Author: Dominic Janes
Publisher: University of Chicago Press
ISBN: 022639655X
Category : Literary Criticism
Languages : en
Pages : 294
Book Description
“I do not say you are it, but you look it, and you pose at it, which is just as bad,” Lord Queensbury challenged Oscar Wilde in the courtroom—which erupted in laughter—accusing Wilde of posing as a sodomite. What was so terrible about posing as a sodomite, and why was Queensbury’s horror greeted with such amusement? In Oscar Wilde Prefigured, Dominic Janes suggests that what divided the two sides in this case was not so much the question of whether Wilde was or was not a sodomite, but whether or not it mattered that people could appear to be sodomites. For many, intimations of sodomy were simply a part of the amusing spectacle of sophisticated life. Oscar Wilde Prefigured is a study of the prehistory of this “queer moment” in 1895. Janes explores the complex ways in which men who desired sex with men in Britain had expressed such interests through clothing, style, and deportment since the mid-eighteenth century. He supplements the well-established narrative of the inscription of sodomitical acts into a homosexual label and identity at the end of the nineteenth century by teasing out the means by which same-sex desires could be signaled through visual display in Georgian and Victorian Britain. Wilde, it turns out, is not the starting point for public queer figuration. He is the pivot by which Georgian figures and twentieth-century camp stereotypes meet. Drawing on the mutually reinforcing phenomena of dandyism and caricature of alleged effeminates, Janes examines a wide range of images drawn from theater, fashion, and the popular press to reveal new dimensions of identity politics, gender performance, and queer culture.
Oscar Wilde Prefigured
Author: Dominic Janes
Publisher: University of Chicago Press
ISBN: 022635864X
Category : Art
Languages : en
Pages : 294
Book Description
That there is a queeras opposed to merely homosexualhistory before Oscar Wilde will come as news to many in the sexuality studies field. Oscar Wilde Prefigured. It turns out that there is indeed a history of queerness, and that is originated in the early 18th century, coming to a head, as it were, by the end of the 19th. Dominic Janes draws on lots of new historical material, especially parodies and stereotypes in caricatures of sodomy and effeminacy. Front and center, then, are the 18th-century macaronies and mollies and men of feeling, the Regency dandies, and Victorian aesthetes. Visual display become a powerful historical tableau, generating a long history of queerness/homosexuality via caricatures of allegedly effeminate types. Images of effeminacy became a cultural field in which same-sex desire could be expressed. Wilde, then, was not the starting-point of public gay figures, but the endpoint. Wilde, in turn, is the pivot for connecting the Georgian figures to 20th-century stereotypes of camp (think Liberace), using images drawn from theater, fashion, and popular press to reveal new dimensions of identity politics and queer culture."
Publisher: University of Chicago Press
ISBN: 022635864X
Category : Art
Languages : en
Pages : 294
Book Description
That there is a queeras opposed to merely homosexualhistory before Oscar Wilde will come as news to many in the sexuality studies field. Oscar Wilde Prefigured. It turns out that there is indeed a history of queerness, and that is originated in the early 18th century, coming to a head, as it were, by the end of the 19th. Dominic Janes draws on lots of new historical material, especially parodies and stereotypes in caricatures of sodomy and effeminacy. Front and center, then, are the 18th-century macaronies and mollies and men of feeling, the Regency dandies, and Victorian aesthetes. Visual display become a powerful historical tableau, generating a long history of queerness/homosexuality via caricatures of allegedly effeminate types. Images of effeminacy became a cultural field in which same-sex desire could be expressed. Wilde, then, was not the starting-point of public gay figures, but the endpoint. Wilde, in turn, is the pivot for connecting the Georgian figures to 20th-century stereotypes of camp (think Liberace), using images drawn from theater, fashion, and popular press to reveal new dimensions of identity politics and queer culture."
