Author: Norah M. Titley
Publisher: London : British Library
ISBN:
Category : Design
Languages : en
Pages : 280
Book Description
Persian Miniature Painting and Its Influence on the Art of Turkey and India
Author: Norah M. Titley
Publisher: London : British Library
ISBN:
Category : Design
Languages : en
Pages : 280
Book Description
Publisher: London : British Library
ISBN:
Category : Design
Languages : en
Pages : 280
Book Description
Persian Miniature Painting and Its Influence on the Art of Turkey and India
Author: Norah M. Titley
Publisher:
ISBN: 9780292764842
Category : Art
Languages : en
Pages : 272
Book Description
Publisher:
ISBN: 9780292764842
Category : Art
Languages : en
Pages : 272
Book Description
Perspectives on Persian Painting
Author: Dr Barbara Brend
Publisher: Routledge
ISBN: 1136854185
Category : Art
Languages : en
Pages : 380
Book Description
This is a detailed study of the illustrations to Amir Khusrau's Khamsah, in which twenty discourses are followed by a brief parable, and four romances. Amir Khusrau (1253-1325) lived the greater part of adventurous life in Delhi; he composed in Persian, and also in Hindi. From the point of view of manuscript illustration, his most important work is his Khamsah (Quintet'). Khusrau's position as a link between cultures of Persia and India means that the early illustrated copies of the Khamsah have a particular interest. The first extant exemplar is from the Persian area in the late 14th century, but a case can be made that work was probably illustrated earlier in India.
Publisher: Routledge
ISBN: 1136854185
Category : Art
Languages : en
Pages : 380
Book Description
This is a detailed study of the illustrations to Amir Khusrau's Khamsah, in which twenty discourses are followed by a brief parable, and four romances. Amir Khusrau (1253-1325) lived the greater part of adventurous life in Delhi; he composed in Persian, and also in Hindi. From the point of view of manuscript illustration, his most important work is his Khamsah (Quintet'). Khusrau's position as a link between cultures of Persia and India means that the early illustrated copies of the Khamsah have a particular interest. The first extant exemplar is from the Persian area in the late 14th century, but a case can be made that work was probably illustrated earlier in India.
A Companion to Islamic Art and Architecture
Author: Finbarr Barry Flood
Publisher: John Wiley & Sons
ISBN: 1119068576
Category : Art
Languages : en
Pages : 1442
Book Description
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)
Publisher: John Wiley & Sons
ISBN: 1119068576
Category : Art
Languages : en
Pages : 1442
Book Description
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)
Turkish Miniature Paintings and Manuscripts from the Collection of Edwin Binney 3rd
Author: Edwin Binney
Publisher: Metropolitan Museum of Art
ISBN: 0870990772
Category : Art, Islamic
Languages : en
Pages : 140
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0870990772
Category : Art, Islamic
Languages : en
Pages : 140
Book Description
Shahnama
Author: Robert Hillenbrand
Publisher: Routledge
ISBN: 1351548921
Category : Literary Criticism
Languages : en
Pages : 201
Book Description
Shahnama: The Visual Language of the Persian Book of Kings presents the first comprehensive examination of the interplay between text and image in the celebrated Persian national epic, the Shahnama, written by the poet Firdausi of Tus. The Shahnama is one of the longest poems ever composed and recounts the history of Iran from the dawn of time to the Muslim Arab conquests of the seventh century AD. There is no Persian text, in prose or poetry, which has been so frequently and lavishly illustrated. Offering fresh insights through a range of varied art-historical approaches to the Shahnama, the essays in this volume reveal how the subtle alterations in text and image serve to document changes in taste and style and can be understood as reflections of the changing role of the national epic in the imagination of Iranians and the equally changing messages - often political in nature - which the familiar stories were made to convey over the centuries.
Publisher: Routledge
ISBN: 1351548921
Category : Literary Criticism
Languages : en
Pages : 201
Book Description
Shahnama: The Visual Language of the Persian Book of Kings presents the first comprehensive examination of the interplay between text and image in the celebrated Persian national epic, the Shahnama, written by the poet Firdausi of Tus. The Shahnama is one of the longest poems ever composed and recounts the history of Iran from the dawn of time to the Muslim Arab conquests of the seventh century AD. There is no Persian text, in prose or poetry, which has been so frequently and lavishly illustrated. Offering fresh insights through a range of varied art-historical approaches to the Shahnama, the essays in this volume reveal how the subtle alterations in text and image serve to document changes in taste and style and can be understood as reflections of the changing role of the national epic in the imagination of Iranians and the equally changing messages - often political in nature - which the familiar stories were made to convey over the centuries.
Persian Drawings in the Metropolitan Museum of Art
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870995642
Category : Drawing
Languages : en
Pages : 97
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0870995642
Category : Drawing
Languages : en
Pages : 97
Book Description
Sultan Ibrahim Mirza's Haft Awrang
Author: Marianna Shreve Simpson
Publisher: Yale University Press
ISBN: 0300068026
Category : Art
Languages : en
Pages : 452
Book Description
Simpson explores the production, purpose and meaning of the Haft awrang (Seven Thrones), providing historical documentation about its princely patron and artists, and analysing its contents. She focuses in particular on the iconography of the seven poems.
