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Author: George Legg
Publisher: Manchester University Press
ISBN: 1526128888
Category : Political Science
Languages : en
Pages : 339
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Book Description
This book provides a new interpretation of the Northern Irish Troubles. From internment to urban planning, the hunger strikes to post-conflict tourism, it asserts that concepts of capitalism have been consistently deployed to alleviate and exacerbate violence in the North. Through a detailed analysis of the diverse cultural texts, Legg traces the affective energies produced by capitalism’s persistent attempt to resolve Northern Ireland’s ethnic-national divisions: a process he calls the politics of boredom. Such an approach warrants a reconceptualization of boredom as much as cultural production. In close readings of Derek Mahon’s poetry, the photography of Willie Doherty and the female experience of incarceration, Legg argues that cultural texts can delineate a more democratic – less philosophical – conception of ennui. Critics of the Northern Irish Peace Process have begun to apprehend some of these tensions. But an analysis of the post-conflict condition cannot account for capitalism’s protracted and enervating impact in Northern Ireland. Consequently, Legg returns to the origins of the Troubles and uses influential theories of capital accumulation to examine how a politicised sense of boredom persists throughout, and after, the years of conflict. Like Left critique, Legg’s attention to the politics of boredom interrogates the depleted sense of humanity capitalism can create. What Legg’s approach proposes is as unsettling as it is radically new. By attending to Northern Ireland’s long-standing experience of ennui, this book ultimately isolates boredom as a source of optimism as well as a means of oppression.
Author: George Legg
Publisher: Manchester University Press
ISBN: 1526128888
Category : Political Science
Languages : en
Pages : 339
Get Book Here
Book Description
This book provides a new interpretation of the Northern Irish Troubles. From internment to urban planning, the hunger strikes to post-conflict tourism, it asserts that concepts of capitalism have been consistently deployed to alleviate and exacerbate violence in the North. Through a detailed analysis of the diverse cultural texts, Legg traces the affective energies produced by capitalism’s persistent attempt to resolve Northern Ireland’s ethnic-national divisions: a process he calls the politics of boredom. Such an approach warrants a reconceptualization of boredom as much as cultural production. In close readings of Derek Mahon’s poetry, the photography of Willie Doherty and the female experience of incarceration, Legg argues that cultural texts can delineate a more democratic – less philosophical – conception of ennui. Critics of the Northern Irish Peace Process have begun to apprehend some of these tensions. But an analysis of the post-conflict condition cannot account for capitalism’s protracted and enervating impact in Northern Ireland. Consequently, Legg returns to the origins of the Troubles and uses influential theories of capital accumulation to examine how a politicised sense of boredom persists throughout, and after, the years of conflict. Like Left critique, Legg’s attention to the politics of boredom interrogates the depleted sense of humanity capitalism can create. What Legg’s approach proposes is as unsettling as it is radically new. By attending to Northern Ireland’s long-standing experience of ennui, this book ultimately isolates boredom as a source of optimism as well as a means of oppression.
Author: Dmitri Nikulin
Publisher: Columbia University Press
ISBN: 023154815X
Category : Philosophy
Languages : en
Pages : 195
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Book Description
Most of the core concepts of the Western philosophical tradition originate in antiquity. Yet boredom is strikingly absent from classical thought. In this philosophical study, Dmitri Nikulin explores the concept’s genealogy to argue that boredom is the mark of modernity. Nikulin contends that boredom is a specifically modern phenomenon. He provides a critical reconstruction of the concept of the modern subject as universal, rational, autonomous, and self-sufficient. Understanding itself in this way, this subject is at once the protagonist, playwright, director, and spectator of the staged drama of human existence. It is therefore inevitably monological, lonely, and alone, and can neither escape its own presence nor get rid of it. In other words, it is bored—and this boredom is the fundamental expression and symptom of the modern condition. Considering such thinkers as Descartes, Pascal, Kant, Kierkegaard, Kracauer, Heidegger, and Benjamin, Critique of Bored Reason places boredom on center stage in the philosophical critique of modernity. Nikulin also considers the alternative to the notion of the autonomous subject in the—nonbored and nonboring—dialogic and comic subject capable of shared existence with others.