The Unmasking of Oscar Wilde
Author: Joseph Pearce
Publisher: Ignatius Press
ISBN: 1681495643
Category : Biography & Autobiography
Languages : en
Pages : 390
Book Description
Vilified by fellow Victorians for his sexuality and his dandyism, Oscar Wilde, the great poet, satirist and playwright, is hailed today, in some circles, as a progressive sexual liberator. But this image is not how Wilde saw himself. Joseph Pearce's biography strips away pretensions to show the real man, his aspirations and desires. It uncovers how he was broken by his prison sentence; it probes the deeper thinking behind masterpieces such as The Picture of Dorian Gray and De Profundis; and it traces his fascination with Catholicism through to his eleventh-hour conversion. Pearce removes the masks and reveals the Wilde beneath the surface. He has written a profound, wide-ranging study with many original insights on a great literary figure.
Publisher: Ignatius Press
ISBN: 1681495643
Category : Biography & Autobiography
Languages : en
Pages : 390
Book Description
Vilified by fellow Victorians for his sexuality and his dandyism, Oscar Wilde, the great poet, satirist and playwright, is hailed today, in some circles, as a progressive sexual liberator. But this image is not how Wilde saw himself. Joseph Pearce's biography strips away pretensions to show the real man, his aspirations and desires. It uncovers how he was broken by his prison sentence; it probes the deeper thinking behind masterpieces such as The Picture of Dorian Gray and De Profundis; and it traces his fascination with Catholicism through to his eleventh-hour conversion. Pearce removes the masks and reveals the Wilde beneath the surface. He has written a profound, wide-ranging study with many original insights on a great literary figure.
Selected Writings of Oscar Wilde
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 468
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 468
Book Description
De Profundis
Author: Oscar Wilde
Publisher: London : Methuen
ISBN:
Category : Literary Collections
Languages : en
Pages : 188
Book Description
De Profundis (Latin: "from the depths") is a letter written by Oscar Wilde during his imprisonment in Reading Gaol, to "Bosie" (Lord Alfred Douglas).In its first half Wilde recounts their previous relationship and extravagant lifestyle which eventually led to Wilde's conviction and imprisonment for gross indecency. He indicts both Lord Alfred's vanity and his own weakness in acceding to those wishes. In the second half, Wilde charts his spiritual development in prison and identification with Jesus Christ, whom he characterises as a romantic, individualist artist. The letter began "Dear Bosie" and ended "Your Affectionate Friend".Wilde wrote the letter between January and March 1897, close to the end of his imprisonment. Contact had lapsed between Douglas and Wilde and the latter had suffered from his close supervision, physical labour and emotional isolation. Nelson, the new prison governor, thought that writing might be more cathartic than prison labour. He was not allowed to send the long letter which he was allowed to write "for medicinal purposes"; each page was taken away when completed, and only at the end could he read it over and make revisions. Nelson gave the long letter to him on his release on 18 May 1897.Wilde entrusted the manuscript to the journalist Robert Ross (another former lover, loyal friend and rival to "Bosie"). Ross published the letter in 1905, five years after Wilde's death, giving it the title "De Profundis" from Psalm 130. It was an incomplete version, excised of its autobiographical elements and references to the Queensberry family; various editions gave more text until in 1962 the complete and correct version appeared in a volume of Wilde's letters.
Publisher: London : Methuen
ISBN:
Category : Literary Collections
Languages : en
Pages : 188
Book Description
De Profundis (Latin: "from the depths") is a letter written by Oscar Wilde during his imprisonment in Reading Gaol, to "Bosie" (Lord Alfred Douglas).In its first half Wilde recounts their previous relationship and extravagant lifestyle which eventually led to Wilde's conviction and imprisonment for gross indecency. He indicts both Lord Alfred's vanity and his own weakness in acceding to those wishes. In the second half, Wilde charts his spiritual development in prison and identification with Jesus Christ, whom he characterises as a romantic, individualist artist. The letter began "Dear Bosie" and ended "Your Affectionate Friend".Wilde wrote the letter between January and March 1897, close to the end of his imprisonment. Contact had lapsed between Douglas and Wilde and the latter had suffered from his close supervision, physical labour and emotional isolation. Nelson, the new prison governor, thought that writing might be more cathartic than prison labour. He was not allowed to send the long letter which he was allowed to write "for medicinal purposes"; each page was taken away when completed, and only at the end could he read it over and make revisions. Nelson gave the long letter to him on his release on 18 May 1897.Wilde entrusted the manuscript to the journalist Robert Ross (another former lover, loyal friend and rival to "Bosie"). Ross published the letter in 1905, five years after Wilde's death, giving it the title "De Profundis" from Psalm 130. It was an incomplete version, excised of its autobiographical elements and references to the Queensberry family; various editions gave more text until in 1962 the complete and correct version appeared in a volume of Wilde's letters.
