Author:
Publisher:
ISBN:
Category : Land use, Rural
Languages : fr
Pages : 196
Book Description
Pages paysages
Author:
Publisher:
ISBN:
Category : Land use, Rural
Languages : fr
Pages : 196
Book Description
Publisher:
ISBN:
Category : Land use, Rural
Languages : fr
Pages : 196
Book Description
Photoscapes
Author: Frédéric Pousin
Publisher: Birkhäuser
ISBN: 3035618372
Category : Architecture
Languages : en
Pages : 256
Book Description
Landscape architecture and photography are closely interrelated, since the former is a constantly evolving thing that can be captured in stills, even eternalized, by photography. What role does photography play in landscape design? How does photography create a new context for landscape? The book investigates such questions in nine essays by North-American and French scientists, using landscape designs that were created from the 1950s to today.
Publisher: Birkhäuser
ISBN: 3035618372
Category : Architecture
Languages : en
Pages : 256
Book Description
Landscape architecture and photography are closely interrelated, since the former is a constantly evolving thing that can be captured in stills, even eternalized, by photography. What role does photography play in landscape design? How does photography create a new context for landscape? The book investigates such questions in nine essays by North-American and French scientists, using landscape designs that were created from the 1950s to today.
Postcolonial Brittany
Author: Heather Williams
Publisher: Peter Lang
ISBN: 9783039105564
Category : History
Languages : en
Pages : 196
Book Description
This book investigates the space between the two languages of modern-day Brittany through a series of close readings of literary texts that represent Brittany or Bretonness in the French language. This is the space that is negotiated by translation, be it a smooth translation of Breton scenes and themes into a French fit for the salons of the capital, or a foreignizing translation of Breton motifs into a French that writhes and struggles to accommodate them. It is also the space negotiated by the bilingual author who writes in the shadow of the other language: the literary conventions of one may litter his work in the other, or the idioms and syntax of one may make their ghostly presence felt in the other. But it can equally be a space of violence as in the case of the writer whose whole community has lost its mother tongue, and writes under protest in the language of the cultural oppressor or colonizer. As the first sustained analysis of the literature produced between French and Breton, this book shows us how literary language is affected by such inter-cultural tensions, and also what it can mean to be caught between cultures.
Publisher: Peter Lang
ISBN: 9783039105564
Category : History
Languages : en
Pages : 196
Book Description
This book investigates the space between the two languages of modern-day Brittany through a series of close readings of literary texts that represent Brittany or Bretonness in the French language. This is the space that is negotiated by translation, be it a smooth translation of Breton scenes and themes into a French fit for the salons of the capital, or a foreignizing translation of Breton motifs into a French that writhes and struggles to accommodate them. It is also the space negotiated by the bilingual author who writes in the shadow of the other language: the literary conventions of one may litter his work in the other, or the idioms and syntax of one may make their ghostly presence felt in the other. But it can equally be a space of violence as in the case of the writer whose whole community has lost its mother tongue, and writes under protest in the language of the cultural oppressor or colonizer. As the first sustained analysis of the literature produced between French and Breton, this book shows us how literary language is affected by such inter-cultural tensions, and also what it can mean to be caught between cultures.
The Ground of the Image
Author: Jean-Luc Nancy
Publisher: Fordham Univ Press
ISBN: 0823225429
Category : Art
Languages : en
Pages : 275
Book Description
The renowned philosopher provides “noteworthy contributions to themes connected with images, imagination, representation, aesthetics, and . . . religion.” —Journal of American Academy of Religion What is this power that lies in the depths and recesses of an image—which is always only an impenetrable surface? What secrets are concealed in the ground or in the figures of an image—which never does anything but show just exactly what it is and nothing else? How does the immanence of images open onto their unimaginable others, their imageless origin? In this collection of writings on images and visual art, Jean-Luc Nancy explores such questions through an extraordinary range of references. From Renaissance painting and landscape to photography and video, from the image of Roman death masks to the language of silent film, from Cleopatra to Kant and Heidegger, Nancy pursues a reflection on visuality that goes far beyond the many disciplines with which it intersects. He offers insights into the religious, cultural, political, art historical, and philosophical aspects of the visual relation, treating such vexed problems as the connection between image and violence, the sacred status of images, and, in a profound and important essay, the forbidden representation of the Shoah. In the background of all these investigations lies a preoccupation with finitude, the unsettling forces envisaged by the images that confront us, the limits that bind us to them, the death that stares back at us from their frozen traits and distant intimacies. In these vibrant and complex essays, a central figure in European philosophy continues to work through some of the most important questions of our time.