Author: Nicholas Grene
Publisher: Liverpool University Press
ISBN: 1835538258
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
Derek Mahon (1941–2020) is widely recognized as one of the most important Irish poets of his generation. This collection of new critical essays offers an important retrospective assessment of the nature of his poetic achievement. Bringing together many leading scholars of modern and contemporary Irish poetry, including a notable number of accomplished poet-critics, its contributors range widely across Mahon’s body of work. Their essays offer fresh considerations of the biographical, geographical and literary contexts that shaped his poetic voice. This includes paying attention not only to more familiar influences but also to previously little considered interlocutors. The stylistic and formal achievement of his voice is re-evaluated in ways that range from attentive close readings to considerations of his controversial practice of self-revision, and his engagements with music and experiments in translation. The politics of a poet often misleadingly considered apolitical are also reframed to take in the engagements of his early work through to the ecocritical commitment of his later poetry. Indeed, a notable aspect of this book is the consideration it gives to all the phases of Mahon’s career. As a whole, the collection opens up many new ways of reading and understanding Mahon’s important body of work.
Author: James Danckert
Publisher: Harvard University Press
ISBN: 0674984676
Category : Science
Languages : en
Pages : 289
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Book Description
A Behavioral Scientist Notable Book of the Year A Guardian “Best Book about Ideas” of the Year No one likes to be bored. Two leading psychologists explain what causes boredom and how to listen to what it is telling you, so you can live a more engaged life. We avoid boredom at all costs. It makes us feel restless and agitated. Desperate for something to do, we play games on our phones, retie our shoes, or even count ceiling tiles. And if we escape it this time, eventually it will strike again. But what if we listened to boredom instead of banishing it? Psychologists James Danckert and John Eastwood contend that boredom isn’t bad for us. It’s just that we do a bad job of heeding its guidance. When we’re bored, our minds are telling us that whatever we are doing isn’t working—we’re failing to satisfy our basic psychological need to be engaged and effective. Too many of us respond poorly. We become prone to accidents, risky activities, loneliness, and ennui, and we waste ever more time on technological distractions. But, Danckert and Eastwood argue, we can let boredom have the opposite effect, motivating the change we need. The latest research suggests that an adaptive approach to boredom will help us avoid its troubling effects and, through its reminder to become aware and involved, might lead us to live fuller lives. Out of My Skull combines scientific findings with everyday observations to explain an experience we’d like to ignore, but from which we have a lot to learn. Boredom evolved to help us. It’s time we gave it a chance.
Author: Richard Bradford
Publisher: John Wiley & Sons
ISBN: 1119652642
Category : Literary Criticism
Languages : en
Pages : 2453
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Book Description
THE WILEY BLACKWELL COMPANION TO CONTEMPORARY BRITISH AND IRISH LITERATURE An insightful guide to the exploration of modern British and Irish literature The Wiley Blackwell Companion to Contemporary British and Irish Literature is a must-have guide for anyone hoping to navigate the world of new British and Irish writing. Including modern authors and poets from the 1960s through to the 21st century, the Companion provides a thorough overview of contemporary poetry, fiction, and drama by some of the most prominent and noteworthy writers. Seventy-three comprehensive chapters focus on individual authors as well as such topics as Englishness and identity, contemporary Science Fiction, Black writing in Britain, crime fiction, and the influence of globalization on British and Irish Literature. Written in four parts, The Wiley Blackwell Companion to Contemporary British and Irish Literature includes comprehensive examinations of individual authors, as well as a variety of themes that have come to define the contemporary period: ethnicity, gender, nationality, and more. A thorough guide to the main figures and concepts in contemporary literature from Britain and Ireland, this two-volume set: Includes studies of notable figures such as Seamus Heaney and Angela Carter, as well as more recently influential writers such as Zadie Smith and Sarah Waters. Covers topics such as LGBT fiction, androgyny in contemporary British Literature, and post-Troubles Northern Irish Fiction Features a broad range of writers and topics covered by distinguished academics Includes an analysis of the interplay between individual authors and the major themes of the day, and whether an examination of the latter enables us to appreciate the former. The Wiley Blackwell Companion to Contemporary British and Irish Literature provides essential reading for students as well as academics seeking to learn more about the history and future direction of contemporary British and Irish Literature.
