Original Text, English Translation, and a Commentary on Amand Vanderhagen's Méthode Nouvelle Et Raisonnée Pour la Clarinette (1785) and Nouvelle Méthode de Clarinette (1799) PDF Download
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Author: Joan Michelle Blazich
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 302
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Book Description
This work provides, for the first time, the complete English translations and analyses of the first known Classical-era pedagogical treatises for the clarinet, and demonstrates Vanderhagen's influence on subsequent clarinetists.
Author: Joan Michelle Blazich
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 302
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Book Description
This work provides, for the first time, the complete English translations and analyses of the first known Classical-era pedagogical treatises for the clarinet, and demonstrates Vanderhagen's influence on subsequent clarinetists.
Author: Colin Lawson
Publisher: Cambridge University Press
ISBN: 9780521627382
Category : Music
Languages : en
Pages : 240
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Book Description
A 1999 overview of historical performance, surveying issues and suggesting future developments.
Author: Colin Lawson
Publisher: Cambridge University Press
ISBN: 9780521624664
Category : Music
Languages : en
Pages : 148
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Book Description
This practical guide is intended for all clarinettists with a desire to investigate music of earlier periods. It contains practical help on both the aquisition and playing of historical clarinets, while players of modern instruments will find much advice on style, approach and techniques which combine to make up a well-grounded, period interpretation. The book presents and interprets evidence from primary sources and offers suggestions for further reading and investigation. Most importantly, a series of case studies which include the music of Handel, Mozart and Brahms helps recreate performances which will be as close as possible to the composer's original intention. As the early clarinet becomes increasingly popular worldwide, this guide, written by one of the foremost interpreters of early clarinet music, will ensure that players at all levels - professional, students or amateurs - are fully aware of historical considerations in their performance.
Author: Peter Le Huray
Publisher: CUP Archive
ISBN: 9780521399265
Category : Music
Languages : en
Pages : 228
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Book Description
Authenticity in Performance focuses on nine representative works from the Baroque and Classical periods, defining some of the more important questions that the performer and listener should ask.
Author: Leopold Mozart
Publisher: Early Music
ISBN: 9780193185135
Category : Violin
Languages : en
Pages : 276
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Book Description
Leopold Mozart's Treatise on the Fundamental Principles of Violin Playing was the major work of its period on the violin and comparable in importance to Quantz's treatise on the flute and P.E. Bach's on the piano. This translation by Editha Knocker was the first to appear in English andremains scholarly and eminently readable.
Author: Albert R. Rice
Publisher: Oxford University Press
ISBN: 0199887780
Category : Music
Languages : en
Pages : 344
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Book Description
A comprehensive study of the clarinet in use through the classical period, 1760 to 1830, a period of intensive musical experimentation. The book provides a detailed review and analysis of construction, design, materials, and makers of clarinets. Rice also explores how clarinet construction and performance practice developed in tandem with the musical styles of the period.
Author: Clive Brown
Publisher: Oxford University Press
ISBN: 0195347242
Category : Music
Languages : en
Pages : 677
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Book Description
The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers' notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers' intentions have remained uncertain. Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music were more radically different from ours than is generally assumed.
Author: Colin James Lawson
Publisher: Cambridge University Press
ISBN: 9780521476683
Category : Music
Languages : en
Pages : 264
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Book Description
Written for students, performers, and music lovers.
Author: Albert R. Rice
Publisher: Oxford University Press
ISBN: 0190205202
Category : Music
Languages : en
Pages : 300
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Book Description
Notes for Clarinetists: A Guide to the Repertoire offers historic and analytical information concerning thirty major works for solo clarinet, clarinet and piano, and clarinet and orchestra. This information will enhance performance and be useful in preparing and presenting concerts, and recitals.
Author: Simon P. Keefe
Publisher: Cambridge University Press
ISBN: 9780521834834
Category : Music
Languages : en
Pages : 344
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Book Description
A rare volume dedicated entirely to scholarship on the genre of the concerto.
