sections-Histories, Conflicts, and Genres-the book explores such topics as the feminist history play, solo performance, transcultural dramaturgies, the identity play, the gendered terrain of war, and eco-drama, and encompasses work from the United States, Canada, Latin America, Oceania, South Africa, Egypt, and the United Kingdom. With contributions from leading international scholars and an introductory overview of the concerns and challenges facing women playwrights in this new century, Contemporary Women Playwrights explores the diversity and power of women's playwriting since 1990, highlighting key voices and examining crucial critical and theoretical developments within the field.
Author: Penny Farfan
Publisher: Bloomsbury Publishing
ISBN: 1137270802
Category : Performing Arts
Languages : en
Pages : 328
Get Book Here
Book Description
Breaking new ground in this century, this wide-ranging collection of essays is the first of its kind to address the work of contemporary international women playwrights. The book considers the work of established playwrights such as Caryl Churchill, Marie Clements, Lara Foot-Newton, Maria Irene Fornes, Sarah Kane, Lisa Kron, Young Jean Lee, Lynn Nottage, Suzan-Lori Parks, Djanet Sears, Caridad Svich, and Judith Thompson, but it also foregrounds important plays by many emerging writers. Divided into three sections-Histories, Conflicts, and Genres-the book explores such topics as the feminist history play, solo performance, transcultural dramaturgies, the identity play, the gendered terrain of war, and eco-drama, and encompasses work from the United States, Canada, Latin America, Oceania, South Africa, Egypt, and the United Kingdom. With contributions from leading international scholars and an introductory overview of the concerns and challenges facing women playwrights in this new century, Contemporary Women Playwrights explores the diversity and power of women's playwriting since 1990, highlighting key voices and examining crucial critical and theoretical developments within the field.
Author: Tracy C. Davis
Publisher: Cambridge University Press
ISBN: 9780521659826
Category : Drama
Languages : en
Pages : 324
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Book Description
This collection of essays recovers the names and careers of nineteenth-century women playwrights.
Author: Kathy A. Perkins
Publisher: University of Illinois Press
ISBN: 0252075730
Category : Performing Arts
Languages : en
Pages : 386
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Book Description
For the first time, a distinctive collection of plays by African women published in English
Author: Cynthia Zimmerman
Publisher: Dundurn
ISBN: 9780889242586
Category : Drama
Languages : en
Pages : 244
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Book Description
The Canadian Dramatist, Volume 3 The six playwrights discussed in this volume are Carol Bolt, Erica Ritter, Sharon Pollack, Margaret Hollingsworth, Anne Chislett, and Judith Thompson.
Author: Ellen Donkin
Publisher: Routledge
ISBN: 1134890850
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
Getting Into the Act is a vigorous and refreshing account of seven female playwrights who, against all odds, enjoyed professional success in the late eighteenth and early nineteenth century. Ellen Donkin relates fascinating, disturbing tales about the male theatre managers to whom they were indebted, and the trials and prejudices they endured, ranging from accusations of plagiarism to sexual harassment. This scarred turbulent early history still resonates in the late twentieth-century. The current ratio of female to male playwrights is virtually unchanged. Old patterns of male control persist, and playwriting continues to be a hazardous occupation for women. But within these scarred earlier histories there are equally powerful narratives of self-revelation, endurance, and professional triumph that may point to a new way forward. Getting Into the Act is entertaining and informative reading for anyone, from scholar to general reader, who is interested in the history and gender politics of the stage.
Author: Philip C. Kolin
Publisher: Routledge
ISBN: 1135866481
Category : Art
Languages : en
Pages : 218
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Book Description
In the last 50 years, American and World theatre have been challenged and enriched by the rise to prominence of numerous female African American dramatists. Contemporary African American Women Playwrights is the first critical volume to explore the contexts and influences of these writers, and their exploration of black history and identity through a wealth of diverse, courageous and visionary dramas.
Author: Heidi Stephenson
Publisher: Methuen Drama
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 230
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Book Description
Rage and Reason explores the work of 20 leading dramatists who discuss their work from the perspective of being both playwrights and women.
Author: Penny Farfan
Publisher: University of Michigan Press
ISBN: 047205435X
Category : Performing Arts
Languages : en
Pages : 327
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Book Description
Explores how women playwrights illuminate the contemporary world and contribute to its reshaping
Author: Chanel Brenner
Publisher: Press 53
ISBN: 9781950413348
Category :
Languages : en
Pages : 78
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Book Description
Winner of the 2021 Press 53 Award for Poetry, Smile, or Else by Chanel Brenner, is a moving collection of elegiac poems dealing with the death of Brenner's six-year-old son, and her and her family's ongoing trek toward healing.
Author: Anna Farkas
Publisher: Routledge
ISBN: 1315405121
Category : Drama
Languages : en
Pages : 208
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Book Description
The influence of the women’s movement has long been a scholarly priority in the study of British women’s drama of the late nineteenth and early twentieth centuries, but previous scholarship has largely clustered around two events: the New Woman in the 1890s and the suffrage campaign in the years before the First World War. Women’s Playwriting and the Women’s Movement, 1890–1918 is the first designated study of British women’s drama from a period of exceptional productivity and innovation for female playwrights. Both the British theatre and women’s position within British society underwent fundamental changes in this period, and this book shows how female dramatists carefully negotiated their position in the heated debates about women’s rights that occurred at this time, while staking out a place for themselves in an evolving theatrical landscape. Farkas also identifies the women’s movement as a key influence on the development of female-authored drama between 1890 and 1918, but argues that scholarly prioritizing of the "radicalism" of work associated with the New Woman and the suffrage campaign has had a distorting effect in the past. Ideal for scholars of British and Victorian theatre, Women’s Playwriting and the Women’s Movement, 1890–1918 offers a new perspective which emphasizes the complexity of women playwrights’ engagement with first-wave feminism and links it to the diversification of the British theatre in this period.
