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Author:
Publisher:
ISBN: 9780956364746
Category :
Languages : en
Pages :
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Author:
Publisher:
ISBN: 9780956364746
Category :
Languages : en
Pages :
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Author: Pearl Kinnear McGown
Publisher:
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 88
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Book Description
Author: Francesca Cartier Brickell
Publisher: Ballantine Books
ISBN: 0525621636
Category : Biography & Autobiography
Languages : en
Pages : 673
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Book Description
“A dynamic group biography studded with design history and high-society dash . . . [This] elegantly wrought narrative bears the Cartier hallmark.”—The Economist The “astounding” (André Leon Talley) story of the family behind the Cartier empire and the three brothers who turned their grandfather’s humble Parisian jewelry store into a global luxury icon—as told by a great-granddaughter with exclusive access to long-lost family archives “Ms. Cartier Brickell has done her grandfather proud.”—The Wall Street Journal The Cartiers is the revealing tale of a jewelry dynasty—four generations, from revolutionary France to the 1970s. At its heart are the three Cartier brothers whose motto was “Never copy, only create” and who made their family firm internationally famous in the early days of the twentieth century, thanks to their unique and complementary talents: Louis, the visionary designer who created the first men’s wristwatch to help an aviator friend tell the time without taking his hands off the controls of his flying machine; Pierre, the master dealmaker who bought the New York headquarters on Fifth Avenue for a double-stranded natural pearl necklace; and Jacques, the globe-trotting gemstone expert whose travels to India gave Cartier access to the world’s best rubies, emeralds, and sapphires, inspiring the celebrated Tutti Frutti jewelry. Francesca Cartier Brickell, whose great-grandfather was the youngest of the brothers, has traveled the world researching her family’s history, tracking down those connected with her ancestors and discovering long-lost pieces of the puzzle along the way. Now she reveals never-before-told dramas, romances, intrigues, betrayals, and more. The Cartiers also offers a behind-the-scenes look at the firm’s most iconic jewelry—the notoriously cursed Hope Diamond, the Romanov emeralds, the classic panther pieces—and the long line of stars from the worlds of fashion, film, and royalty who wore them, from Indian maharajas and Russian grand duchesses to Wallis Simpson, Coco Chanel, and Elizabeth Taylor. Published in the two-hundredth anniversary year of the birth of the dynasty’s founder, Louis-François Cartier, this book is a magnificent, definitive, epic social history shown through the deeply personal lens of one legendary family.
Author: Lee Wilkinson
Publisher: Harlequin
ISBN: 1426811020
Category : Fiction
Languages : en
Pages : 184
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Book Description
A pearl beyond price… Rare beauty Sophia Jordan has captured wealthy businessman Stephen Haviland's eye. And in Venice he'll execute his ruthless plan…. Sophia is swept off her feet by the handsome British billionaire, not realizing that Stephen knows something she doesn't: she is heiress to the priceless Padova pearls. Once the truth is revealed Stephen will see Sophia, and the pearls, in naked glory….
Author: H.G. Hutting
Publisher: AuthorHouse
ISBN: 1452041520
Category : Fiction
Languages : en
Pages : 350
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Book Description
As the twilight turned into night, the pyramids lay deserted. The Tuaregs on silent horses were flying across the desert around the pyramids and the great Sphinx, making sure that what was about to take place was unobserved. A cortege of torches was winding its way down the tall dune towards the great Sphinx. Phillipa, holding the silver Urn with the Heidrichs ashes, rode at the center of the cortege. Reaching the Sphinx, the torchbearers broke into two columns to form an honor guard of light through which Phillipa rode to meet the matriarch standing between the Sphinx’s mighty paws. Phillipa slowly handed the urn to her. A deep hole had been chiseled into the Sphinx’s chest where one would think the heart might be. The urn was pushed gently into the cool depth of the Sphinx. The opening disappeared in front of Phillipa’s eyes under the skilled hands of a stonemason. No one would suspect that the Sphinx had been tampered with. One by one the Tuareg torchbearers rode up the passage between the mighty paws of the Sphinx and dropped their torches in front of the Heidrichs secret burial chamber––a final salute to the man who had translated their tablets. That night they slept outside under the stars. The matriarch’s stallion came to greet Phillipa. She rubbed his forehead and velvety nose and then kissed it, as she had done long ago when she had been here with Udah Singh. “He likes you and wishes you well,” said the matriarch behind her. “ You have a gift with horses that I have not seen before.” She continued, “You still love both equally, and that confuses you profoundly. Give yourself permission to love and be loved. Don’t let conventions and western customs dictate your life. Live happy and free.”