Publisher: Fordham Univ Press
ISBN: 0823225429
Category : Art
Languages : en
Pages : 275
Book Description
The renowned philosopher provides “noteworthy contributions to themes connected with images, imagination, representation, aesthetics, and . . . religion.” —Journal of American Academy of Religion What is this power that lies in the depths and recesses of an image—which is always only an impenetrable surface? What secrets are concealed in the ground or in the figures of an image—which never does anything but show just exactly what it is and nothing else? How does the immanence of images open onto their unimaginable others, their imageless origin? In this collection of writings on images and visual art, Jean-Luc Nancy explores such questions through an extraordinary range of references. From Renaissance painting and landscape to photography and video, from the image of Roman death masks to the language of silent film, from Cleopatra to Kant and Heidegger, Nancy pursues a reflection on visuality that goes far beyond the many disciplines with which it intersects. He offers insights into the religious, cultural, political, art historical, and philosophical aspects of the visual relation, treating such vexed problems as the connection between image and violence, the sacred status of images, and, in a profound and important essay, the forbidden representation of the Shoah. In the background of all these investigations lies a preoccupation with finitude, the unsettling forces envisaged by the images that confront us, the limits that bind us to them, the death that stares back at us from their frozen traits and distant intimacies. In these vibrant and complex essays, a central figure in European philosophy continues to work through some of the most important questions of our time.
Translating the Perception of Text
Author: Clive Scott
Publisher: Routledge
ISBN: 1351538632
Category : Foreign Language Study
Languages : en
Pages : 208
Book Description
Translation often proceeds as if languages already existed, as if the task of the translator were to make an appropriate selection from available resources. Clive Scott challenges this tacit assumption. If the translator is to do justice to himself/herself as a reader, if the translator is to become the creative writer of his/her reading, then the language of translation must be equal to the translators perceptual experience of, and bodily responses to, source texts. Each renewal of perceptual and physiological contact with a text involves a renewal of the ways we think language and use our expressive faculties (listening, speaking, writing). Phenomenology and particularly the phenomenology of Merleau-Ponty underpins this new approach to translation. The task of the translator is tirelessly to develop new translational languages, ever to move beyond the bilingual into the multilingual, and always to remember that language is as much an active instrument of perception as an object of perception. Clive Scott is Professor Emeritus of European Literature at the University of East Anglia, and a Fellow of the British Academy.
Publisher: Routledge
ISBN: 1351538632
Category : Foreign Language Study
Languages : en
Pages : 208
Book Description
Translation often proceeds as if languages already existed, as if the task of the translator were to make an appropriate selection from available resources. Clive Scott challenges this tacit assumption. If the translator is to do justice to himself/herself as a reader, if the translator is to become the creative writer of his/her reading, then the language of translation must be equal to the translators perceptual experience of, and bodily responses to, source texts. Each renewal of perceptual and physiological contact with a text involves a renewal of the ways we think language and use our expressive faculties (listening, speaking, writing). Phenomenology and particularly the phenomenology of Merleau-Ponty underpins this new approach to translation. The task of the translator is tirelessly to develop new translational languages, ever to move beyond the bilingual into the multilingual, and always to remember that language is as much an active instrument of perception as an object of perception. Clive Scott is Professor Emeritus of European Literature at the University of East Anglia, and a Fellow of the British Academy.
A Dictionary of Cultural and Critical Theory
Author: Michael Payne
Publisher: John Wiley & Sons
ISBN: 1118438817
Category : Literary Criticism
Languages : en
Pages : 834
Book Description
Now thoroughly updated and revised, this new edition of the highly acclaimed dictionary provides an authoritative and accessible guide to modern ideas in the broad interdisciplinary fields of cultural and critical theory Updated to feature over 40 new entries including pieces on Alain Badiou, Ecocriticism, Comparative Racialization , Ordinary Language Philosophy and Criticism, and Graphic Narrative Includes reflective, broad-ranging articles from leading theorists including Julia Kristeva, Stanley Cavell, and Simon Critchley Features a fully updated bibliography Wide-ranging content makes this an invaluable dictionary for students of a diverse range of disciplines
Publisher: John Wiley & Sons
ISBN: 1118438817
Category : Literary Criticism
Languages : en
Pages : 834
Book Description
Now thoroughly updated and revised, this new edition of the highly acclaimed dictionary provides an authoritative and accessible guide to modern ideas in the broad interdisciplinary fields of cultural and critical theory Updated to feature over 40 new entries including pieces on Alain Badiou, Ecocriticism, Comparative Racialization , Ordinary Language Philosophy and Criticism, and Graphic Narrative Includes reflective, broad-ranging articles from leading theorists including Julia Kristeva, Stanley Cavell, and Simon Critchley Features a fully updated bibliography Wide-ranging content makes this an invaluable dictionary for students of a diverse range of disciplines
Balzac
Author: Michael Tilby
Publisher: Routledge
ISBN: 1315505274
Category : Literary Criticism
Languages : en
Pages : 331
Book Description
This canon of French literature, Honore de Balzac (1799-1850) is also a major European figure in the development of realism. His work is dominated by an inter-related sequence of novels and short stories, La Comedie Humanine, which charts the idiosyncrasies of French society from the beginning of the nineteenth century to the 1840's. Among the most famous of these are Le Pierre Goriot and La Cousine Bette. Iin this study, Dr Tilby concentrates on the main approaches in practice and discusses some of the earliest responses to Balzac's work. His introduction and headnotes set Balzac's work in context. This book will be of interest to students of French language and literature and also to those studying French in combined studies or humanities courses.
