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Author: Mimasha Pandit
Publisher: Oxford University Press
ISBN: 0199099758
Category : History
Languages : en
Pages : 270
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Book Description
This book serves as the corridor to one’s ‘self’. It began as a humble attempt to interrogate the performance history of Swadeshi Bengal. The burgeoning public space and audibility of voices hitherto unheard presented a two-way problem, for the colonisers, as well as for the colonised. The thinking mind that hid behind a facade of obedience suddenly appeared before all. The transparent veil separating the hidden from the manifest was torn apart. In the context of swadeshi and boycott agitation, performative spaces like theatre, jatra, and songs did not just serve as a forum for disseminating the notions of nationhood put forward by the intellectuals. The ideas gained a life of their own once they were placed in the performative space. Encompassing both the performer and the audience/recipient of the ideas, the notion underwent a change at various planes of consciousness. The notion of nation, as disseminated by the performances, acquired a different meaning at the level of enactment, and attained an entirely new substance when received by the audience. None of these exchanges occurred in complete passivity of any one party present in the performative space. Consequently, the emergent emotion of nationhood developed as a nuanced image of ‘self’. This book has tried to locate the beginning of that emotion of national ‘self’.
Author: Mimasha Pandit
Publisher: Oxford University Press
ISBN: 0199099758
Category : History
Languages : en
Pages : 270
Get Book Here
Book Description
This book serves as the corridor to one’s ‘self’. It began as a humble attempt to interrogate the performance history of Swadeshi Bengal. The burgeoning public space and audibility of voices hitherto unheard presented a two-way problem, for the colonisers, as well as for the colonised. The thinking mind that hid behind a facade of obedience suddenly appeared before all. The transparent veil separating the hidden from the manifest was torn apart. In the context of swadeshi and boycott agitation, performative spaces like theatre, jatra, and songs did not just serve as a forum for disseminating the notions of nationhood put forward by the intellectuals. The ideas gained a life of their own once they were placed in the performative space. Encompassing both the performer and the audience/recipient of the ideas, the notion underwent a change at various planes of consciousness. The notion of nation, as disseminated by the performances, acquired a different meaning at the level of enactment, and attained an entirely new substance when received by the audience. None of these exchanges occurred in complete passivity of any one party present in the performative space. Consequently, the emergent emotion of nationhood developed as a nuanced image of ‘self’. This book has tried to locate the beginning of that emotion of national ‘self’.
Author: Thomas Riccio
Publisher: Peter Lang
ISBN: 9780820488998
Category : Art
Languages : en
Pages : 260
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Book Description
Original Scholarly Monograph
Author: Stephanie Nohelani Teves
Publisher: University of Arizona Press
ISBN: 0816531501
Category : Language Arts & Disciplines
Languages : en
Pages : 369
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Book Description
Native Studies Keywords is a genealogical project that looks at the history of words that claim to have no history. The end goal is not to determine which words are appropriate but to critically examine words that are crucial to Native studies, in hopes of promoting debate and critical interrogation.
Author: Javier Gimeno-Martínez
Publisher: Bloomsbury Publishing
ISBN: 1472591062
Category : Design
Languages : en
Pages : 241
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Book Description
This important study introduces the key theories of national identity, and relates them to the broad fields of product, graphic and fashion design. Javier Gimeno-Martinez approaches the inter-relationship between national identity and cultural production from two perspectives: the distinctive characteristics of a nation's output, and the consumption of design products within a country as a means of generating a national design landscape. Using case studies ranging from stamps in nineteenth century Russian-occupied Finland, to Coca-Cola as an 'American' drink in modern Trinidad and Tobago, he addresses concepts of essentialism, constructivism, geography and multiculturality, and considers the works of key theorists, including Benedict Anderson, Eric Hobsbawm and Doreen Massey. This illuminating book offers the first comprehensive account of how national identity and cultural policy have shaped design, while suggesting that traditional formations of the 'national' are increasingly unsustainable in an age of globalisation, migration and cultural diversity. Javier Gimeno-Martinez is Lecturer in Design Cultures at the VU University Amsterdam, The Netherlands.