Wilde in the Dream Factory
Author: Kate Hext
Publisher: Oxford University Press
ISBN: 019887538X
Category : Drama
Languages : en
Pages : 289
Book Description
Hollywood is haunted by the ghost of playwright and novelist Oscar Wilde. This is the story of his haunting, told for the first time. Set within the rich evolving context of how the American entertainment industry became cinema, and how cinema become the movies, it reveals how Wilde helped to shape Hollywood in the early twentieth century. It begins with his 1882 American tour, and traces the ongoing popularity of his plays and novel in the early twentieth century, after his ignominious death. Following the early filmmakers, writers and actors as they headed West in the Hollywood boom, it uncovers how and why they took Wilde's spirit with them. There, in Hollywood, in the early days of silent cinema, Wilde's works were adapted. They were also beginning to define a new kind of style -- a 'Wilde-ish spirit', as Ernst Lubitsch called it -- filtering into the imaginations of Lubitsch himself, as well as Alla Nazimova, Ben Hecht, Samuel Hoffenstein and many others. These were the people who translated Wilde's queer playfulness into the creation of screwball comedies, gangster movies, B-movie horrors, and films noir. There, Wilde and his style embodied a spirit of rebellion and naughtiness, providing a blue-print for the charismatic cinematic criminal and screwball talk onscreen. Discussing films including Bringing Up Baby, Underworld, and Laura, alongside definitive adaptations of Wilde's works, including, The Picture of Dorian Gray, Lady Windermere's Fan, and Salome, Wilde in the Dream Factory revises how we understand both Wilde's afterlife and cinema's beginnings.
Publisher: Oxford University Press
ISBN: 019887538X
Category : Drama
Languages : en
Pages : 289
Book Description
Hollywood is haunted by the ghost of playwright and novelist Oscar Wilde. This is the story of his haunting, told for the first time. Set within the rich evolving context of how the American entertainment industry became cinema, and how cinema become the movies, it reveals how Wilde helped to shape Hollywood in the early twentieth century. It begins with his 1882 American tour, and traces the ongoing popularity of his plays and novel in the early twentieth century, after his ignominious death. Following the early filmmakers, writers and actors as they headed West in the Hollywood boom, it uncovers how and why they took Wilde's spirit with them. There, in Hollywood, in the early days of silent cinema, Wilde's works were adapted. They were also beginning to define a new kind of style -- a 'Wilde-ish spirit', as Ernst Lubitsch called it -- filtering into the imaginations of Lubitsch himself, as well as Alla Nazimova, Ben Hecht, Samuel Hoffenstein and many others. These were the people who translated Wilde's queer playfulness into the creation of screwball comedies, gangster movies, B-movie horrors, and films noir. There, Wilde and his style embodied a spirit of rebellion and naughtiness, providing a blue-print for the charismatic cinematic criminal and screwball talk onscreen. Discussing films including Bringing Up Baby, Underworld, and Laura, alongside definitive adaptations of Wilde's works, including, The Picture of Dorian Gray, Lady Windermere's Fan, and Salome, Wilde in the Dream Factory revises how we understand both Wilde's afterlife and cinema's beginnings.
Artists, Advertising, and the Borders of Art
Author: Michele H. Bogart
Publisher: University of Chicago Press
ISBN: 9780226063072
Category : Art
Languages : en
Pages : 460
Book Description
Leyendecker and Georgia O'Keeffe, the Metropolitan Museum of Art and Pepsi-Cola, the avant garde and the Famous Artists Schools, Inc.
