Parables on a Roman Comic Stage: Samarites — Comoedia de Samaritano Evangelico (1539) by Petrus Papeus

Parables on a Roman Comic Stage: Samarites — Comoedia de Samaritano Evangelico (1539) by Petrus Papeus PDF Author: Daniel J. Nodes
Publisher: BRILL
ISBN: 900434019X
Category : History
Languages : en
Pages : 393

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Book Description
The Samarites by Petrus Papeus offers an effective blending of gospel narrative and ancient Roman comedy, combining manner of Plautus and Terence with the didacticism of medieval allegory and morality plays and the poetic diction of Renaissance humanism. In the Samarites they are the ingredients that present both moral and doctrinal teachings related to the gospel parables of the Prodigal Son and Good Samaritan. Papeus’ work is an excellent example not only of the early modern school play, but also of the shifting conceptions of drama in Europe at that time. Daniel Nodes presents a critical edition and translation of the play together with a humanist commentary produced in Toledo by Alexius Vanegas three years after the play’s first printing in Antwerp.

Parables on a Roman Comic Stage: Samarites — Comoedia de Samaritano Evangelico (1539) by Petrus Papeus

Parables on a Roman Comic Stage: Samarites — Comoedia de Samaritano Evangelico (1539) by Petrus Papeus PDF Author: Daniel J. Nodes
Publisher: BRILL
ISBN: 900434019X
Category : History
Languages : en
Pages : 393

Get Book Here

Book Description
The Samarites by Petrus Papeus offers an effective blending of gospel narrative and ancient Roman comedy, combining manner of Plautus and Terence with the didacticism of medieval allegory and morality plays and the poetic diction of Renaissance humanism. In the Samarites they are the ingredients that present both moral and doctrinal teachings related to the gospel parables of the Prodigal Son and Good Samaritan. Papeus’ work is an excellent example not only of the early modern school play, but also of the shifting conceptions of drama in Europe at that time. Daniel Nodes presents a critical edition and translation of the play together with a humanist commentary produced in Toledo by Alexius Vanegas three years after the play’s first printing in Antwerp.

Literature without Frontiers

Literature without Frontiers PDF Author: Cornelis van der Haven
Publisher: BRILL
ISBN: 9004544879
Category : Literary Criticism
Languages : en
Pages : 290

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Book Description
This volume explores the indispensability of a transnational perspective for the construction and writing of literary histories of the Low Countries from 1200- 1800. It looks at the role of mediators such as translators, printers, and editors, at characteristics of literary genres and the possibilities they offered for literary boundary crossing and adaptation, and at the role of regions and urban centers as multilingual hubs. This collection demonstrates the centrality of transnational perspectives for elucidating the complex inter-relationship between Netherlandic and European literary history. The Low Countries were a dynamic site for new literary production and transnational exchange that shaped and reshaped the intellectual landscape of premodern Europe. Contributors include: Lia van Gemert, Lucas van der Deijl, Feike Dietz, Paul Wackers, David Napolitano, James A. Parente, Jr., Frank Willaert, Youri Desplenter, Bart Besamusca, Frans R.E. Blom, and Jan Bloemendal.

Acta Conventus Neo-Latini Albasitensis

Acta Conventus Neo-Latini Albasitensis PDF Author: Florian Schaffenrath
Publisher: BRILL
ISBN: 9004427104
Category : Language Arts & Disciplines
Languages : en
Pages : 737

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Book Description
Every third year, the members of the International Association for Neo-Latin Studies (IANLS) assemble for a week-long conference. Over the years, this event has evolved into the largest single conference in the field of Neo-Latin studies. The papers presented at these conferences offer, then, a general overview of the current status of Neo-Latin research; its current trends, popular topics, and methodologies. In 2018, the members of IANLS gathered for a conference in Albacete (Spain) on the theme of “Humanity and Nature: Arts and Sciences in Neo-Latin Literature”. This volume presents the conference’s papers which were submitted after the event and which have undergone a peer-review process. The papers deal with a broad range of fields, including literature, history, philology, and religious studies.

Medievalia et Humanistica, No. 47

Medievalia et Humanistica, No. 47 PDF Author: Reinhold F. Glei
Publisher: Rowman & Littlefield
ISBN: 1538157918
Category : Literary Criticism
Languages : en
Pages : 150

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Book Description
Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume 47 showcases a variety of transnational and translingual perspectives, analyzing the works of humanist authors from across Europe, and how language can affect the interpretation of the literature. It expands beyond the Eurocentric appraisal of medieval works and takes into consideration a broader response.