Author: Sarvani Gooptu
Publisher: Taylor & Francis
ISBN: 1000901254
Category : Performing Arts
Languages : en
Pages : 224
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Book Description
This book studies the intersection of performance and nationalism in South Asia.It traces the emergence of the culture of nationalism from the late nineteenth century through to contemporary times. Drawing on various theatrical performance texts, it looks at the ways in which performative narratives have reflected the national narrative and analyses the role performance has played in engendering nationhood. The volume discusses themes such as political martyrdom as performative nationalism, the revitalisation of nationalism through new media, the sanitisation of physical gestures in dance, the performance of nationhood through violence in Tajiki films, as well as K-Pop and the new northeastern identity in India. A unique contribution to the study of nationalism, this book will be useful for scholars and researchers of history, theatre and performance studies, cultural studies, postcolonial studies, modern India, Asian studies, political studies, social anthropology and sociology.
Author: Julie Burelle
Publisher: Northwestern University Press
ISBN: 0810138980
Category : Performing Arts
Languages : en
Pages : 322
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Book Description
Winner, 2019 John W. Frick Book Award Winner, 2020 Ann Saddlemyer Award Finalist, ATHE Outstanding Book Award for 2020 Mention Spéciale, Société québécoise d'études théâtrale In Encounters on Contested Lands, Julie Burelle employs a performance studies lens to examine how instances of Indigenous self-representation in Québec challenge the national and identity discourses of the French Québécois de souche—the French-speaking descendants of white European settlers who understand themselves to be settlers no more but rather colonized and rightfully belonging to the territory of Québec. Analyzing a wide variety of performances, Burelle brings together the theater of Alexis Martin and the film L'Empreinte, which repositions the French Québécois de souche as métis, with protest marches led by Innu activists; the Indigenous company Ondinnok's theater of repatriation; the films of Yves Sioui Durand, Alanis Obomsawin, and the Wapikoni Mobile project; and the visual work of Nadia Myre. These performances, Burelle argues, challenge received definitions of sovereignty and articulate new ones while proposing to the province and, more specifically, to the French Québécois de souche, that there are alternative ways to imagine Québec's future and remember its past. The performances insist on Québec's contested nature and reframe it as animated by competing sovereignties. Together they reveal how the "colonial present tense" and "tense colonial present" operate in conjunction as they work to imagine an alternative future predicated on decolonization. Encounters on Contested Lands engages with theater and performance studies while making unique and needed contributions to Québec and Canadian studies, as well as to Indigenous and settler-colonial studies.
Author: Priyanka Basu
Publisher: Taylor & Francis
ISBN: 1000960889
Category : Social Science
Languages : en
Pages : 274
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Book Description
This book explores the ‘folk’ performance genre of Kobigaan, a dialogic song-theatre form in which performers verse-duel, in contemporary West Bengal in India and Bangladesh. Thought to be a nearly extinct form, the book shows how the genre is still prevalent in the region. The author shows how like many other ‘folk’ practices in South and South-East Asia, the content and format of this genre has undergone vital changes thus raising questions of authenticity, patronage and cultural politics. She captures live performances of Kobigaan through ethnographies spread across borders — from village rituals to urban festivals, and from Bengali cinema to television and new media. While understanding Kobigaan from the practitioners’ points-of-view, this book also explores the crucial issues of gender, marginalization and representation that is true of any performance genre. Drawing on case studies, it underlines the issues of artistic agency, empowerment, cultural labour and heritage, ritual, authenticity, creative industries, media, gender, and identity politics. Part of the ‘South Asian History and Culture’ series, this book is a major intervention in South Asian folklore and performance studies. It also expands into the larger disciplines of literature, social and cultural movements in South Asia, ethnomusicology and the politics of performance.