Author: Luke Fernandez
Publisher: Harvard University Press
ISBN: 0674244729
Category : Computers
Languages : en
Pages : 473
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Book Description
An Entrepreneur Best Book of the Year Facebook makes us lonely. Selfies breed narcissism. On Twitter, hostility reigns. Pundits and psychologists warn that digital technologies substantially alter our emotional states, but in this lively investigation of changing feelings about technology, we learn that the gadgets we use don’t just affect how we feel—they can profoundly change our sense of self. When we say we’re bored, we don’t mean the same thing as a Victorian dandy. Could it be that political punditry has helped shape a new kind of anger? Luke Fernandez and Susan Matt take us back in time to consider how our feelings of loneliness, boredom, vanity, and anger have evolved in tandem with new technologies. “Technologies have been shaping [our] emotional culture for more than a century, argue computer scientist Luke Fernandez and historian Susan Matt in this original study. Marshalling archival sources and interviews, they trace how norms (say, around loneliness) have shifted with technological change.” —Nature “A powerful story of how new forms of technology are continually integrated into the human experience.” —Publishers Weekly
Author: Liam Ó Ruairc
Publisher: John Hunt Publishing
ISBN: 1789041287
Category : Political Science
Languages : en
Pages : 190
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Book Description
Often the so-called 'Irish question' is reduced to one of ancestral hatreds, but this timely book following the revenant tensions borne out of Brexit negotiations grounds its study in the context of colonialism, anti-imperialism and liberation struggles. This study demonstrates that 'peace' might not be found in 'justice', and argues instead of a 'peace process' for a 'pacification process'.
Author: Colin Coulter
Publisher: Manchester University Press
ISBN: 1526139294
Category : Political Science
Languages : en
Pages : 479
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Book Description
The Good Friday Agreement is widely celebrated as a political success story, one that has brought peace to a region that was once synonymous around the globe with political violence. The truth, as ever, is rather more complicated than that. In many respects, the era of the peace process has seen Northern Irish society change almost beyond recognition. Those incidents of politically motivated violence that were once commonplace have become thankfully rare and a new generation has emerged whose identities and interests are rather more fluid and cosmopolitan than those of their predecessors. However, Northern Ireland continues to operate in the long shadow of its own turbulent past. Those who were victims of violence, as well as those who were its agents, have often been consigned to the margins of a society still struggling to cope with the traumas of the Troubles. Furthermore, the transition to ‘peace’ has revealed the existence of new, and not so new, forms of violence in Northern Irish society, directed towards women, ethnic minorities and the poor. Northern Ireland a generation after Good Friday sets out to capture the complex, and often contradictory, realities that have emerged more than two decades on from the region’s vaunted peace deal. Across nine original essays, the authors offer a critical and comprehensive reading of a society that often appears to have left its violent past behind but at the same time remains subject to its gravitational pull.
Author: Charlotte Al-Khalili
Publisher: UCL Press
ISBN: 1800081189
Category : Social Science
Languages : en
Pages : 220
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Book Description
Revolution Beyond the Event brings together leading international anthropologists alongside emerging scholars to examine revolutionary legacies from the MENA region, Latin America and the Caribbean. It explores the idea that revolutions have varied afterlives that complicate the assumptions about their duration, pace and progression, and argues that a renewed focus on the temporality of radical politics is essential to our understanding of revolution. Approaching revolution through its relationship to time, the book is a critical intervention into attempts to define revolutions as bounded events that act as sequential transitions from one political system to another. It pursues an ethnographically driven rethinking of the temporal horizons that are at stake in revolutionary processes, arguing that linear views of revolution are inextricably tied to notions of progress and modernity. Through a careful selection of case studies, the book provides a critical perspective on the lived realities of revolutionary afterlives, challenging the liberal humanist assumptions implicit in the ‘modern’ idea of revolution, and reappraising the political agency of people caught up in revolutionary situations across a variety of ethnographic contexts.
Author: Fearghus Roulston
Publisher: Manchester University Press
ISBN: 1526152223
Category : History
Languages : en
Pages : 177
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Book Description
Belfast punk and the Troubles is an oral history of the punk scene in Belfast from the mid-1970s to the mid-80s. The book explores what it was like to be a punk in a city shaped by the violence of the Troubles, and how this differed from being a punk elsewhere. It also asks what it means to have been a punk – how punk unravels as a thread throughout the lives of the people interviewed, and what that unravelling means in the context of post-peace-process Northern Ireland. In doing so, it suggests a critical understanding of sectarianism, subjectivity and memory politics in the North, and argues for the importance of placing punk within the segregated structures of everyday life described by the interviewees. Adopting an innovative oral history approach drawing on the work of Luisa Passerini and Alessandro Portelli, the book analyses a small number of oral history interviews with participants in granular detail. Outlining the historical context and the cultural memory of punk, the central chapters each delve into one or two interviews to draw out the affective, imaginative and political ways in which punks and former punks evoke their memories of taking part in the scene. Through this method, it analyses the punk scene as a structure of feeling shaped through the experience of growing up in wartime Belfast. Belfast punk and the Troubles is an intervention in Northern Irish historiography stressing the importance of history from below, and will be compelling reading for historians of Ireland and of punk, as well as those interested in innovative approaches to oral history.
