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Author: Vladimir R. Rossman
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110821117
Category : Foreign Language Study
Languages : en
Pages : 200
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No detailed description available for "Perspectives of Irony on Medieval French Literature".
Author: Vladimir R. Rossman
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110821117
Category : Foreign Language Study
Languages : en
Pages : 200
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Book Description
No detailed description available for "Perspectives of Irony on Medieval French Literature".
Author: Vladimir Rodion Rossman
Publisher:
ISBN:
Category : French literature
Languages : en
Pages : 408
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Author: Anne Elizabeth Cobby
Publisher: BRILL
ISBN: 9004648399
Category : Foreign Language Study
Languages : en
Pages : 190
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Much work has already been done on the conventions and formulae of Old French literature, particularly epic literature, and on parody in the French Middle Ages. This book links these approaches, widens the concept of 'formula', and aims to show that certain authors, far from being enslaved by the conventions within which they worked, were conscious of them and could master them with sufficient independence to exploit them for calculated literary effect, and in particular for parody. It studies the fabliaux, Aucassin et Nicolette and Le Pèlerinage de Charlemagne, texts in which formulae play a varied and subtle part. In the fabliaux we find that formulae borrowed from serious literature add parodic depth to the often simple humour of these tales, but that the genre as a whole is not essentially parodic. Aucassin et Nicolette uses conventions to arouse expectations which may or may not be satisfied; parody proves to be fundamental to this work. The approach shows its full potential when applied to Le Pèlerinage de Charlemagne; study of this text's use of formulae of the epic and romance traditions reveals a high degree of complexity and a finely nuanced parody.
Author: Cord J. Whitaker
Publisher: University of Pennsylvania Press
ISBN: 0812296427
Category : Literary Criticism
Languages : en
Pages : 256
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In the late Middle Ages, Christian conversion could wash a black person's skin white—or at least that is what happens when a black sultan converts to Christianity in the English romance King of Tars. In Black Metaphors, Cord J. Whitaker examines the rhetorical and theological moves through which blackness and whiteness became metaphors for sin and purity in the English and European Middle Ages—metaphors that guided the development of notions of race in the centuries that followed. From a modern perspective, moments like the sultan's transformation present blackness and whiteness as opposites in which each condition is forever marked as a negative or positive attribute; medieval readers were instead encouraged to remember that things that are ostensibly and strikingly different are not so separate after all, but mutually construct one another. Indeed, Whitaker observes, for medieval scholars and writers, blackness and whiteness, and the sin and salvation they represent, were held in tension, forming a unified whole. Whitaker asks not so much whether race mattered to the Middle Ages as how the Middle Ages matters to the study of race in our fraught times. Looking to the treatment of color and difference in works of rhetoric such as John of Garland's Synonyma, as well as in a range of vernacular theological and imaginative texts, including Robert Manning's Handlyng Synne, and such lesser known romances as The Turke and Sir Gawain, he illuminates the process by which one interpretation among many became established as the truth, and demonstrates how modern movements—from Black Lives Matter to the alt-right—are animated by the medieval origins of the black-white divide.
Author: Annette H. Tomarken
Publisher: Princeton University Press
ISBN: 1400860970
Category : Literary Criticism
Languages : en
Pages : 369
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Book Description
To teach the truth smilingly was, during the Renaissance, a frequently expressed goal among prose writers and poets such as Erasmus, Berni, Ronsard, Rabelais, and du Bellay, who adopted an ironic posture within their mock encomia in order to refer the reader beyond the realm of the literary structure. In this book Annette Tomarken reconstructs the history of the classical satirical eulogy as it was revived, expanded, and finally adapted to new purposes in Renaissance literature. Tracing the development of this type of paradox from its classic roots through the Neo-Latin, Italian, and French mock encomia, Tomarken examines its various forms in the Renaissance, including the Pliade "hymne-blason," the mock epitaph, and the stage "harangue." Her book provides a new context for such works as In Praise of Folly and for such literary passages as Rabelais's praise of debts and Falstaff's denunciation of honor. Dividing the eulogies into three groups--praises of vices, disease, and animals and insects--Tomarken brings humor as well as close textual analysis to her study. She finds that the practitioners of the form were aware of its history and that such self-awareness became an integral part of the works themselves. An increased sensitivity to the literary structure and history of the paradoxical encomium, Tomarken stresses, first requires and then enriches our understanding of the genre's relationship to the extra-literary domain. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: International Arthurian Society
Publisher:
ISBN:
Category : Arthurian romances
Languages : en
Pages : 684
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Author: Glyn S. Burgess
Publisher: Routledge
ISBN: 042959044X
Category : Literary Collections
Languages : en
Pages : 272
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Originally compiled and published in 1988, this volume contains the text and translation of 'The Pilgrimmage of Charlemagne' and 'Aucassin and Nicolette,' alongisde textual notes and a bibliography for both.
Author: Julie Singer
Publisher: Boydell & Brewer Ltd
ISBN: 1843842726
Category : Literary Criticism
Languages : en
Pages : 251
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Book Description
An examination of the ways in which late medieval lyric poetry can be seen to engage with contemporary medical theory. This book argues that late medieval love poets, from Petrarch to Machaut and Charles d'Orléans, exploit scientific models as a broad framework within which to redefine the limits of the lyric subject and his body. Just as humoraltheory depends upon principles of likes and contraries in order to heal, poetry makes possible a parallel therapeutic system in which verbal oppositions and substitutions counter or rewrite received medical wisdom. The specific case of blindness, a disability that according to the theories of love that predominated in the late medieval West foreclosed the possibility of love, serves as a laboratory in which to explore poets' circumvention of the logical limits of contemporary medical theory. Reclaiming the power of remedy from physicians, these late medieval French and Italian poets prompt us to rethink not only the relationship between scientific and literary authority at the close of the middle ages, but, more broadly speaking, the very notion of therapy. Julie Singer is Assistant Professor of French at Washington University, St Louis.
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1608
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Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 350
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