Publisher: University of Chicago Press
ISBN: 9780226063072
Category : Art
Languages : en
Pages : 460
Book Description
Leyendecker and Georgia O'Keeffe, the Metropolitan Museum of Art and Pepsi-Cola, the avant garde and the Famous Artists Schools, Inc.
A Very Queer Family Indeed
Author: Simon Goldhill
Publisher: University of Chicago Press
ISBN: 022639378X
Category : Biography & Autobiography
Languages : en
Pages : 344
Book Description
The family that wrote itself -- Sensation! -- Wooing mother -- Bringing up the subject -- Fifty ways to say I hate my father -- Tell the truth, my boy -- A map of biographical urges -- To write a life -- Women in love -- Graphomania -- Being queer -- What's in a name? -- Though wholly pure and good -- He never married -- All London is agog -- Carnal affections -- Be a man, my boy -- "It's not unusual . . ." -- The god of our fathers -- It will be worth dying -- The deeper self that can't decide -- Our father -- Secret history -- Writing the history of the church -- Building history -- Forms of worship -- Capturing the Bensons -- Not I
Publisher: University of Chicago Press
ISBN: 022639378X
Category : Biography & Autobiography
Languages : en
Pages : 344
Book Description
The family that wrote itself -- Sensation! -- Wooing mother -- Bringing up the subject -- Fifty ways to say I hate my father -- Tell the truth, my boy -- A map of biographical urges -- To write a life -- Women in love -- Graphomania -- Being queer -- What's in a name? -- Though wholly pure and good -- He never married -- All London is agog -- Carnal affections -- Be a man, my boy -- "It's not unusual . . ." -- The god of our fathers -- It will be worth dying -- The deeper self that can't decide -- Our father -- Secret history -- Writing the history of the church -- Building history -- Forms of worship -- Capturing the Bensons -- Not I
Oscar Wilde in Context
Author: Kerry Powell
Publisher: Cambridge University Press
ISBN: 1107016134
Category : Drama
Languages : en
Pages : 437
Book Description
Concise and illuminating articles explore Oscar Wilde's life and work in the context of the turbulent landscape of his time.
Publisher: Cambridge University Press
ISBN: 1107016134
Category : Drama
Languages : en
Pages : 437
Book Description
Concise and illuminating articles explore Oscar Wilde's life and work in the context of the turbulent landscape of his time.
Beautiful Untrue Things
Author: Gregory Mackie
Publisher: University of Toronto Press
ISBN: 1487516274
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
Borrowing its title from Oscar Wilde’s essay "The Decay of Lying," this study engages questions of fraudulent authorship in the literary afterlife of Oscar Wilde. The unique cultural moment of Wilde’s early-twentieth-century afterlife, Gregory Mackie argues, afforded a space for marginal and transgressive forms of literary production that, ironically enough, Wilde himself would have endorsed. Beautiful Untrue Things recovers the careers of several forgers who successfully inhabited the persona of the Victorian era’s most infamous homosexual and arguably its most successful dramatist. More broadly, this study tells a larger story about Oscar Wilde’s continued cultural impact at a moment when he had fallen out of favour with the literary establishment. It probes the activities of a series of eccentric and often outrageous figures who inhabited Oscar Wilde’s much-mythologized authorial persona – in forging him, they effectively wrote as Wilde – in order to argue that literary forgery can be reimagined as a form of performance. But to forge Wilde and generate "beautiful untrue things" in his name is not only an exercise in role-playing – it is also crucially a form of imaginative world-making, resembling what we describe today as fan fiction.