Publisher: Yale University Press
ISBN: 0300068026
Category : Art
Languages : en
Pages : 452
Book Description
Simpson explores the production, purpose and meaning of the Haft awrang (Seven Thrones), providing historical documentation about its princely patron and artists, and analysing its contents. She focuses in particular on the iconography of the seven poems.
Grove Encyclopedia of Islamic Art & Architecture: Three-Volume Set
Author: Jonathan Bloom
Publisher: Oxford University Press
ISBN: 019530991X
Category : Architecture
Languages : en
Pages : 1697
Book Description
The Grove Encyclopedia of Islamic Art and Architecture is the most comprehensive reference work in this complex and diverse area of art history. Built on the acclaimed scholarship of the Grove Dictionary of Art, this work offers over 1,600 up-to-date entries on Islamic art and architecture ranging from the Middle East to Central and South Asia, Africa, and Europe and spans over a thousand years of history. Recent changes in Islamic art in areas such as Afghanistan, Iran, and Iraq are elucidated here by distinguished scholars. Entries provide in-depth art historical and cultural information about dynasties, art forms, artists, architecture, rulers, monuments, archaeological sites and stylistic developments. In addition, over 500 illustrations of sculpture, mosaic, painting, ceramics, architecture, metalwork and calligraphy illuminate the rich artistic tradition of the Islamic world. With the fundamental understanding that Islamic art is not limited to a particular region, or to a defined period of time, The Grove Encyclopedia of Islamic Art and Architecture offers pathways into Islamic culture through its art.
Publisher: Oxford University Press
ISBN: 019530991X
Category : Architecture
Languages : en
Pages : 1697
Book Description
The Grove Encyclopedia of Islamic Art and Architecture is the most comprehensive reference work in this complex and diverse area of art history. Built on the acclaimed scholarship of the Grove Dictionary of Art, this work offers over 1,600 up-to-date entries on Islamic art and architecture ranging from the Middle East to Central and South Asia, Africa, and Europe and spans over a thousand years of history. Recent changes in Islamic art in areas such as Afghanistan, Iran, and Iraq are elucidated here by distinguished scholars. Entries provide in-depth art historical and cultural information about dynasties, art forms, artists, architecture, rulers, monuments, archaeological sites and stylistic developments. In addition, over 500 illustrations of sculpture, mosaic, painting, ceramics, architecture, metalwork and calligraphy illuminate the rich artistic tradition of the Islamic world. With the fundamental understanding that Islamic art is not limited to a particular region, or to a defined period of time, The Grove Encyclopedia of Islamic Art and Architecture offers pathways into Islamic culture through its art.
Shahnama Studies II
Author: Charles Melville
Publisher: BRILL
ISBN: 9004228632
Category : History
Languages : en
Pages : 364
Book Description
This volume explores different aspects of the reception of Firdausi’s Shahnama or ‘Book of Kings’, both within Iran and in neighbouring lands. Later poets and writers not only looked to Firdausi’s work for a model, but supplemented its stories with other narratives or absorbed the characters and the moral values of the poem into their own works. Several chapters focus on the literary traditions fed by the Shahnama, including reports of the continuing oral performances of its more popular stories. Others discuss Firdausi’s impact on the creative imagination of the miniature painters who illustrated manuscript copies of the Shahnama in the courts of the Ottoman Empire, Moghul India, and the Central Asia Khanates up till the seventeenth century. Contributors include Gabrielle van den Berg, Francesca Leoni, Farhad Mehran, Bilha Moor, Adeela Qureshi, Ravshan Rahmoni, Julia Rubanovich, Karin Ruehrdanz, Jan Schmidt, Ivan Steblin-Kamenski, Zeren Tanindi, Lâle Uluç, Evangelos Venetis, Olga Yastrebova, and Marjolijn van Zutphen.
Publisher: BRILL
ISBN: 9004228632
Category : History
Languages : en
Pages : 364
Book Description
This volume explores different aspects of the reception of Firdausi’s Shahnama or ‘Book of Kings’, both within Iran and in neighbouring lands. Later poets and writers not only looked to Firdausi’s work for a model, but supplemented its stories with other narratives or absorbed the characters and the moral values of the poem into their own works. Several chapters focus on the literary traditions fed by the Shahnama, including reports of the continuing oral performances of its more popular stories. Others discuss Firdausi’s impact on the creative imagination of the miniature painters who illustrated manuscript copies of the Shahnama in the courts of the Ottoman Empire, Moghul India, and the Central Asia Khanates up till the seventeenth century. Contributors include Gabrielle van den Berg, Francesca Leoni, Farhad Mehran, Bilha Moor, Adeela Qureshi, Ravshan Rahmoni, Julia Rubanovich, Karin Ruehrdanz, Jan Schmidt, Ivan Steblin-Kamenski, Zeren Tanindi, Lâle Uluç, Evangelos Venetis, Olga Yastrebova, and Marjolijn van Zutphen.