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Author: Marco Codebò
Publisher: Fairleigh Dickinson Univ Press
ISBN: 0838642055
Category : Literary Criticism
Languages : en
Pages : 199
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Book Description
Narrating from the Archive describes the historical development of the archival novel, a fictional genre in which the narrative stores records, bureaucratic writing informs language, and the archive frames the readers' apprehension of the text. Archival novels have been written in two distinct paradigms--legitimation and challenge. While in the former paradigm the archive guarantees the novel's verisimilitude, in the latter the archive is questioned as a hierarchized and politically biased system for establishing truth. In this book, Alessandro Manzoni's I promessi sposi, Honore de Balzac's Ursule Mirouet and Le Colonel Chabert, are examples of novels written within the paradigm of legitimation; while Gustave Flaubert's Bouvard et Pecuchet permits the transition between the two paradigms, George Perece's La vie mode d'emploi and Don DeLillo's Libra represent cases of archival fiction written within the paradigm of challenge.
Author: Marco Codebò
Publisher: Fairleigh Dickinson Univ Press
ISBN: 0838642055
Category : Literary Criticism
Languages : en
Pages : 199
Get Book Here
Book Description
Narrating from the Archive describes the historical development of the archival novel, a fictional genre in which the narrative stores records, bureaucratic writing informs language, and the archive frames the readers' apprehension of the text. Archival novels have been written in two distinct paradigms--legitimation and challenge. While in the former paradigm the archive guarantees the novel's verisimilitude, in the latter the archive is questioned as a hierarchized and politically biased system for establishing truth. In this book, Alessandro Manzoni's I promessi sposi, Honore de Balzac's Ursule Mirouet and Le Colonel Chabert, are examples of novels written within the paradigm of legitimation; while Gustave Flaubert's Bouvard et Pecuchet permits the transition between the two paradigms, George Perece's La vie mode d'emploi and Don DeLillo's Libra represent cases of archival fiction written within the paradigm of challenge.
Author: Antoinette Burton
Publisher: Duke University Press
ISBN: 0822387042
Category : History
Languages : en
Pages : 409
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Book Description
Despite the importance of archives to the profession of history, there is very little written about actual encounters with them—about the effect that the researcher’s race, gender, or class may have on her experience within them or about the impact that archival surveillance, architecture, or bureaucracy might have on the histories that are ultimately written. This provocative collection initiates a vital conversation about how archives around the world are constructed, policed, manipulated, and experienced. It challenges the claims to objectivity associated with the traditional archive by telling stories that illuminate its power to shape the narratives that are “found” there. Archive Stories brings together ethnographies of the archival world, most of which are written by historians. Some contributors recount their own experiences. One offers a moving reflection on how the relative wealth and prestige of Western researchers can gain them entry to collections such as Uzbekistan’s newly formed Central State Archive, which severely limits the access of Uzbek researchers. Others explore the genealogies of specific archives, from one of the most influential archival institutions in the modern West, the Archives nationales in Paris, to the significant archives of the Bakunin family in Russia, which were saved largely through the efforts of one family member. Still others explore the impact of current events on the analysis of particular archives. A contributor tells of researching the 1976 Soweto riots in the politically charged atmosphere of the early 1990s, just as apartheid in South Africa was coming to an end. A number of the essays question what counts as an archive—and what counts as history—as they consider oral histories, cyberspace, fiction, and plans for streets and buildings that were never built, for histories that never materialized. Contributors. Tony Ballantyne, Marilyn Booth, Antoinette Burton, Ann Curthoys, Peter Fritzsche, Durba Ghosh, Laura Mayhall, Jennifer S. Milligan, Kathryn J. Oberdeck, Adele Perry, Helena Pohlandt-McCormick, John Randolph, Craig Robertson, Horacio N. Roque Ramírez, Jeff Sahadeo, Reneé Sentilles
Author: Valeria Luiselli
Publisher: Vintage
ISBN: 0525436464
Category : Fiction
Languages : en
Pages : 406
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Book Description
NEW YORK TIMES 10 BEST BOOKS OF THE YEAR • “An epic road trip [that also] captures the unruly intimacies of marriage and parenthood ... This is a novel that daylights our common humanity, and challenges us to reconcile our differences.” —The Washington Post In Valeria Luiselli’s fiercely imaginative follow-up to the American Book Award-winning Tell Me How It Ends, an artist couple set out with their two children on a road trip from New York to Arizona in the heat of summer. As the family travels west, the bonds between them begin to fray: a fracture is growing between the parents, one the children can almost feel beneath their feet. Through ephemera such as songs, maps and a Polaroid camera, the children try to make sense of both their family’s crisis and the larger one engulfing the news: the stories of thousands of kids trying to cross the southwestern border into the United States but getting detained—or lost in the desert along the way. A breath-taking feat of literary virtuosity, Lost Children Archive is timely, compassionate, subtly hilarious, and formally inventive—a powerful, urgent story about what it is to be human in an inhuman world.