Author: Elizabeth King
Publisher: Taylor & Francis
ISBN: 1000965481
Category : Literary Criticism
Languages : en
Pages : 239
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Book Description
Why do writers so often write about writers? This book offers the first comprehensive account of the phenomenon of the fictional novelist as a character in literature, arguing that our notions of literary genius – and what it means to be an author – are implicitly shaped by and explicitly challenged in novels about novelists, a genre that has been critically underexamined. Employing both close and distant reading techniques to analyse a large corpus of author-stories, The Novelist in the Novel explores the forms and functions of author-stories and the characters within them, offering a new theory that frames these works as textual sites at which questions of literary value and the cultural conceptions around authorship are constantly being negotiated and revised in a form of covert criticism aimed directly at readers. While nineteenth-century novels about novelists reveal a pervasive frustration with the market – a starving artist vs. commercial sell-out dichotomy – modernist examples of the genre focus on the development of the individual author-as-artist, entirely aloof from the marketplace and from the literary sphere at large. Yet, each of these dynamics is gendered, with women denigrated to commercial producers and men elevated to artists, and while the canon has largely supported the male view of authorship, a closer look at the work of women writers from this period reveals concerted attempts to counteract it. "Silly Lady Novelists" are pitted against serious male modernists in a battle to define what it means to be a literary genius.
Author: A. Cecil Edwards
Publisher:
ISBN: 9780715650721
Category :
Languages : en
Pages :
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Author: George Gordon N. Byron (6th baron.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 740
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Author: Fiona Lindsay Shen
Publisher: Reaktion Books
ISBN: 1789146224
Category : Science
Languages : en
Pages : 288
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Book Description
From their creation in the maw of mollusks to lustrous objects of infatuation and conflict, a revealing look at pearls’ dark history. This book is a beautifully illustrated account of pearls through millennia, from fossils to contemporary jewelry. Pearls are the most human of gems, both miraculous and familiar. Uniquely organic in origin, they are as intimate as our bodies, created through the same process as we grow bones and teeth. They have long been described as an animal’s sacrifice, but until recently their retrieval often entailed the sacrifices of enslaved and indentured divers and laborers. While the shimmer of the pearl has enticed Roman noblewomen, Mughal princes, Hollywood royalty, mavericks, and renegades, encoded in its surface is a history of human endeavor, abuse, and aspiration—pain locked in the layers of a gleaming gem.
Author: Minoo Moallem
Publisher: Routledge
ISBN: 1351970089
Category : Social Science
Languages : en
Pages : 260
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Book Description
Persian Carpets: the Nation As a Transnational Commodity tracks the Persian carpet as an exotic and mythological object, as a commodity, and as an image from mid-nineteenth-century England to contemporary Iran and the Iranian diaspora. Following the journey of this single object, the book brings issues of labor into conversation with the politics of aesthetics. It focuses on the carpet as a commodity which crosses the boundaries of private and public, religious and secular, culture and economy, modern and traditional, home and diaspora, and art and commodity to tell the story of transnational interconnectivity. Bringing transnational feminist cultural studies, ethnography, and network studies within the same frame of reference, this book sheds light on Orientalia as civilizational objects that emerged as commodities in the encounter between the West and the many directly or indirectly colonized Middle Eastern and West Asian cultures, focusing on the specific example of Persian carpets as some of the most extensively valued and traded objects since colonial modernity.