Publisher: Routledge
ISBN: 1315505274
Category : Literary Criticism
Languages : en
Pages : 331
Book Description
This canon of French literature, Honore de Balzac (1799-1850) is also a major European figure in the development of realism. His work is dominated by an inter-related sequence of novels and short stories, La Comedie Humanine, which charts the idiosyncrasies of French society from the beginning of the nineteenth century to the 1840's. Among the most famous of these are Le Pierre Goriot and La Cousine Bette. Iin this study, Dr Tilby concentrates on the main approaches in practice and discusses some of the earliest responses to Balzac's work. His introduction and headnotes set Balzac's work in context. This book will be of interest to students of French language and literature and also to those studying French in combined studies or humanities courses.
Lévi-Strauss
Author: Emmanuelle Loyer
Publisher: John Wiley & Sons
ISBN: 1509512012
Category : Social Science
Languages : en
Pages : 908
Book Description
Academic, writer, figure of melancholy, aesthete – Claude Lévi-Strauss (1908–2009) not only transformed his academic discipline, he also profoundly changed the way that we view ourselves and the world around us. In this award-winning biography, historian Emmanuelle Loyer recounts Lévi-Strauss’s childhood in an assimilated Jewish household, his promising student years as well as his first forays into political and intellectual movements. As a young professor, Lévi-Strauss left Paris in 1935 for São Paulo to teach sociology. His rugged expeditions into the Brazilian hinterland, where he discovered the Amerindian Other, made him into an anthropologist. The racial laws of the Vichy regime would force him to leave France yet again, this time for the USA in 1941, where he became Professor Claude L. Strauss – to avoid confusion with the jeans manufacturer. Lévi-Strauss’s return to France, after the war, ushered in the period during which he produced his greatest works: several decades of intense labour in which he reinvented anthropology, establishing it as a discipline that offered a new view on the world. In 1955, Tristes Tropiques offered indisputable proof of this the world over. During those years, Lévi-Strauss became something of a French national monument, as well as a celebrity intellectual of global renown. But he always claimed his perspective was a ‘view from afar’, enabling him to deliver incisive and subversive diagnoses of our waning modernity. Loyer’s outstanding biography tells the story of a true intellectual adventurer whose unforgettable voice invites us to rethink questions of the human and the meaning of progress. She portrays Lévi-Strauss less as a modern than as our own great and disquieted contemporary.
Publisher: John Wiley & Sons
ISBN: 1509512012
Category : Social Science
Languages : en
Pages : 908
Book Description
Academic, writer, figure of melancholy, aesthete – Claude Lévi-Strauss (1908–2009) not only transformed his academic discipline, he also profoundly changed the way that we view ourselves and the world around us. In this award-winning biography, historian Emmanuelle Loyer recounts Lévi-Strauss’s childhood in an assimilated Jewish household, his promising student years as well as his first forays into political and intellectual movements. As a young professor, Lévi-Strauss left Paris in 1935 for São Paulo to teach sociology. His rugged expeditions into the Brazilian hinterland, where he discovered the Amerindian Other, made him into an anthropologist. The racial laws of the Vichy regime would force him to leave France yet again, this time for the USA in 1941, where he became Professor Claude L. Strauss – to avoid confusion with the jeans manufacturer. Lévi-Strauss’s return to France, after the war, ushered in the period during which he produced his greatest works: several decades of intense labour in which he reinvented anthropology, establishing it as a discipline that offered a new view on the world. In 1955, Tristes Tropiques offered indisputable proof of this the world over. During those years, Lévi-Strauss became something of a French national monument, as well as a celebrity intellectual of global renown. But he always claimed his perspective was a ‘view from afar’, enabling him to deliver incisive and subversive diagnoses of our waning modernity. Loyer’s outstanding biography tells the story of a true intellectual adventurer whose unforgettable voice invites us to rethink questions of the human and the meaning of progress. She portrays Lévi-Strauss less as a modern than as our own great and disquieted contemporary.