Author: Shemer Kuznits
Publisher:
ISBN: 9781096361183
Category :
Languages : en
Pages : 403
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Book Description
On the first day, a mist descended from the heavens blanketing Earth.On the second day, a cryptic message, 'Infusion commencing', appeared in the corner of everyone's eyes. On the third day, the sick were healed and the crippled walked again. On the fourth day, celebration and joy spread across the globe. And on the fifth day, the warping began...There was no warning. A mist descended from the sky, disabling all technology and causing a weird message to appear at the corner of everyone's eye. The situation grew even worse as animals and people started to warp, transforming into terrible monsters that prey on the livings. Within months, human civilization had crumbled. Unable to fight the seemingly-indestructible beasts, the survivors are reduced to cowering in reinforced shelters. Waiting for the end to come. Helpless. All seemed lost until a few brave souls discovered the secret of their new reality: the Tec and how to use it to level up. Together they represent humanity's last best hope for salvation. But they first must find the answers to the mystery of their new existence. Their journey will require them to quickly adapt to alien technology, operate strange spaceships, and even befriend an extra-terrestrial merchant with an Inferiority Complex.
Author: Juliet Guzzetta
Publisher:
ISBN: 9780810143869
Category :
Languages : en
Pages : 264
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Book Description
This is the first book in English to focus on the Theater of Narration, a genre characterized by narrators who write and perform works that revisit historical events of national importance from local perspectives.
Author: Nagihan Haliloğlu
Publisher: Rodopi
ISBN: 9401200661
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
Preliminary Material -- The Concern for Self-Possession -- Self-Narration: Conditions, Representations, and Consequences -- The Female Self in Rhys and the Category of the Amateur -- Positioning Rhys's Heroines within Colonial Relations -- Narrative Responses to 'Exile From the English Family': The Zombie and the Mad Witch -- White Female Colonial Self-Articulation: Narrative of Displacement in Voyage in the Dark -- Colonial Creatures: The Community of Life-Stories in Good Morning, Midnight -- Quartet: The Making of the Amateur and Third-Person Self-Narration -- Intersubjectivity and Self-Arrangements in After Leaving Mr Mackenzie -- Membership in the Holy English Family and Mad-Witch Narration in Wide Sargasso Sea -- Conclusion: Self-Narratives for the Chorus Girl and the Horrid Colonial -- Works Cited -- Index.
Author: Susi K. Frank
Publisher: transcript Verlag
ISBN: 3839446562
Category : Social Science
Languages : en
Pages : 319
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Book Description
This pioneering volume explores the Arctic as an important and highly endangered archive of knowledge about natural as well as human history of the anthropocene. Focusing on the Arctic as an archive means to investigate it not only as a place of human history and memory - of Arctic exploring, ›conquering‹ and colonizing -, but to take into account also the specific environmental conditions of the circumpolar region: ice and permafrost. These have allowed a huge natural archive to emerge, offering rich sources for natural scientists and historians alike. Examining the debate on the notion of (›natural‹) archive, the cultural semantics and historicity of the meaning of concepts like ›warm‹, ›cold‹, ›freezing‹ and ›melting‹ as well as various works of literature, art and science on Arctic topics, this volume brings together literary scholars, historians of knowledge and philosophy, art historians, media theorists and archivologists.