Choreonarratives

Choreonarratives PDF Author:
Publisher: BRILL
ISBN: 9004462635
Category : History
Languages : en
Pages : 381

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Book Description
Choreonarratives, a collection of essays by classicists, dance scholars, and dance practitioners, explores the uses of dance as a narrative medium. Case studies from Greek and Roman antiquity illustrate how dance contributed to narrative repertoires in their multimodal manifestations, while discussions of modern and contemporary dance shed light on practices, discourses, and ancient legacies regarding the art of dancing stories. Benefitting from the crossover of different disciplinary, historical, and artistic perspectives, the volume looks beyond current narratological trends and investigates the manifold ways in which dance can acquire meaning, disclose storyworlds ranging from myths to individual life-stories, elicit the narratees’ responses, and generate powerful narratives of its own. Together, the eclectic approaches of Choreonarratives rethink dance’s capacity to tell, enrich, and inspire stories. Contributors are Sophie M. Bocksberger, Iris J. Bührle, Marie-Louise Crawley, Samuel N. Dorf, Karin Fenböck, Susan L. Foster, Laura Gianvittorio-Ungar, Sarah Olsen, Lucia Ruprecht, Karin Schlapbach, Danuta Shanzer, Christina Thurner, Yana Zarifi-Sistovari, Bernhard Zimmermann

Translations of the Sublime

Translations of the Sublime PDF Author: Caroline A. van Eck
Publisher: BRILL
ISBN: 9004229558
Category : Literary Criticism
Languages : en
Pages : 293

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Book Description
The present volume is a first attempt to chart the early modern translations of Peri hupsous, both in the literal sense of the history of its dissemination by means of editions, versions and translations in Latin and vernacular languages, but also in the figurative sense of its uses and transformations in the visual arts from 1500 to 1800.

Parables on a Roman Comic Stage

Parables on a Roman Comic Stage PDF Author: Daniel J. Nodes
Publisher: Drama and Theatre in Early Mod
ISBN: 9789004317871
Category : History
Languages : en
Pages : 376

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Book Description
Daniel Nodes presents a critical edition of the Samarites (1539) by Flemish schoolmaster Petrus Papeus. The play blends gospel narrative, characters from ancient Roman comedy, and elements of medieval morality plays into a stage production designed to educate, edify and entertain.

Drama, Performance and Debate

Drama, Performance and Debate PDF Author: Jan Bloemendal
Publisher: BRILL
ISBN: 9004236996
Category : History
Languages : en
Pages : 381

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Book Description
Early modern theatre was a visual matter, even though the authors wrote plays which were mainly meant to be read. But whether they wrote their plays to have them performed or not, authors could use comedies, tragi-comedies or tragedies to influence public opinion, to make a statement in a debate, or to convey explicit or implicit lessons that they carried out or had carried out by linguistic, rhetorical and theatrical means. How explicit they were in expressing their views depended on the characters of the authors or the circumstances in which they wrote. Questions regarding the opinion-forming and opinion-following functions of theatre, the means by which authors and theatre makers expressed their ideas, and the role of theatre and plays in public debate are discussed from various angles. Such questions refer not only to ‘literary’ plays, but also to other forms of theatrical event, such as royal entrances. Contributors include: Imre Bésanger, Hartmut Beyer, Stijn Bussels, Jean-Frédéric Chevalier, Verena Demoed, Arjan van Dixhoorn, Ron Gruijters, Jelle Koopmans, Frans-Willem Korsten, Katell Lavéant, Hubert Meeus, Marco Prandoni, and Helmar Schramm.

Neo-Latin Drama

Neo-Latin Drama PDF Author: Jan Bloemendal
Publisher:
ISBN:
Category : Latin drama, Medieval and modern
Languages : en
Pages : 202

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Book Description


The Lyon Terence

The Lyon Terence PDF Author: Giulia Torello-Hill
Publisher: BRILL
ISBN: 900443240X
Category : Literary Collections
Languages : en
Pages : 312

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Book Description
In The Lyon Terence Giulia Torello-Hill and Andrew J. Turner take an unprecedented interdisciplinary approach to map out the influence of late-antique and medieval commentary and iconographic traditions over this seminal edition of the plays of Terence, published in Lyon in 1493, and examine its legacy. The work had a profound impact on the way Terence’s plays were read and understood throughout the sixteenth century, but its influence has been poorly recognised in modern scholarship. The authors establish the pivotal role that this book, and its editor Badius, played in the revitalisation of the theoretical understanding of classical comedy and in the revival of the plays of Terence that foreshadowed the establishment of early modern theatre in Italy and France.