Lands of Likeness
Author: Kevin Hart
Publisher: University of Chicago Press
ISBN: 0226827585
Category : Religion
Languages : en
Pages : 430
Book Description
"In Lands of Likeness, philosopher, theologian, and poet Kevin Hart utilizes the history of Christian thought and secular philosophy to develop a novel and profound hermeneutics of contemplation. Drawing in particular on the work of Arthur Schopenhauer, Samuel Taylor Coleridge, and Edmund Husserl, Hart traces the development of notions of contemplation in modernity and refines the approaches he finds there. Utilizing his refined approach, Hart trains our attention on modern poems from G. M. Hopkins, Wallace Stevens, A. R. Ammons, Geoffrey Hill and others as sites for a kind of contemplative reading that phenomenology can make precise. Delivered in its original form as the prestigious Gifford Lectures, Lands of Likeness is a revelatory meditation on contemplation for the modern world"--
Publisher: University of Chicago Press
ISBN: 0226827585
Category : Religion
Languages : en
Pages : 430
Book Description
"In Lands of Likeness, philosopher, theologian, and poet Kevin Hart utilizes the history of Christian thought and secular philosophy to develop a novel and profound hermeneutics of contemplation. Drawing in particular on the work of Arthur Schopenhauer, Samuel Taylor Coleridge, and Edmund Husserl, Hart traces the development of notions of contemplation in modernity and refines the approaches he finds there. Utilizing his refined approach, Hart trains our attention on modern poems from G. M. Hopkins, Wallace Stevens, A. R. Ammons, Geoffrey Hill and others as sites for a kind of contemplative reading that phenomenology can make precise. Delivered in its original form as the prestigious Gifford Lectures, Lands of Likeness is a revelatory meditation on contemplation for the modern world"--
Tristan Corbière and the Poetics of Irony
Author: Katherine Lunn-Rockliffe
Publisher: OUP Oxford
ISBN: 0191537829
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
Tristan Corbière is often viewed as the archetypal poète maudit, a misunderstood rebel and bohemian prankster. This is a study of the poet's innovative use of language. It uses the critical tool of irony to analyse his idiosyncratic verse, showing how he contributed to the general revolution in poetic language that marked the 1870s in France. Corbière's poetry pushed the ironic element in Baudelaire to its limit and exerted an important influence on Laforgue, Pound, and Eliot. It played a key role in the ironic tradition of Symbolism which is often overshadowed by the 'pure' poetry of contemporaries like Mallarmé. Using close textual readings of poems from Les Amours jaunes (1873), the only collection published in Corbière's lifetime, this book outlines a method of reading his self-contradictory verse. It tackles the difficulty of interpreting ironic discourse and demonstrates how irony operates in Les Amours jaunes at all levels from verbal device to world-view, showing how the doubts of modern man and the spiritual void of commodity culture shape the very language of his poetry. Synthesizing critical approaches from continental and Anglo-American traditions, it analyses his use of puns, oral diction, dialogue, quotation, and intertextuality. It shows how he systematically undercuts habitual strategies of reading, by importing novelistic techniques into verse to deride it from within, and by ironizing irony itself. This is an introduction to the work of a challenging poet and a study of the practice of reading French verse.
Publisher: OUP Oxford
ISBN: 0191537829
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
Tristan Corbière is often viewed as the archetypal poète maudit, a misunderstood rebel and bohemian prankster. This is a study of the poet's innovative use of language. It uses the critical tool of irony to analyse his idiosyncratic verse, showing how he contributed to the general revolution in poetic language that marked the 1870s in France. Corbière's poetry pushed the ironic element in Baudelaire to its limit and exerted an important influence on Laforgue, Pound, and Eliot. It played a key role in the ironic tradition of Symbolism which is often overshadowed by the 'pure' poetry of contemporaries like Mallarmé. Using close textual readings of poems from Les Amours jaunes (1873), the only collection published in Corbière's lifetime, this book outlines a method of reading his self-contradictory verse. It tackles the difficulty of interpreting ironic discourse and demonstrates how irony operates in Les Amours jaunes at all levels from verbal device to world-view, showing how the doubts of modern man and the spiritual void of commodity culture shape the very language of his poetry. Synthesizing critical approaches from continental and Anglo-American traditions, it analyses his use of puns, oral diction, dialogue, quotation, and intertextuality. It shows how he systematically undercuts habitual strategies of reading, by importing novelistic techniques into verse to deride it from within, and by ironizing irony itself. This is an introduction to the work of a challenging poet and a study of the practice of reading French verse.