Author: Sheila Curran Bernard
Publisher: Taylor & Francis
ISBN: 1136060855
Category : Performing Arts
Languages : en
Pages : 338
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Book Description
Archival Storytelling is an essential, pragmatic guide to one of the most challenging issues facing filmmakers today: the use of images and music that belong to someone else. Where do producers go for affordable stills and footage? How do filmmakers evaluate the historical value of archival materials? What do vérité producers need to know when documenting a world filled with rights-protected images and sounds? How do filmmakers protect their own creative efforts from infringement? Filled with advice and insight from filmmakers, archivists, film researchers, music supervisors, intellectual property experts, insurance executives and others, Archival Storytelling defines key terms-copyright, fair use, public domain, orphan works and more-and challenges filmmakers to become not only archival users but also archival and copyright activists, ensuring their ongoing ability as creators to draw on the cultural materials that surround them. Features conversations with industry leaders including Patricia Aufderheide, Hubert Best, Peter Jaszi, Jan Krawitz, Lawrence Lessig, Stanley Nelson, Rick Prelinger, Geoffrey C. Ward and many others.
Author: Lindsey Moore
Publisher: Routledge
ISBN: 1317568761
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
Narrating Postcolonial Arab Nations significantly enhances the interface between postcolonial literary studies and the hitherto under-studied Arab world. Lindsey Moore brings together canonical and less familiar Arab novels and memoirs from the last half century to consider colonial continuities and consequences. Literary narratives are shown to oppose repressive versions of nationalism and to track desire lines toward more hospitable nations. The literatures discussed in this book enable a deeper historical understanding of twenty-first century Arab uprisings and their aftermaths. The book analyzes four rich sites of literary production: Egypt, Algeria, Lebanon, and Palestine. Moore explores ways in which authors critique particular nation-state formations and decolonizing histories, engage the general problematic of ‘the nation’, and redefine, repurpose, and transcend national literary canons. Chapter One contrasts Egyptian literary representations of popular revolt with official revolutionary discourse. Chapter Two addresses the enduring legacy of anti-colonial violence in Algeria and the place of Albert Camus in its literature. Chapter Three uses narratives of gender violence on the Beirut front line to reveal the divisibility and intersectional identity politics of postcolonial nation-states. Chapter Four emphasizes ways in which Palestinian memoirs insist upon remembering towards a postcolonial future. The book provides detailed analysis of literary narratives by Etel Adnan, Rabih Alameddine, Alaa al-Aswany, Rachid Boudjedra, Albert Camus, Rashid al-Daïf, Assia Djebar, Ghada Karmi, Naguib Mahfouz, Jean Said Makdisi, Edward Said, Boualem Sansal, Raja Shehadeh, Miral al-Tahawy, and Latifa al-Zayyat. It is an indispensable volume for students and scholars of Postcolonial, Arab, and World literatures.
Author: Wolfgang Ernst
Publisher: U of Minnesota Press
ISBN: 1452933952
Category : Art
Languages : en
Pages : 231
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Book Description
In the popular imagination, archives are remote, largely obsolete institutions: either antiquated, inevitably dusty libraries or sinister repositories of personal secrets maintained by police states. Yet the archive is now a ubiquitous feature of digital life. Rather than being deleted, e-mails and other computer files are archived. Media software and cloud storage allow for the instantaneous cataloging and preservation of data, from music, photographs, and videos to personal information gathered by social media sites. In this digital landscape, the archival-oriented media theories of Wolfgang Ernst are particularly relevant. Digital Memory and the Archive, the first English-language collection of the German media theorist’s work, brings together essays that present Ernst’s controversial materialist approach to media theory and history. His insights are central to the emerging field of media archaeology, which uncovers the role of specific technologies and mechanisms, rather than content, in shaping contemporary culture and society. Ernst’s interrelated ideas on the archive, machine time and microtemporality, and the new regimes of memory offer a new perspective on both current digital culture and the infrastructure of media historical knowledge. For Ernst, different forms of media systems—from library catalogs to sound recordings—have influenced the content and understanding of the archive and other institutions of memory. At the same time, digital archiving has become a contested site that is highly resistant to curation, thus complicating the creation and preservation of cultural memory and history.
