Author: John H. Croucher
Publisher:
ISBN:
Category : Calotype
Languages : en
Pages : 246
Book Description
Plain Directions for Obtaining Photographic Pictures ...
Author: John H. Croucher
Publisher:
ISBN:
Category : Calotype
Languages : en
Pages : 246
Book Description
Publisher:
ISBN:
Category : Calotype
Languages : en
Pages : 246
Book Description
Plain Directions for Obtaining Photographic Pictures by the Calotype, Energiatype, and Other Processes on Paper, Including the Chrysotype, Cyanotype, Chromotype, etc., with All the Latest Improvements
Author: J. H. Croucher
Publisher: BoD – Books on Demand
ISBN: 3368865293
Category : Fiction
Languages : en
Pages : 46
Book Description
Reprint of the original, first published in 1845.
Publisher: BoD – Books on Demand
ISBN: 3368865293
Category : Fiction
Languages : en
Pages : 46
Book Description
Reprint of the original, first published in 1845.
Plain Directions for Obtaining Photographic Pictures by the Calotype, Energiatype, and Other Processes on Paper ..
Author: J. H. Croucher
Publisher:
ISBN:
Category :
Languages : en
Pages : 252
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 252
Book Description
Encyclopedia of Nineteenth-Century Photography
Author: John Hannavy
Publisher: Routledge
ISBN: 1135873267
Category : Photography
Languages : en
Pages : 1630
Book Description
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
Publisher: Routledge
ISBN: 1135873267
Category : Photography
Languages : en
Pages : 1630
Book Description
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
Impressed by Light
Author: Roger Taylor
Publisher: Metropolitan Museum of Art
ISBN: 1588392252
Category : Calotype
Languages : en
Pages : 456
Book Description
Photography emerged in 1839 in two forms simultaneously. In France, Louis Daguerre produced photographs on silvered sheets of copper, while in Great Britain, William Henry Fox Talbot put forward a method of capturing an image on ordinary writing paper treated with chemicals. Talbot’s invention, a paper negative from which any number of positive prints could be made, became the progenitor of virtually all photography carried out before the digital age. Talbot named his perfected invention "calotype," a term based on the Greek word for beauty. Calotypes were characterized by a capacity for subtle tonal distinctions, massing of light and shadow, and softness of detail. In the 1840s, amateur photographers in Britain responded with enthusiasm to the challenges posed by the new medium. Their subjects were wide-ranging, including landscapes and nature studies, architecture, and portraits. Glass-negative photography, which appeared in 1851, was based on the same principles as the paper negative but yielded a sharper picture, and quickly gained popularity. Despite the rise of glass negatives in commercial photography, many gentlemen of leisure and learning continued to use paper negatives into the 1850s and 1860s. These amateurs did not seek the widespread distribution and international reputation pursued by their commercial counterparts, nearly all of whom favored glass negatives. As a result, many of these calotype works were produced in a small number of prints for friends and fellow photographers or for a family album. This richly illustrated, landmark publication tells the first full history of the calotype, embedding it in the context of Britain’s changing fortunes, intricate class structure, ever-growing industrialization, and the new spirit under Queen Victoria. Of the 118 early photographs presented here in meticulously printed plates, many have never before been published or exhibited.
Publisher: Metropolitan Museum of Art
ISBN: 1588392252
Category : Calotype
Languages : en
Pages : 456
Book Description
Photography emerged in 1839 in two forms simultaneously. In France, Louis Daguerre produced photographs on silvered sheets of copper, while in Great Britain, William Henry Fox Talbot put forward a method of capturing an image on ordinary writing paper treated with chemicals. Talbot’s invention, a paper negative from which any number of positive prints could be made, became the progenitor of virtually all photography carried out before the digital age. Talbot named his perfected invention "calotype," a term based on the Greek word for beauty. Calotypes were characterized by a capacity for subtle tonal distinctions, massing of light and shadow, and softness of detail. In the 1840s, amateur photographers in Britain responded with enthusiasm to the challenges posed by the new medium. Their subjects were wide-ranging, including landscapes and nature studies, architecture, and portraits. Glass-negative photography, which appeared in 1851, was based on the same principles as the paper negative but yielded a sharper picture, and quickly gained popularity. Despite the rise of glass negatives in commercial photography, many gentlemen of leisure and learning continued to use paper negatives into the 1850s and 1860s. These amateurs did not seek the widespread distribution and international reputation pursued by their commercial counterparts, nearly all of whom favored glass negatives. As a result, many of these calotype works were produced in a small number of prints for friends and fellow photographers or for a family album. This richly illustrated, landmark publication tells the first full history of the calotype, embedding it in the context of Britain’s changing fortunes, intricate class structure, ever-growing industrialization, and the new spirit under Queen Victoria. Of the 118 early photographs presented here in meticulously printed plates, many have never before been published or exhibited.
The Evolution of Photography
Author: John Werge
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 344
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 344
Book Description
John Crerar Library
Author: [Anonymus AC10074978]
Publisher:
ISBN:
Category : Academic libraries
Languages : en
Pages : 266
Book Description
Publisher:
ISBN:
Category : Academic libraries
Languages : en
Pages : 266
Book Description
A List of Books on Industrial Arts. October, 1903
Author: John Crerar Library
Publisher:
ISBN:
Category : Decorative arts
Languages : en
Pages : 762
Book Description
Publisher:
ISBN:
Category : Decorative arts
Languages : en
Pages : 762
Book Description
The Photo-beacon
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 456
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 456
Book Description
Issues in the Conservation of Photographs
Author: Debra Hess Norris
Publisher: Getty Publications
ISBN: 1606060007
Category : Art
Languages : en
Pages : 754
Book Description
This is an authoritative and insightful survey of the evolving field of photograph conservation. This volume is the first publication to chronicle the emergence and systematic development of photograph conservation as a profession.
Publisher: Getty Publications
ISBN: 1606060007
Category : Art
Languages : en
Pages : 754
Book Description
This is an authoritative and insightful survey of the evolving field of photograph conservation. This volume is the first publication to chronicle the emergence and systematic development of photograph conservation as a profession.