Author: Elizabeth A. Osborne
Publisher: SIU Press
ISBN: 0809334208
Category : History
Languages : en
Pages : 265
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Book Description
Theatre has long been an art form of subterfuge and concealment. Working in the Wings: New Perspectives on Theatre History and Labor, edited by Elizabeth A. Osborne and Christine Woodworth, brings attention to what goes on behind the scenes, challenging, and revising our understanding of work, theatre, and history. Essays consider a range of historic moments and geographic locations—from African Americans’ performance of the cakewalk in Florida’s resort hotels during the Gilded Age to the UAW Union Theatre and striking automobile workers in post–World War II Detroit, to the struggle in the latter part of the twentieth century to finish an adaptation of Moby Dick for the stage before the memory of creator Rinde Eckert failed. Contributors incorporate methodologies and theories from fields as diverse as theatre history, work studies, legal studies, economics, and literature and draw on traditional archival materials, including performance texts and architectural structures, as well as less tangible material traces of stagecraft. Working in the Wings looks at the ways in which workers' identities are shaped, influenced, and dictated by what they do; the traces left behind by workers whose contributions have been overwritten; the intersections between the sometimes repetitive and sometimes destructive process of creation and the end result—the play or performance; and the ways in which theatre affects the popular imagination. This collected volume draws attention to the significance of work in the theatre, encouraging a fresh examination of this important subject in the history of the theatre and beyond.
Author: Chief Editor (Author)- Biplab Auddya, Editor- Dhodi Sachin Kisan, Mrs. Pritam Vikas Maral, Dr. Ruma Bhadauria, Dr. Anirban Hazra, Mr. Neelanjan Mitra, Dr. Devimeenakshi. K., Dr. Sudipta Sil
Publisher: The Hill Publication
ISBN: 8196270259
Category : Antiques & Collectibles
Languages : en
Pages : 114
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Book Description
Multidisciplinary Research / Approach /Subject/Education is a unique part of education. By this education students learn and collect knowledge/ideas from different disciplines. The present book volume is based on the Multidisciplinary Research and introduces on different important topics by research paper contributors like: IMPORTANCE OF RESEARCH IN MEDICAL EDUCATION, Women Empowerment and Gender Justice, APPLICATION OF STATISTICS IN BUSINESS, Developmental Toxicity and Gene Expression changes in Buenos Aires Tetra, Hemigrammus caudovittatus exposed to Chlorpyrifos, Crop Yield Prediction Using Data Science: Techniques and Applications, Dynamics of Social Engineering and Development, PERSONALITY TRAITS AMONG CONTACT AND NON-CONTACT PLAYERS, Tracing the Philosophical Footing of Abhinav India, A Smart Solid Waste Management in Smart Cities, Education: The Potential instrument of Poverty alleviation, Social status of women in Kashmir valley, EMPLOYEE RETENTION & DEVELOPMENT: A STRATEGIC ASSESSMENT ON GRUHA LAKSHMI FOOD INDUSTRIES IN KADAPA DISTRICT AT ANDHRA PRADESH, IMPACT OF AI ON RECRUITMENT AND SELECTION. Thanks to The Hill Publication, all Editors and all Research Paper Contributors of this Book {Innovation of Multidisciplinary Research in Present and Future Time (Volume-5}.
Author: Brendan Hokowhitu
Publisher: Routledge
ISBN: 0429802374
Category : Social Science
Languages : en
Pages : 615
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Book Description
The Routledge Handbook of Critical Indigenous Studies is the first comprehensive overview of the rapidly expanding field of Indigenous scholarship. The book is ambitious in scope, ranging across disciplines and national boundaries, with particular reference to the lived conditions of Indigenous peoples in the first world. The contributors are all themselves Indigenous scholars who provide critical understandings of indigeneity in relation to ontology (ways of being), epistemology (ways of knowing), and axiology (ways of doing) with a view to providing insights into how Indigenous peoples and communities engage and examine the worlds in which they are immersed. Sections include: • Indigenous Sovereignty • Indigeneity in the 21st Century • Indigenous Epistemologies • The Field of Indigenous Studies • Global Indigeneity This handbook contributes to the re-centring of Indigenous knowledges, providing material and ideational analyses of social, political, and cultural institutions and critiquing and considering how Indigenous peoples situate themselves within, outside, and in relation to dominant discourses, dominant postcolonial cultures and prevailing Western thought. This book will be of interest to scholars with an interest in Indigenous peoples across Literature, History, Sociology, Critical Geographies, Philosophy, Cultural Studies, Postcolonial Studies, Native Studies, Māori Studies, Hawaiian Studies, Native American Studies, Indigenous Studies, Race Studies, Queer Studies, Politics, Law, and Feminism.