Publisher: University of Toronto Press
ISBN: 1487516274
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
Borrowing its title from Oscar Wilde’s essay "The Decay of Lying," this study engages questions of fraudulent authorship in the literary afterlife of Oscar Wilde. The unique cultural moment of Wilde’s early-twentieth-century afterlife, Gregory Mackie argues, afforded a space for marginal and transgressive forms of literary production that, ironically enough, Wilde himself would have endorsed. Beautiful Untrue Things recovers the careers of several forgers who successfully inhabited the persona of the Victorian era’s most infamous homosexual and arguably its most successful dramatist. More broadly, this study tells a larger story about Oscar Wilde’s continued cultural impact at a moment when he had fallen out of favour with the literary establishment. It probes the activities of a series of eccentric and often outrageous figures who inhabited Oscar Wilde’s much-mythologized authorial persona – in forging him, they effectively wrote as Wilde – in order to argue that literary forgery can be reimagined as a form of performance. But to forge Wilde and generate "beautiful untrue things" in his name is not only an exercise in role-playing – it is also crucially a form of imaginative world-making, resembling what we describe today as fan fiction.
Bosom Friends
Author: Thomas J. Balcerski
Publisher: Oxford University Press
ISBN: 0190914610
Category : History
Languages : en
Pages : 352
Book Description
The friendship of the bachelor politicians James Buchanan (1791-1868) of Pennsylvania and William Rufus King (1786-1853) of Alabama has excited much speculation through the years. Why did neither marry? Might they have been gay? Or was their relationship a nineteenth-century version of the modern-day "bromance"? In Bosom Friends: The Intimate World of James Buchanan and William Rufus King, Thomas J. Balcerski explores the lives of these two politicians and discovers one of the most significant collaborations in American political history. He traces the parallels in the men's personal and professional lives before elected office, including their failed romantic courtships and the stories they told about them. Unlikely companions from the start, they lived together as congressional messmates in a Washington, DC, boardinghouse and became close confidantes. Around the nation's capital, the men were mocked for their effeminacy and perhaps their sexuality, and they were likened to Siamese twins. Over time, their intimate friendship blossomed into a significant cross-sectional political partnership. Balcerski examines Buchanan's and King's contributions to the Jacksonian political agenda, manifest destiny, and the increasingly divisive debates over slavery, while contesting interpretations that the men lacked political principles and deserved blame for the breakdown of the union. He closely narrates each man's rise to national prominence, as William Rufus King was elected vice-president in 1852 and James Buchanan the nation's fifteenth president in 1856, despite the political gossip that circulated about them. While exploring a same-sex relationship that powerfully shaped national events in the antebellum era, Bosom Friends demonstrates that intimate male friendships among politicians were--and continue to be--an important part of success in American politics.
Publisher: Oxford University Press
ISBN: 0190914610
Category : History
Languages : en
Pages : 352
Book Description
The friendship of the bachelor politicians James Buchanan (1791-1868) of Pennsylvania and William Rufus King (1786-1853) of Alabama has excited much speculation through the years. Why did neither marry? Might they have been gay? Or was their relationship a nineteenth-century version of the modern-day "bromance"? In Bosom Friends: The Intimate World of James Buchanan and William Rufus King, Thomas J. Balcerski explores the lives of these two politicians and discovers one of the most significant collaborations in American political history. He traces the parallels in the men's personal and professional lives before elected office, including their failed romantic courtships and the stories they told about them. Unlikely companions from the start, they lived together as congressional messmates in a Washington, DC, boardinghouse and became close confidantes. Around the nation's capital, the men were mocked for their effeminacy and perhaps their sexuality, and they were likened to Siamese twins. Over time, their intimate friendship blossomed into a significant cross-sectional political partnership. Balcerski examines Buchanan's and King's contributions to the Jacksonian political agenda, manifest destiny, and the increasingly divisive debates over slavery, while contesting interpretations that the men lacked political principles and deserved blame for the breakdown of the union. He closely narrates each man's rise to national prominence, as William Rufus King was elected vice-president in 1852 and James Buchanan the nation's fifteenth president in 1856, despite the political gossip that circulated about them. While exploring a same-sex relationship that powerfully shaped national events in the antebellum era, Bosom Friends demonstrates that intimate male friendships among politicians were--and continue to be--an important part of success in American politics.