Perspectives of Irony on Medieval French Literature PDF Download
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Author: Vladimir R. Rossman
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110821117
Category : Foreign Language Study
Languages : en
Pages : 200
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Book Description
No detailed description available for "Perspectives of Irony on Medieval French Literature".
Author: Vladimir R. Rossman
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110821117
Category : Foreign Language Study
Languages : en
Pages : 200
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Book Description
No detailed description available for "Perspectives of Irony on Medieval French Literature".
Author: Vladimir Rodion Rossman
Publisher:
ISBN:
Category : French literature
Languages : en
Pages : 408
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Book Description
Author: Julie Singer
Publisher: Boydell & Brewer Ltd
ISBN: 1843842726
Category : Literary Criticism
Languages : en
Pages : 251
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Book Description
An examination of the ways in which late medieval lyric poetry can be seen to engage with contemporary medical theory. This book argues that late medieval love poets, from Petrarch to Machaut and Charles d'Orléans, exploit scientific models as a broad framework within which to redefine the limits of the lyric subject and his body. Just as humoraltheory depends upon principles of likes and contraries in order to heal, poetry makes possible a parallel therapeutic system in which verbal oppositions and substitutions counter or rewrite received medical wisdom. The specific case of blindness, a disability that according to the theories of love that predominated in the late medieval West foreclosed the possibility of love, serves as a laboratory in which to explore poets' circumvention of the logical limits of contemporary medical theory. Reclaiming the power of remedy from physicians, these late medieval French and Italian poets prompt us to rethink not only the relationship between scientific and literary authority at the close of the middle ages, but, more broadly speaking, the very notion of therapy. Julie Singer is Assistant Professor of French at Washington University, St Louis.
Author: John Evan Seery
Publisher: Routledge
ISBN: 1000307336
Category : Political Science
Languages : en
Pages : 349
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Book Description
This book presents a theory of the politics of irony and tests this theory through readings of political theory texts and through an analysis of the politics of the contemporary anti-nuclear movement, and argues that political writing must be ironic.
Author: Simon Gaunt
Publisher: Cambridge University Press
ISBN: 9780521058483
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
From Petrarch and Dante to Pound and Eliot, the influence of the troubadours on European poetry has been profound. They have rightly stimulated a vast amount of critical writing, but the majority of modern critics see the troubadour tradition as a corpus of earnestly serious and confessional love poetry, with little or no humour. Troubadours and Irony re-examines the work of five early troubadours, namely Marcabru, Bernart Marti, Peire d'Alvernha, Raimbaut d'Aurenga and Giraut de Borneil, to argue that the courtly poetry of southern France in the twelfth century was permeated with irony and that many troubadour songs were playful, laced with humorous sexual innuendo and far from serious; attention is also drawn to the large corpus of texts that are not love poems, but comic or satirical songs.
Author: Anne Elizabeth Cobby
Publisher: BRILL
ISBN: 9004648399
Category : Foreign Language Study
Languages : en
Pages : 190
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Book Description
Much work has already been done on the conventions and formulae of Old French literature, particularly epic literature, and on parody in the French Middle Ages. This book links these approaches, widens the concept of 'formula', and aims to show that certain authors, far from being enslaved by the conventions within which they worked, were conscious of them and could master them with sufficient independence to exploit them for calculated literary effect, and in particular for parody. It studies the fabliaux, Aucassin et Nicolette and Le Pèlerinage de Charlemagne, texts in which formulae play a varied and subtle part. In the fabliaux we find that formulae borrowed from serious literature add parodic depth to the often simple humour of these tales, but that the genre as a whole is not essentially parodic. Aucassin et Nicolette uses conventions to arouse expectations which may or may not be satisfied; parody proves to be fundamental to this work. The approach shows its full potential when applied to Le Pèlerinage de Charlemagne; study of this text's use of formulae of the epic and romance traditions reveals a high degree of complexity and a finely nuanced parody.
Author: Keith Busby
Publisher: Routledge
ISBN: 1136783520
Category : Literary Criticism
Languages : en
Pages : 370
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Book Description
First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Don A. Monson
Publisher: BRILL
ISBN: 9004504494
Category : Literary Criticism
Languages : en
Pages : 369
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Book Description
This is the first study to apply some of the results of modern cognitive science to all the major genres of the courtly love literature of medieval France (twelfth and thirteenth centuries) in Occitan, Old French, and Latin.
Author: Cord J. Whitaker
Publisher: University of Pennsylvania Press
ISBN: 081225158X
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
In the late Middle Ages, Christian conversion could wash a black person's skin white—or at least that is what happens when a black sultan converts to Christianity in the English romance King of Tars. In Black Metaphors, Cord J. Whitaker examines the rhetorical and theological moves through which blackness and whiteness became metaphors for sin and purity in the English and European Middle Ages—metaphors that guided the development of notions of race in the centuries that followed. From a modern perspective, moments like the sultan's transformation present blackness and whiteness as opposites in which each condition is forever marked as a negative or positive attribute; medieval readers were instead encouraged to remember that things that are ostensibly and strikingly different are not so separate after all, but mutually construct one another. Indeed, Whitaker observes, for medieval scholars and writers, blackness and whiteness, and the sin and salvation they represent, were held in tension, forming a unified whole. Whitaker asks not so much whether race mattered to the Middle Ages as how the Middle Ages matters to the study of race in our fraught times. Looking to the treatment of color and difference in works of rhetoric such as John of Garland's Synonyma, as well as in a range of vernacular theological and imaginative texts, including Robert Manning's Handlyng Synne, and such lesser known romances as The Turke and Sir Gawain, he illuminates the process by which one interpretation among many became established as the truth, and demonstrates how modern movements—from Black Lives Matter to the alt-right—are animated by the medieval origins of the black-white divide.
Author: Don A. Monson
Publisher: CUA Press
ISBN: 081321419X
Category : History
Languages : en
Pages : 398
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Book Description
This book, the first study in English devoted entirely to Andreas Capellanus's De Amore, presents a comprehensive inquiry into the influence of scholasticism on the structure and organization of the work, applying methods of medieval philosophy and intellectual history to an important problem in medieval literary studies.
